Archive for November, 2009

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Copyright Conundrums

November 12, 2009

Wondering about copyright?

Periodically I hear questions and discussion around “copyright” in the arts. So, I’ve asked Barbara Greenstone to write a post on the topic. Barbara is a Statewide Integration Educator for MLTI. Her son Andrew graduated with a BFA in Sequential Art last spring from Savannah College of Art. One of Andrew’s drawings is embedded in the post. Barbara’s husband is a music educator at Lake Region High School.

Thank you Barbara for this great post…

Mark Twain said, “Only one thing is impossible for God: To find any sense in any copyright law on the planet.” If Mark Twain had difficulty understanding copyright at the turn of the last century, how would he fare now in the information age? Copyright laws are even more complex now and, as arts educators, you probably find yourself worrying about protecting your own intellectual property as well as being respectful of that of others. In school, we run into copyright conundrums daily as we try to set a good example for our students while giving them as many rich, creative, and innovative learning opportunities as possible.

Just figuring out who owns what, let alone whether it can be used and reused, is a daunting task. I am not an intellectual property lawyer, and I know I make mistakes, but I’ve developed some practices and strategies that help me make decisions about what is right. Here are the four basic principles I think about when I’m creating new products:

  1. If I didn’t make up that text, draw that picture, take that photo or video, or write and perform that music, it isn’t mine.
  2. If it isn’t mine, I always have to say whose it is and often I have to get permission before I can use it.
  3. I should try making my own things before I decide to use someone else’s property.
  4. I must decide how much I want other people to be able to use the things I make.

They may seem overly simple but I think those four principles cover most situations and get to the heart of what copyright is all about. I also think we should start teaching those principles in the elementary grades.

andrew's artwork

By Andrew Greenstone - Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States license

Principles 1 and 2 are fairly obvious and teachers can consult their school’s Library Media Specialist for help with determining whether permission is needed and how to attribute or cite someone else’s work. Principle 3 is one that I think arts educators can really help the rest of us with. Often, students will want to simply find a picture on the internet or use some music from their CD collection in their multimedia projects, but I’ve found that if you challenge them to make their own, they come up with some amazing things. Art teachers can help students draw or paint their own images or use a camera to take pictures. Music teachers can help them find music that is in the public domain (no permission required) and find a student who can perform it and donate that performance to the project. Drama and dance teachers can help students make their own video footage.

When students create original products, they will need some guidance in how to protect that work (Principle 4) if they decide to publish it on the internet. They may decide to give it a Creative Commons license that will allow others to use it without first asking for permission, as long as they attribute it to its original creator. There are also privacy issues for teachers to consider when posting student work and teachers should consult their district’s policies. Usually permission from both the student and the student’s parent is required and students’ full names cannot be used.

Most teachers’ copyright questions arise around confusion about whether they have to get permission to use someone else’s property in their classroom teaching. The Fair Use Guidelines are just that – guidelines. They are open to interpretation and have many gray areas. Usually you can use a part of a work in your classroom if you don’t lose control of who sees it (by posting it on your web site, for example) and if your using it does no financial harm to the owner. There are many more potential pitfalls for music teachers but MENC has a useful and informative web site that teachers can consult.

The web has many good resources for teachers who want to learn more about copyright, public domain, fair use, and Creative Commons licensing. I’ve collecting many of these resources in a NoteShare notebook that I created for a session at the recent ACTEM MAINEd Conference. If you are a NoteShare user, you can download it from the Barbara Greenstone collection on the ACTEM NoteShare server. Once you’ve downloaded it, feel free to change it and redistribute it (Creative Commons License). If you are not a NoteShare user, or you would just like to browse it on the web, you can find it by clicking here.

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“The Arts Connect” Conference Continues: Part XXVIIII – Artist and Craftsman Supply

November 5, 2009

Arts Connect Conference Supporter Artist and Craftsman Supply

logo3dSince it first opened its doors in 1985, Artist and Craftsman Supply has outfitted the creative culture in Portland, Maine with art material and spirit.  Though the company has grown to embrace 14 retail locations and web-site commerce, the basic principles of operation have remained true. The flagship store is still located on Deering Avenue under the guidance of the company’s founder and president Larry Adlerstein.

Tom Konieczko is the head of school sales at Artist and Craftsman Supply’s flagship store and has worked with Larry, general manager Steve Kenney, and the rest of the staff for the majority of six years to help foster the continuing growth of the creative spirit in Portland.

When the city’s artists unified in 2003 to paint fiberglass lighthouses to be displayed around the city and auctioned for charity, Artist and Craftsman Supply sourced the correct material and just the right varnish so these artists could protect their creations.  When the University of Southern Maine’s Office of Community Service and Civic Engagement partnered with local school children to paint murals about Martin Luther King Jr., Artist and Craftsman Supply helped provide material for the project and traveled to the painting site to lend support.

Having attended the Martin Luther King Day event Tom was tremendously impressed by the sense of community in Portland and enjoyed helping the city’s children articulate big ideas into form.

Artist and Craftsman Supply has hosted art shows with work from local schools.  In April of 2009, they featured ‘Zombies on Exchange Street’ by the students at Portland Arts and Technology High School.

These are a few examples of the ways Artist and Craftsman supply has helped support the growth of the arts in Portland.  More importantly, however, is the fact that they like to grow with their customers. This year, Artist and Craftsman Supply sponsored the Arts Connect Conference for Educators.  In Tom’s words:

“I had the opportunity to reconnect with our customers on their soil. Whenever I attend an event like this, I am truly impressed by the seriousness with which our state’s art teachers conduct their classrooms and the camaraderie displayed by this group of individuals. I have long marveled that a small city like Portland can support a retail store the size of Artist and Craftsman Supply on Deering Avenue. It is still the biggest store in our company. We hear from customers on regular occasion that they have moved to Portland to have better access to our wares. It is difficult to find a ‘real art store’ north of Boston. I believe that the presence of Artist and Craftsman Supply has helped the city of Portland  grow into an epicenter of art reminiscent of the size and scope of its bigger brothers further south.”

Artist and Craftsman Supply
540 Deering Avenue – Portland
207.772.7272
http://www.artistcraftsman.com

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“The Arts Connect” Conference Continues: Part XXVIII – Lynn Brinckmeyer

November 5, 2009

Workshop: Help! I’m “Music K-12” And I Thought I Was A Band Director  and User Friendly Essentials For Teach BOTH by  Beth Whitney

lynnAs one who always saw herself as a band director, I jumped at the chance to attend Lynn Brinckmeyer’s session  “Help! I am Music K-12 and I Thought I was a Band Director” as well as her session on “User Friendly Essentials for Teaching General Music” at the Arts Conference in Northport on October 9.   I’ve only been doing the “K-8 everything” routine since 1986.  There’s still lots to be learned!

Lynn is a wonderfully energetic presenter who didn’t let her lost luggage (including all her handouts and hands-on materials for the sessions) get her down.  She had us up and moving (and wagging our tails to Huckleberry Hound Dog bow-wow-wow) in no time, in the “User Friendly Essentials” session as well as passing the beat and hissing our little hearts out.  It was to bad that the pipe cleaners were in the missing luggage but I suspect we can still figure out how to make the pipe cleaner quarter notes she suggested.  In the “Help! I am Music K-12″ session, Lynn gave us some great suggestions to try with both our choruses and our general music classes.  She even spoke in band director language!

lynn 2The best part was trying out the ideas at school the following week.  I tried them at a variety of levels, K-6.  My students loved the songs, chants (quite an upgrade from our usual 1971 Exploring Music books!) and the rhythm exercises.  All I have to do is pantomime holding that ball and start the t-t-t-t-t-t-t-t, ch-ch-ch-ch, ssss-ssss, shhhhhhhh, and they’re all with me.  Funwa Alafia has become a favorite of my students from grades 1-5!  I’m not sure the West African words were intended this way but we do have FUN and LAUGH with FUNwa a-LAUGH-ia!

I hope that someday I cross paths with Lynn again so I can tell her how much my students gained from her suggestions.