Archive for June, 2014

h1

Job Openings

June 21, 2014

Recently posted

If you or someone you know is looking for a position in arts education here are some to take a closer look at:

  • Reach Performing Arts Center Director, Deer Isle. Interested candidates may contact the Superintendent’s Office, School Union 76, Deer Isle, schoolunion76@gmail.com for an application. Deadline, July 7.
  • Brunswick High School art teacher. Interested candidates may send a resume, cover letter and recommendations to the Superintendent’s Office, Brunswick School Department.
  • SAD#40 elementary art position. Applications are available at www.msad40.org or by calling 785-2277. Completed application should be mailed to Superintendent of Schools, PO Box 701, Union, ME 04862.
  • Office Manager Position, Waterfall Arts in Belfast, 30 hours/week, Tuesday-Friday. The office manager is in charge of generating and maintaining all office systems and organization. Duties include managing rental contracts, data-base management, coordinating materials and logistical support for meetings, events, and classes in addition to general office duties. Must have a minimum of 2 years of office management experience.  Email your letter of interest and resume to lou@waterfallarts.org with Office Manager Position in the subject line. Deadline for applications is Wednesday, June 18.

 

 

 

 

h1

Congratulations and THANKS to our Retirees!

June 20, 2014

Maine is fortunate!

We know that what a teacher offers can have an enormous impact on students development and over their lifetime. As educators retire at the close of another school year I know that you will join me in THANKING them for their years of service and dedication to students across the state. Maine appreciates your work and we wish you well and many healthy years of laughter!

Combined they have taught for 372 years. Happy Retirement!

  • Ed Boynton – Music, Fort Kent Community High School, 14 years, 38 total years of service
  • Wendy Burton – Visual Art, Messalonskee High School, 36 years of service
  • John Fenlason – Music, Lyseth Elementary School, 40 years of service
  • Cathy Grigsby – Visual Art, Stevens Brook Elementary School, Bridgton with 27 years of service
  • Mary Beth Jackson – Visual Art, SAD 27, grades 5-8, 18 years of service
  • Dan Keller – Orchestra, Waterville Schools, 35 years of service
  • Lee Martell-Bearse – Music, Lake Region Middle School, SAD #61 with 38 years of service
  • Ken Martin – Visual Art, Medomak Valley High School with 25+ years of service
  • Wendy Thatcher-Hall – Music, Appleton with 27 years of service
  • Bonita M. Tidd – Visual Art, Houlton Jr/ Sr High School with 22 years of service
  • Les Tomlinson – Music, Piscataquis Community Secondary School, grades 7-12 with 13 years service
  • Lynn Wildnauer – Visual Art, Berwick Academy, South Berwick, 13 years of service
  • Richard Walton – Music, Rockland with 40+ years of service
  • Janie Young – Visual Art, Deering High School, 31 years of service

A great story from WGME13, Kim Block, interviewed John Fenlason and the piece is posted at http://wgme.com/news/features/top-stories/stories/making-difference-lyseth-music-teacher-retires-22844.shtml#.U6RCx15DeVj.

h1

Another Student’s Story: Sarah Tuttle

June 19, 2014

Sarah is studying music 

This post is one of a series on graduates from Maine high schools who are sharing their stories. Sarah Tuttle is a 2009 graduate of Medomak Valley High School. Sarah went on to Gettysburg College where she studied Music and Art History graduating with honors in 2013.  In high school Sarah’s courses included Jazz Ensemble, Studio Art, and several AP classes. She is presently working towards her Masters degree in Voice Performance at the Bard Vocal Arts Program, under the direction of soprano Dawn Upshaw and pianist Kayo Iwama.

ST1What do you value most from your arts education?

It was a source of comfort and inspiration during a rough middle school and high school experience. I felt like I could be my complete self, and say whatever I wanted in my art/music. It was extremely satisfying to engage in something creative—and was a great source of fun!

I also learned to create a great deal of my own opportunities, and to be an independent, self-directed person: a large amount of my arts education took place outside of school: I was a member/soloist of choral groups in the community, active in the local theater, and took additional art classes locally/at Haystack.

Name three skills, ideas, or life-long tools that you have learned in your art/music/dance/theatre classes/courses?

  1. Patience, tolerance: with myself, and with others. Once you acknowledge the amount of time it takes to learn something/to become good at something, you appreciate the journey JUST as much, if not MORE than the destination. You accept that you can’t please everyone, and that you never really stop learning/growing, and that frees you to play and embrace your curiosity.
  2. Curiosity: relating to patience—if you can teach yourself to be patient with yourself, and with others, you can gain great insight and new perspectives from the people around you. Asking questions can lead you so many great places!
  3. CARE: It’s important. CARE about what you do, and give your work the attention and love it deserves! Treat your work with compassion and patience, and don’t be afraid to let it evolve.

I am a different person due to my involvement in the arts because…

I am a curious person, unafraid to ask questions of myself and of others…I am a motivated and energetic person, never satisfied (in the best sense) with my work. I am a generous person—I think it takes a tremendous amount of generosity to share your work with others, in the hopes that they will be consoled, refreshed, or inspired. There’s a special vulnerability that comes with making and sharing art, and I think it’s something that people are, at times, afraid to explore and expose.

If you could change any part of your arts education, what would it be?

I would like to have felt more support in my school environment in my art work, and would love to have found more kinship with my fellow students. I would love for there to have been MORE…just MORE arts ed, more opportunities, and more enthusiasm for its importance and necessity in our world, and in our schools. There were a few very key players (Julie Sanborn, Argy Nestor, Krisanne Baker, Aaron Clark, Chuck Boothby) that were sources of motivation and inspiration, and I am especially grateful for their presence in my schooling. Their open-mindedness and compassion were deeply appreciated.

What’s the most creatively inspiring experience you remember?

I was given the opportunity to study music/musicology in Vienna for a semester, and my time there filled me with courage, energy, and curiosity about music, and what I could contribute to such an important discipline. Living in a city to which art is SO ingrained showed me its importance, and its necessity, and how IN NEED of it my generation is. Everyone showed this remarkable appreciation and respect for creative work, and seemed to derive a great deal of energy and comfort from it—just think if those opportunities were available to everyone, how tolerant and inspired people would be!

Why is making art or music and/or performing so important to you? Why can’t you live without it?

Singing/making music feels GOOD—It’s a mutually beneficial activity. I appreciate it’s interdisciplinary nature—musicians are poets, and physicists, and historians, and mathematicians, and teachers, and artists! Lots of left- and right-brain activity and crossover—I feel emotionally and spiritually fed.

 In addition…

Over the past five years, I’ve been able to travel to France, Switzerland, Serbia, Bulgaria, Greece, Austria, and Nicaragua with various musical groups, as well as doing some touring here in the states. I think that travel and music go hand in hand with promoting tolerance and respect–both domestically and internationally! Musicians/artists have an important job: art, in many ways, transcends language and religion, and in other ways, enhances our understanding of them. Artists are ambassadors to other people, and serve as interpreters/translators of culture and the human experience. I think the understanding of art, or at least the appreciation of art, is the key to promoting tolerance and love within our own society, and between cultures. The reason I mention my travel is because my view of the world and their various musics was deeply enhanced by my spending time with others, often strangers. It’s such a special feeling to bring joy and comfort/inspiration or intrigue to complete strangers, because you realize they’re NOT complete strangers–all people feel, and think, and respond.

 

 

 

h1

National Core Arts Standards

June 18, 2014

Released – June 4, 2014

Screen Shot 2014-06-02 at 1.41.13 PMThe National Core Arts Standards were publicly released on June 4. In celebration, a webinar was provided that included several guests including our own Director of the Maine Arts Commission. Julie Richard spoke eloquently about the need for those responsible for arts education to work collaboratively with the next steps of the standards.

If you missed the webinar you can access the archive by clicking here and following these directions.       If you did not attend the event as audience, you will need to fill in the brief registration form. If you attended as an audience member, use the password you received when you logged in to the meeting.

Several teacher leaders from the Maine Arts Assessment Initiative reviewed and provided feedback during the development of the standards in the last year. These standards cover not only dance, music, theatre, and visual arts, but also the interdisciplinary field of media arts. The standards are built on the Artistic Process model.

The Conceptual Framework for the standards is available at nccs.wikispaces.com. If you have questions please check the FAQ by clicking here

The following blog about the new standards was posted on the Education Week curriculum blog at this link. You can access and download the standards for all five disciplines by clicking here.                  

Opportunities to pilot Model Cornerstone Assessments in your classroom will be announced soon by your professional arts education association (NAEA, NAfME, NDEO, EdTA, etc.).

Thanks to Scott Shuler for providing some of the information for this post. And for those of you who know Scott, after 25 years as the Connecticut Department of Education’s Arts Consultant, he will be retiring on July 1. Maine wishes him well as he continues on his journey committed to quality arts education!

h1

Another Arts Teacher’s Story: Lisa Ingraham

June 17, 2014

Madison Elementary School art teacher

This is the 12th blog post for 2014 and the third phase of the Maine Arts Assessment Initiative (MAAI) of this series sharing arts teachers’ stories. This series contains a set of questions to provide the opportunity for you to learn from and about others. Lisa has been a teacher leader during phase 3 of the MAAI.

IMG_3439Lisa Ingraham is a Kindergarten-4th Grade Visual Arts teacher in MSAD 59. She has been teaching all 260 of the students at Madison Elementary School for the past 3 years. She has been teaching art for 9 (!) years, all at the elementary level. Her students attend 50 minute art classes once per week throughout the school year. Lisa joined the MAAI has a teacher leader during the third phase. Lisa and her program are highlighted this year in one of the 8 arts classrooms videos being created that highlight standards-based/student-centered learning. Phase 3 videos are almost complete, phase 2 videos can be viewed by clicking here.

What do you like best about being an arts educator?

My favorite part of being an arts educator has always been working with every student in my school. This is my third year as the K-4th grade art teacher at Madison Elementary School. I have gotten to know each of the students here, their strengths, their preferences, and their quirks. As I have gotten to know more about my students, I have developed an even deeper appreciation for them as uniquely creative individuals.

What do you believe are the three keys to ANY successful visual and performing arts education?

  1. Passion for your content – I firmly believe in the power of the arts to change lives.
  2. Compassion for your learners – Each of my students approaches art in their own way. It is my job to make it meaningful for all of them.
  3. Support from your school and community – I would not be able to do what I do effectively without the support of my administrators, colleagues, and the parents of my students.

How have you found assessment to be helpful to you in your classroom?

I have found assessment to be critical in helping my students understand what they are learning and why, and how it all connects to their classroom goals and the world outside our school. As I have examined and modified the types of assessment I use the focus has shifted from discrete skills and bits of knowledge to helping students think about the bigger picture. Assessment, while helping me determine where we are going in the art room, has also kept me focused on providing depth for the students within our lesson and units.

What have been the benefits in becoming involved in the arts assessment initiative?

The examples set by the incredible leaders, and teacher leaders I have met through the MAAI helped me understand that really good arts programs don’t happen by accident. Really good arts programs are driven by teachers who believe in what they are doing and are willing to work hard to create them. Thank you all for sharing your passion and knowledge! You have helped me realize that no one knows my art program better than me, and if I am going to make it the best program for my students I need to speak up and say, “this is what we are learning, and this is why it is important.”

What gets in the way of being a better teacher or doing a better job as a teacher?

Time is always a factor, as are resources. But I think some of the biggest hurdles I have had to get over have been the narrow expectations of others. While I am working to change this, the perception of the arts as their own isolated content area that will only truly benefit those students who become visual arts professionals limits the types of learning that others can imagine taking place through the visual arts. This affects the importance placed on the arts, their position in the school, and the resources allotted to them.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

I love my job! I don’t “go to work” in the morning. I rarely think about it like that. I get to go to school and spend the whole day making art with young students. I feel incredibly lucky. However, I also know the years of work that went into switching to this – my second – career, and the work I’ve committed to in trying to bring the best visual arts education to my students.

Look into your crystal ball: what advice would you give to teachers?

When I went back to school to become an art teacher I had this idea that I was going to teach art. This was my loftiest aspiration: To Teach Art. The reality as it has turned out is that I teach kids. Side by side with art content I teach listening skills, how to be kind and responsible, how to work toward a goal and be persistent, how to appreciate the ideas and opinions of others, and how to learn from so-called mistakes.

My first professor in the very first education class I attended shared with us the old adage that “students won’t care how much you know until they know how much you care.” My students have confirmed this again and again, which leads me to my answer for the question…

What are you most proud of in your career?

Reaching students who appear at first glance to be unreachable. Some students take longer to trust that they are allowed to be who they are and express themselves creatively in the art room, but these are the students I am sure I will remember well after they leave me. I am thankful to the teachers who work closely with these students every day and have been very generous with their time in helping me make the connections necessary for them to have the successes they do in the art room.

If you were given a $500,000 to do with whatever you please, what would it be?

I am not really sure what I would do with all the money, but I know my school would have one absolutely incredible art program! (And I would probably still get really excited about finding the best “art supply” at a yard sale or discount store.)

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

I hope not. One of my students’ favorite stories is “Pete the Cat, I Love My White Shoes.” I don’t currently have an art lesson I would like to go with it, but I love reading and singing the book with my students anyway. The best part is sharing the moral of the story, which I tend to repeat A LOT over the course of the school year: “No matter what you step in, keep walking along and singing your song… because it’s all good.”

IMG_4079

h1

Looking Back to Move Forward

June 16, 2014

Cleaning up and out

Scan 2

George and Sophie Nestor, 1953

I think it is important to periodically reflect on where I’ve been in order to determine where I want to go. I admit that sometimes I can overboard with the idea. This time my reflection has been a personal look back, a LONG way back. This winter I spent many hours in the cellar going through 25 boxes and two trunks of my parents photographs and scrap books. It was an interesting journey reminiscing and recalling stories and events. It wasn’t without frustration, wondering about who some of the people were, especially the ones that were people from BA (before Argy). My parents had many friends, young and old; they loved getting together with folks and organizing events so people could come together. Often it was around being “Greek”! It usually involved lots of music, dancing, and fun! I am the beneficiary of wonderful memories growing up. Each year that becomes more and more clear to me!

I am fortunate that my Dad lived until 2006 when he was 90 years old and my mom is still living, having turned 96 on June 6. I realized about halfway through the process of sifting and sorting that the pictures reflected the threads of who I am. Some weekends I spent hours at it; it was exhausting, physically and emotionally and at the same time provided me the chance to look back and ground me in who I am today. My task is not over, the next steps involve putting them in chronological order and creating a book with pictures and text so my sons have their family history that is easily accessible. I realize it might be years before it is really meaningful to them (and who knows how long the books are completed). My favorite pictures are from when I was a child with my two brothers and sister (I am the youngest of 4). And, also the photos of my parents BA. It is as if the photos can speak, what an amazing feeling. And, it certainly is rewarding!

ScanSo, now I’ve moved on to the next project. I don’t normally undertake two enormous projects at one time however, due to a living room construction project, I am forced to. I have tackled the slides that I started taking in the early 1970s. Thousands of slides in slide trays, metal boxes, and small cardboard boxes. The ones they came in when developed at the photo drive-thrus (remember those?) I set up the slide projector in a bedroom that is not in use at the moment, so my husband I can grab a few minutes here and there to walk down memory lane. It is stirring up wonderful times that I haven’t thought about in quite a few years. When I was teaching I could devote some summer days to this type of project but now that I work all year round I have to carve out time whenever I can.

I have slides from every year of teaching. Artwork, students, colleagues, art exhibits, celebrations, new school construction, artist residencies, special events, integrated units, and on and on. It is amazing but right now I am at the “overwhelmed” stage. Simply not sure what to keep, what to ditch and wondering how I am going to save them for the long-term? DVD? External hard drive? In the cloud? In a web based book site?

I am hoping that some of you have gone down this path that I am on and can provide some suggestions, advice, and/or ideas??!! Please post your ideas in the comment section at the end of this post or email me at argy.nestor@maine.gov. And, thanks in advance for your help!

Next project??? Going through the 30 years of teaching that I’ve saved; artwork, lessons, examples, items from my travels that I brought back to use in my classroom, and on and on! It is time to clean out and move stuff on. It is fun to take time to reflect to help me determine my next steps!

Stuff? I got stuff! If any of you study Japan or Greece, please let me know, I might have some stuff for you! And, a set of encyclopedias – I’d gladly get them to you, neatly packaged in 3 very sturdy boxes!

 

h1

A Gem in Bangor!

June 14, 2014

University of Maine Museum of Art

We are fortunate in the state of Maine to have several wonderful art museums within a short drive of all corners of the state. I did graduate work at the University and I am really proud of the University of Maine Museum of Art and what it has to offer for education programs.

Recently the UMaine Today published an article on the museum that is worth a read. It provides an overview of the next year along with some of the museums history. For example, I didn’t know that the university’s art collection was established in 1946 by founding museum director and UMaine art professor Vincent Hartgen and in the 80’s became a museum.

Today the museum is directed by George Kinghorn and he works closely with a very small staff to provide top notch education programs under the guidance of Eva Wagner who serves as the Education Coordinator. The staff is delightful to work with, we’ve been fortunate to do some of our work with the Maine Arts Assessment Teacher Leaders at the museum.

I recommend that you visit the museum during your summer break, you won’t be disappointed. Read the entire article and learn more by clicking here.

 

University of Maine Museum

h1

TED Talk: Mark Ronson

June 13, 2014

Remixing TED talks

Mark Ronson does a TED talk that remixes several TED talks including Ken Robinson’s Creativity talk. It includes 15 TED Talks into an “audio-visual omelette”. The power of music was a driving force for Ronson’s TED Talk idea. Just seeing how he organized his ideas is fascinating. It is a great example to show your students – everyone’s approach to presenting ideas is a bit different. And, music history/information tracing the evolution of “La Di Da Di”. It is very interesting!

Oh, just watch this TED Talk and you will see what I am babbling about. I am guessing you music teachers will absolutely LOVE this!!

h1

Concerts, Exhibits, What’s Up?

June 12, 2014

Great work going on statewide!

I know that this time of year is filled with exhibits and performances. Recently, I got to wondering about how many of you are videotaping wonderful examples of what Maine students are accomplishing in the arts and VOILA! the next day in my inbox was this gem, Ride the Chariot!

If you have video links to your student performances and/or exhibits please do share! Thanks to Rob Westerberg for sharing this one.

 

h1

A Bit of a Glitch!

June 11, 2014

A snag in the system

If you are part of the list-serv that I established about 5 years ago you know that every Tuesday morning I send an email that provides the highlights of arts education in Maine. The email has important tid-bits and the titles of the weeks blog posts from meartsed blog.

Recently I switched from the DOE-arts ed list-serv to MAC-arts ed list-serv. An unexplainable problem has occurred and I am at the moment unable to communicate with the members of the list-serv without a causing havoc with some members emails. Therefore, in order to prevent any more problems the list-serv has been temporarily halted. This action caused many list-serv members to received odd emails and to be deleted from the system.

At this moment work is underway to determine what the problem is and with any luck and a lot of creative problem-solving the glitch will be solved and the MAC-arts ed list-serv will be up and running smoothly! Please be patient and keep your fingers crossed that the experts in the tech world can figure this out quickly. Until then, the blog will continue as usual with daily posts. Feel free to email me at argy.nestor@maine.gov if you have questions. Please accept my apology for any inconvenience that the list-serv may have caused you.

And, the good news…

If the email had gone out this morning I would have mentioned the robins eggs and nest that I discovered when I was raking near the back of the garage. I came around the corner and noticed that the ladder had twigs and grasses in 4 sections. One of them was filled out and a beautiful nest created. It was as if the mother robin tried and tried and tried again until she found the right spot and combination of twigs and grasses to make a home where she has laid 4 perfect blue eggs. I’ll keep you posted on their progress.

Unknown-1

 

Unknown