Archive for May, 2014

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Teachers at the White House

May 5, 2014

President Obama Welcomes teachers

This is the second in the series of blog posts in celebration of Teacher Appreciation Week, May 4-10, 2014. Thank you for the work you do supporting quality arts education!

Screen shot 2014-05-01 at 8.44.19 PMOn May 1st President Obama welcomed the 2014 state teachers and National teacher of the year to the White House. I share this information with you today since it is the first day of Teacher Appreciation Week. In the photo above with President Obama is Sean McComb, the 2014 National Teacher of the year. On the President’s right is Maine’s very own 2014 teacher of the year Karen MacDonald, from King Middle School in Portland. Below is a snippet from the White House blog:

“Today is a chance to thank not just the teachers on this stage but teachers all across the country,” said the President. “We really can’t say enough about how important their role is in making sure that America succeeds. So thank you for what you’re giving our children and what you’re giving our nation.”

After emphasizing the significant role that teachers play in our society, the President honored the National Teacher of the Year, Sean McComb.

Sean, a teacher at Patapsco High School and Center for the Arts in Baltimore, works with students in a program called Advancement Via Individual Determination (AVID) — a college-readiness program aimed at capable students who just need that extra push.

You can read the entire post by clicking here. More importantly I suggest that you watch the (entire) video embedded in the post where Sean McComb speaks. I am proud to be an educator when a teacher speaks so distinctively about our profession.

In Sean’s own words…

“I became a teacher because I had incredible teachers who were able to shine a light of hope and possibility into a dark time in my life. Teaching is my calling to do that for others, and an opportunity to spend my career living purposefully — helping children fulfill the promise of their lives.”

 

 

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Teacher Appreciation Week

May 4, 2014

YAY for teachers!

This is the first in the series of blog posts in celebration of Teacher Appreciation Week, May 4-10, 2014. Thank you for the work you do providing and/or supporting quality arts education for all students!

THANK YOU TEACHERS!!

It rolls around only once a year but such an important week to celebrate and intentionally say THANK YOU to each and every teacher for the work that is done each day in classrooms. I know that my small thank you doesn’t express how much I appreciate what you do! Your commitment to teaching does not go unnoticed. The impact that teachers have on students’ is key to their success and the future of the world. I hope that the joys and rewards of each day outweigh the difficult challenges.

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Resources!

May 3, 2014

Good reading, research, food for thought, and all around interesting items

Frequently I find articles to share on the Maine Arts Education blog. I stash them in a draft post and periodically I go back to them and post several into one blog post. Since I have so many drafts right now I am taking a bunch of the links and putting them with little information for each one into one blog post. Enjoy!

  • Olivia Gude is one of the visual art standards writers for the National Core Arts Standards. You can read an interview from the National Art Education Journal by clicking here with Olivia on the standards scheduled for release on June 4. Olivia is a wonderful speaker and deep thinker. She has so much to offer!
  • Educational Leadership, March 2014, several good audio clips and articles on Using Assessment Thoughtfully. Please click here to access the page from ASCD.
  • Scholastic Administrator: What is the Maker Movement and Why Should I Care? by Gary Stager. At the Computer School in New York City students are gathering during lunchtime in the “Maker Space” to create.  Arts educators have known for a long time that “making” instantly engages kids in learning. Others are discovering it as well. Click here to read the entire article.
  • Americans for the Arts ArtsBlog had a piece called: A Delicate Balance: The Intersection of In-School and Out-of-School Time written by Deborah Vaughn, February 2014. This is a great article as we move towards proficiency-based high school diploma for all students graduating in 2018. To access the article please click here.
  •  Response: Teachers Must Help Determine New Ideas Being Implemented by Larry Ferlazzo on his blog called Classroom Q & A. In the blog post Shawn Blankenship asks: What are strategies to close the gap between new ideas and implementation? “In schools, I believe the key to “closing the gap between new ideas and implementation” is making sure that teachers are key in determining which new ideas are the ones being implemented.  All too often, we are viewed by administrators, particularly many in school district central offices, as their “instruments” in executing “flavor of the year” programs.”

That’s all for now, but plenty more in the “drafts” to select from – just as soon as I have another few minutes.

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MAC Visual Arts Director

May 2, 2014

Meet Julie Horn

I am fortunate to work with Julie Horn at the Maine Arts Commission. Julie serves as the Visual Arts Director and brings a wealth of knowledge and experience to her work. She moved to Maine in September 2013 with her husband and two wonderful children from Tennessee where she served as the director for visual arts at the Tennessee Arts Commission. Recently, I sat down with Julie and interviewed her for this blog post…. Introducing JULIE HORN…

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Why Maine?

Julie is originally from Aroostook county, specifically Presque Isle and has moved to her home state with her husband to raise their children. She is happy to be at the Maine Arts Commission to assist in the development of new grants and initiatives for Maine’s Cultural Plan.

Julie’s History

Julie did her undergraduate work at the University of Tuscon, AZ in painting and illustration. For a short period she worked in a foundry at AZ State doing large 3D sculpture work. She went to graduate school at Cranbrook Academy in Bloomfield Hills, MI in print media. Her focus was on performance and video installation.

At that point she moved to Tennessee to teach at the university level. Foundational courses included curriculum, art appreciation, and studio classes in drawing, painting, 2 and 3D design, and color theory. She also developed a time-based media class and video production class.

She worked at the Frist Center for the Visual Arts in Nashville, TN, curating public programs and doing independent writing (art criticism) for a Nashville paper and state publication out of Memphis and the magazine Art Papers from Atlanta, GA. While there she also curated and juried shows.

During the last 7 years Julie worked at the Tennessee Arts Commission as the director of Visual Arts, Crafts, Media, and Design. She received certification in non-profit leadership and management from the Center for Non-Profit Management in Nashville. While at the commission she curated and ran the gallery in the office. She was responsible for the annual acquisition budget to purchase pieces for the state collection. That collection was at the state museum and at the arts commission. Julie worked on several public art projects with first lady’s of TN. She developed the master artist/apprentice program for contemporary artists. A large portion of her work was on grant development and management in Tennessee.

Maine Arts Commission Visual Arts Director work

Julie is as busy at the rest of us at the Maine Arts Commission, developing and managing many components of the MAC work. Her responsibilities include administrating the following programs

  • Curate Art in the Capital program
  • Several grant programs
  • Percent for Art program
  • Congressional Art Competition
  • Maine Youth Excellence in Art
  • Other programs that fall under Visual Arts

Julie’s favorite part of the work is having discussions with the field on what’s happening in visual art.

Julie’s Goals

Julie would like to see the agency develop better resources for the visual art constituency. For example, the MAC website should have resource material for specific needs of an artist. She has already and I am certain will continue to identify resources, and provide assistance and information. She also hope to develop regional sensitivity for the Maine Arts Commission. As she acquires an understanding of the stakeholders she is learning how they help to build the arts in Maine, i.e. individual artists, collectives, gallery’s, collectors, councils.

And from Julie…

“I am excited to be back in my home state to bring 30 years of experience on the national level to see how I can help my home state. I have a personal interest at stake. My favorite part of this type of work is facilitating discussions that educate the public on how art is incorporated into everyday lives including the visual language and interpretation of art. It is so embedded into our thinking that people are sometimes unaware of it, specifically the non-art people. I enjoy bringing information and knowledge to the non-believers, those who don’t understand art, so they realize they already know it. Asking the right questions in a leading format to help them realize that they really do know it. A series of questions can help in formulating their knowledge.”

My favorite question… What would you do if given $500,000 Julie?

“I would pay off my student loans and with the remaining thousand, no, no. I would retire, no, no! Practical side of me says to set up all the right accounts for my kids. I would buy a house on the water in the coastal part of Maine with a huge barn. Inside would be a music studio for my husband and a studio for me. I’d sit on my balcony drinking coffee and looking at the water.”

Julie can be reached at julie.horn@maine.gov.

 

 

 

 

 

 

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Creative Aging

May 1, 2014

Opportunities abound!

I met Denise Rohdin recently at a gathering at the Harlow Gallery in Hallowell where the Maine Arts Commission was sharing information on MACs grants and programs. A new program at MAC is Creative Aging; Kathleen Mundell Kathleen.Mundell@maine.gov is responsible for the program. Denise is an artist who has been working with residents of the Park Residents Assisted Living providing meaningful learning in art. She kindly has written a blog post on her work for the meartsed readers.

With the support of Common Street Arts educational studio I am honored to facilitate creative aging classes to those who would otherwise not have this opportunity. As a freelance artist and teacher I make no distinction between independent studio work and collaborations. One of my current passions is sharing how to create functional, mixed media as well as sculptural art, bringing a visual voice to unspoken experiences.

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Bi-weekly I drive my little car filled with an assortment of clay, glazes, brushes, atercolors, drawing pencils, collage items, beads, metal tooling, print making supplies, etc. squeezed into recycled grocery bags. With lesson plans swimming in my head I tool along reflecting on any last minute modifications that might be needed. You see I am heading off to teach a highly diverse, creative group of eighty and ninety year olds.

I sit and chat with them for a bit, listening to their concerns and hesitations. Many of my students, who come from all walks of life, have never had the chance or  time to explore art freely. Busy earlier in life with careers or family life, some confide that art is an uncharted territory, done by “creative” types. Others took a required humanities class in high school or college in the distant past, while a few were established artists who stopped due to age related conditions. Our conversation will often drift to their life stories, inspired by a theme that we will be focusing on that week. One memory leads to another, stimulating a dialog among the artists.

With a wide range of materials for them to explore and a variety of tricks up my sleeve to assist with adjustment of tools and materials, it doesn’t take long before the creative juices are flowing. The desire to create with their own hands temporarily chases away the hurdles of various diseases such as arthritis, memory loss, macular degeneration and Parkinson’s disease. Each time new skills are added, building upon past lessons. Over the weeks and months camaraderie and friendships grow as they arrive at the table via walkers, wheelchairs and their own two feet. Some have specific goals for their chosen medium while others prefer “fiddling around,” to quote one student.  As an example one prefers to work on sketching each week, while another is working on a series of gracefully shaped clay vases. Compliments come naturally among them as they share what each has brought into being.  There is no doubt in my mind of the positive impact of art on the overall health of this inspiring group of students and I am humbled to be a part of this.

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Artist statement
Denise Rohdin, a freelance artist, makes no distinction between independent studio work and collaborations with others. The creation of functional and sculptural art plays an integral part of her daily life, bringing a visual voice to unspoken experiences. Intuitive process is the key to her various artistic endeavors which currently include mixed media, ceramics, recycled steel pieces, sculpture, stylized murals, mosaics, photography, distressing and garden design. Her belief that art should be accessible to all only grows stronger with each site-specific project. At present she has the honor of working through Common Street Arts studio, facilitating creative aging classes at Park Residents Assisted Living. Art truly helps  humans make sense of our intricate lives at any stage. Denise brings her adoration for humid weather, creative problem solving, positive attitude, and versatility into any artistic undertaking.

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