Archive for March, 2013

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2013-14 Screen Savers

March 15, 2013

Maine Student Artwork

“Playing”, by Jo-Hanna Drayton of Skowhegan Middle School, grade 8

“Playing”, by Jo-Hanna Drayton of Skowhegan Middle School, grade 8

Twenty student artists will have an audience of more than 72,000 students and teachers for their artwork starting this fall. The 20 students from across Maine have won the honor to have their artwork displayed on the Maine Learning Technology Initiative devices for the 2013-14 school year.

More than 290 Maine students submitted images to be considered. Students and teachers voted on their favorites, and two of the 20-featured works were the top vote getters. An independent panel of three judges selected the other 18 pieces.

The challenge is an annual affair that has attracted entries from more than 1,200 students during its five-year history. The winning students will receive free registration to attend the 2013 MLTI Student Conference on May 16, 2013 at the University of Maine in Orono.

The selected students are listed below. Their artwork is available for viewing at http://www.maine.gov/mlti/about/photos.shtml and also on this blog by clicking here and on the front page, bottom right, 2013-14 MLTI Screen Saver Pictures.

  1. “Liquid Sunshine”, by Shauna Babine of Lake Region High School, grade 11
  2. “The Catch”, by Jacob Bosworth of Skowhegan Middle School, grade 7
  3. “Lights”, by Travon Bradford of Kennebunk High School, grade 9
  4. “Snake Skin”, by Dylan Collin of Mount Desert Island High School, grade 9
  5. “Playing”, by Jo-Hanna Drayton of Skowhegan Middle School, grade 8
  6. “Transfiguration”, by Lukas Frenzel of Mt Ararat High School, grade 11
  7. “Blue Forest”, by Abbie Healey of Lincoln Academy, grade 10
  8. “Strawberries and Grapes”, by Katelyn Hirst of Kennebunk High School, grade 12
  9. “Untitled”, by Benjamin Hoagland of Lincoln Academy, grade 12
  10. “Continuity”, by Claire Horne of Camden Hills Regional High School, grade 12
  11. “Sights of the Sea”, by Nicholas Johnson of Telstar Regional High School, grade 10
  12. “Sploosh”, by Isaiah Keene of Mount Desert Island High School, grade 9
  13. “Bobbi”, by Alli MacDonald of Mesalonskee Middle School, grade 6
  14. “Big Splash”, by Patti Mankin of Middle School of the Kennebunks, grade 7
  15. “Cat Nap”, by Lauren Merritt of Camden Hills Regional High School, grade 11
  16. “Drops On a Leaf”, by Kathleen Murphy of Mount Desert Island High School, grade 10
  17. “Lonely Blue”, by Keisha Park of Skowhegan Area Middle School, grade 8
  18. “Lion”, by Kayla Redman of Waterville Senior High School, grade 10
  19. “CD Horse”, by Olivia Sciulli of Wells Junior High School, grade 8
  20. “Violin”, by Hannah Wells of Camden Hills Regional High School, grade 12
“Violin”, by Hannah Wells of Camden Hills Regional High School, grade 12

“Violin”, by Hannah Wells of Camden Hills Regional High School, grade 12

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General Music Workshop

March 14, 2013

Maine Music Educators Present:

General Music Workshop

A Spring Sharing Session

Friday, March 29, 2013

10:00 AM – 2 PM

Cost: FREE!

We will make a pot of Broccoli Cheese Soup for lunch

Windham Primary School, 404 Gray Road, Windham, Maine 04062

Come try a SmartBoard!

Come share your favorite tried and true lessons, organizational ideas, technological successes, favorite program materials, and assessment tools with others and learn what works in your colleagues’ classrooms. 

This workshop will be interactive!

 (Projector, SmartBoard, Orff instruments, piano, CD player & copier are all available)

Please let us know if you can make it by emailing one of the following:

Nancy Cash-Cobb ncash-cobb@rsu14.org school 892-1840 home 926-3171

Patti Gordan pgordan@rsu14.org school 655-8672

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News Release

March 13, 2013

March 13, 2013
http://arts.gov/news/news13/ArtsEd-Collective-Impact.html

CONTACT: Liz Auclair, 202-682-5744, auclaire@arts.gov
National Endowment for the Arts Hosts Live Webinar about the Role of Collective Impact in Advancing Arts Education on Wednesday, March 20, 2013 at 3:00 PM.

NEA Director of Arts Education Ayanna Hudson and John Kania, managing director of FSG, to discuss the benefits of finding a common agenda among stakeholders to advance arts education.

Washington, DC — The public is invited to join a webinar about the role of collective impact in advancing arts education on Wednesday, March 20, 2013 at 3:00 p.m. EDT. John Kania, managing director of social impact consultants FSG, will present on his research into the uses of collective impact by the social sector, followed by a discussion with NEA Director of Arts Education Ayanna Hudson. Both Kania and Hudson will also take questions from the public.

As defined by FSG, collective impact is the commitment of a group of actors from different sectors to a common agenda for solving a complex social problem. This discussion will examine how collective impact can help federal, state, and local leaders move forward in a common direction. John Kania, along with Mark Kramer, is the author of the Winter 2011 article in the Stanford Social Innovation Review on thebenefits of using collective impact in the social sector.

This is the first in a series of webinars that will examine different issues and innovations in the arts education field.

Guests and speakers

Ayanna N. Hudson is the director of Arts Education for the National Endowment for the Arts, where she oversees the NEA’s grant portfolio devoted to arts education, works with national service organizations on policy initiatives, and serves as the spokesperson for arts education at the federal level. The NEA’s arts education program supports projects that provide children and youth with opportunities to gain knowledge and skills in the arts both in and outside the classroom. Funding also supports professional development for teachers, teaching artists, and other education providers. Please see a full bio for Ayanna Hudson.

John Kania With twenty-five years of experience advising senior management on issues of strategy, leadership, assessment, and organizational development, John Kania oversees FSG’s consulting practice. As a Board member and Managing Director at FSG for the past nine years, John focuses on inspiring FSG’s Leadership Team, consultants, and operations staff to achieve excellence in their work. Kania has led dozens of strategic planning and evaluation efforts for foundations, nonprofits, and corporations. Client activity includes significant experience in   education, economic and community development, health care, and the environment. He has also been a leader in FSG’s intellectual capital development related to Catalytic Philanthropy, Collective Impact, Shared Value, and community foundation sustainability. Please see a full bio for John Kania.

The webinar is free and open to the public.

Media may RSVP to Liz Auclair at auclaire@arts.gov or 202-682-5744.

Please register in advance at http://artsgov.adobeconnect.com/artsed-march2013-webinar/event/registration.html

You may listen using your computer’s speakers or dial-in to 1-877-685-5350 and use participant code: 739587. Attendees will be muted but able to type in questions and comments through a text Q&A box.

An archive of the webinar will be available on March 22nd on the NEA’s website.

Follow the conversation on Twitter @NEAarts with the hashtag #NEAArtsEd.

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Brain Awareness Week

March 13, 2013

This week at UNE!

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UNE’s series of exhibitions, workshops and other events related to Brain Awareness week, March 11- 17 information at http://www.dana.org/brainweek/.

Ann Thompson will be leading a workshop called “Knit a Neuron” on March 14th, (Einstein’s Birthday! coincidentally) and March 23rd. Moving on from Brain Coral to Brains! FMI please go to http://knitaneuron.blogspot.com/.

All Events are listed on the Engine website and Facebook Page at http://feedtheengine.org/.

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Another Arts Teacher’s Story: Sarah Williams

March 12, 2013

This is the 22nd in a series of blog posts telling arts teacher’s stories. The first 19 were told last year by the phase I Maine Arts Assessment Initiative teacher leaders. The  series continues with the stories from the phase II teacher leaders. These posts contain a set of questions to provide the opportunity for you to read educators stories and to learn from others.

SarahWilliamsSarah Williams has been teaching General Music, grades 5-8 Band and Chorus at Glenburn School for 9 years. there are 102 students in band and chorus and 141 students in grades 2-4 who meet once a week for 45 minutes. the 5th grade band students have individual lessons for 3o minutes once a week and a full rehearsal once a week for 45 minutes. Grades 6-8 band is combined, each grade 6 student has group lessons for 30 minutes once a week and full band with grades 7-8 twice a week for 45 minutes. Grade 5 band students have individual lessons for 30 min once a week and then a full rehearsal once a week for 45 minutes. Grades 7-8 have combined individual group lessons together for 30 minutes and then full band with grade 6 twice a week for 45 minutes.

What do you like best about being an art educator?

The variety of materials and being able to work with a large amount of students.  It’s motivating to see the grade span of where the kids start when I first have them to their last year with me and see their growth and progression.  I also enjoy that you get to actually “know” them as people, not just see them for a year.  You get to see them grow from young children to young adults.

What do you believe are three keys to ANY successful visual and performing arts education?

  1. Content Knowledge
  2. Love and Enthusiasm for what you do
  3. Confident voice to promote your program

How have you found assessment to be helpful to you in your classroom?

Assessment has always been an on going focus for me. I am always looking for new, more informative ways to assess my students. I want to find out the most information about what their strengths and weaknesses are using the most efficient assessment tool possible. I think assessment is extremely important because you could teach a lesson that you think all the students understand, they all appear to be participating and engaged in the lesson. When you do the assessment to find out what the individual student may or may not know it can be a very eye opening experience. Especially when you realize that you completely missed the mark.

What have been the benefits in becoming involved in the arts assessment initiative?

I’ve gained a better understanding of the initiative, it’s goals and focus. I’ve become more knowledgeable about standard based assessment. I’ve also made some connections with other educators that I may not have normally met through this program and also have people I can now bounce ideas off of when I need help.

What are you most proud of in your career?

When I hear that one of my former students has continued on either in High School or even College.  It’s also a great feeling of accomplishment when you speak with a former student or colleague and find out how prepared for the next level of playing the student is, makes you feel all warm and fuzzy and know you’re doing something well.

What gets in the way of being a better teacher or doing a better job as a teacher?

Time. I always wish I could have just five more minutes, and then I would probably still want five more minutes. I feel there is never enough time to get everything you want your students to know or experience about music out to them.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

Nine years ago I was asked by my first principal to continue the Chorus that the previous teacher had started. Some may say the odds of success were stacked against me but through patience, time, and sometimes luck, the program has grown from 12 kids to 54. This program is a before school activity that parents have to drop their students off for we do not have an early bus. I continue to try to put this into our regular school day to reach more students but haven’t succeeded yet, partially because of the above issue, time. But there is nothing that makes me more proud of this then standing in front of the students before their concert or even rehearsals and seeing the numbers, it makes me smile.

Look into your crystal ball: what advice would you give to teachers? 

Always be a voice for your beliefs in your program and put your students first.  If what you are doing is student centered and will only enhance their learning, then you will always reap the benefits.

If you were given a $500,000.00 to do with whatever you please, what would it be?

What would I do with $500,000?  Purchase more school instruments so that those students who can’t afford to participate but want to, don’t have to worry about not being able to afford an instrument. I would also save some money for scholarships to help send students to music camps in the summer time. If any money was left over, I would put it into creating a more music friendly room for my students rehearsals and general music since I currently have to teach in a portable.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

No regrets, every choice is an experience whether good or bad, right or wrong.  I will look back and smile!

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Back From Texas

March 11, 2013

National Art Education Association

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Yes, that is hats

The trip to the National Art Education Association conference in Texas was a fabulous opportunity to join 5000 art educators in Fort Worth, Texas. I was surprised about Fort Worth, population about 750,000. The streets are wide, it was easy walking from downtown to the conference center, and the people are friendly. And, yes the temperature did get to 70 degrees one day.

It was a little touch and go leaving Maine in questionable weather. Our flying plan was to go to Fort Worth via LaGuardia which was changed. We left Portland 2 hours late and went through Detroit and landed in Texas an hour earlier. Go figure!

It was great to see the Maine art teachers in Texas and have a chance to get together with all of them in between sessions.

IMG_2755One of the highlights of the conference was attending a session with Jay McTighe whose work along with Grant Wiggins, Understanding by Design has been used as the basis for the National Core Arts Standards work. Jay went over the components of the Framework that provides a clearer picture of the work that is underway.

I also attended a session with Lois Hetland the author of Studio Thinking. During the conference the latest edition of the book was released.

It was great having the opportunity to share the Maine Arts Assessment Initiative  with Catherine Ring and Bronwyn Sale during a session at the conference.

If you’ve attended a large conference you know what it is like to go through the exhibition hall and have the opportunity to speak to the 100’s of vendors and learn about their products and programs. I met Jessica Balsley from The Art of Education. If you aren’t familiar with AOE I recommend you go to the site.

And, as you can see here we also had a lot of fun at the conference, even getting to a genuine rodeo!

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Careers in Art

March 11, 2013

Fastest growing careers

This site contains some interesting information on Careers in Art and Design.We know that we live in a fast pace world but have you stopped to think recently of how much our world is shaped by the visual image – still and moving?

The 10 fastest growing jobs in Art and Design are:

  • Animator
  • Architect
  • Art Director
  • Film and Video Editor
  • Graphic Designer
  • Industrial or Product Designer
  • Interior Designer
  • Mobile Designer
  • Video Game Designer
  • Web Designer

You can read about each of the above and much more by going to the site.

Thanks to Jay Collier for sharing the information.

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Pick Up the Crayons

March 10, 2013

Put down the guns

I remember a period when we were so concerned with our students well being and health that we decided to hire an art therapist to provide the arts teachers with some skills to help identify students who were extremely troubled.

When I read this article I was reminded of that time and how we as a K-12 staff needed to empower ourselves to make an attempt to help. Did it work during that time? I am not sure but something that I am sure about is the fact that we recognized a problem and did what was in our power to try and make a difference.

In John Wilson’s blog in Ed Week, Feb. 8, guest blogger Deb Shoemaker writes a post called Put Down the Guns, Pick Up the Crayons, Deb is an Art Therapist and believes that more guns don’t make schools safer and that they are only band-aids in combating some problems.

She believes that Art Therapy is an option. “It provides a two-prong solution: trauma recovery and prevention. With professional facilitation, drawing provides a safe outlet to communicate what children often have no words to describe, and it engages children in the active involvement in their own healing, providing a sense of control.”

 

 

 

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Evening for Educators

March 8, 2013

Portland Museum of Art

Screen shot 2013-03-04 at 9.49.06 PMThe museum is hosting an evening for educators called Visible Learning: Mapping Curriculum and Looking at Student Art with Professor Paul Sproll from Rhode Island School of Design on Wednesday, March 27, 4:00 to 6:00. Free for educators and you can receive two contact hours.

Join the Portland Museum of Art for a special event with Professor Paul Sproll, Head of the Department of Teaching + Learning in Art + Design at the Rhode Island School of Design. Dr. Sproll will discuss mapping an inquiry-based approach to visual arts and teaching and learning through innovative curriculum design, as well as the value of looking at at student art as seen in the PMA’s Youth Art Month exhibition.

RSVP online at portlandmuseum.org/teachers/evening.shtml. Questions? Please email Stacy Rodenberger, Assistant Director of Student and Teacher Learning at srodenberger@portlandmuseum.org.

 

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Call for High School Artwork

March 7, 2013

Congressional Art Competition

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Patric Lynch, Monolith

Congressman Michael Michaud, Congresswoman Chellie Pingree and the Maine Arts Commission invite students to participate in this year’s Congressional Art Competition. The selected students will have the opportunity to have their work displayed in the Cannon Tunnel of the U.S. Capitol for one year, beginning in June 2013. The search is on for examples of high quality two-dimensional art.

The deadline is March 28th. To review the details please click here. If you have questions please email Darrell Bulmer at darrell.bulmer@maine.gov or call him at 207/287-6746.

Embedded in this blog post are the 1st places winners images from 2012.

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Marisa Grifasi, Ketchup and Mustard