Archive for March, 2018

h1

Thomas College Summer Institute

March 24, 2018

Innovating in Education for Maine’s diverse population of students

Calling all Maine educators PK-12! Thomas College’s Center for Innovation in Education is holding its annual Summer Institute on June 26-28 at Thomas College in Waterville. This year’s topic: Innovating in Education for Maine’s Diverse Population of Students. This theme speaks to the need to talk about diversity in relation to STEAM, proficiency-based education, and digital learning. Registration is now open.

Open to Maine educators PK-12, the Summer Institute 2018 will provide networking opportunities, ample team-time with personal coaching, and breakout sessions focused on hands-on deliverables rather than direct instruction.

“This conference is research driven and practice focused,” said assistant professor of education and co-chair of the institute Dr. Katie Rybakova. “Our focus is to help you bring back inspiration and ideas that you can use on Monday morning.”

Registration can be completed online. Early bird pricing is $175 per person. After March 1, $195 per person. Special group discounts for teams of four or more are available.

Event speakers include Mara Tieken, associate professor at Bates College and author of “Why Rural Schools Matter”, Richard Biffle, professor of education at Thomas College, author, former teacher and principal, and Moira Kelly & Explo Associates, Mobile Makerspaces.

About Thomas College: Founded in 1894, Thomas College offers undergraduate and graduate degrees in programs ranging from business, entrepreneurship, and technology, to education, criminal justice, and psychology. Its Guaranteed Job Program, the first of its kind in the nation, is built on student’s academic, career, and leadership preparation. Thomas is also home to the Harold Alfond Institute for Business Innovation and the Center for Innovation in Education. Money Magazinerecently ranked Thomas 23rd in the Country for adding the most value to their degrees, and data reported by the New York Times ranks Thomas in the top 15 percent of all college and universities in the U.S. for upward mobility of its graduates. For more information, visit www.thomas.edu or contact MacKenzie Riley at rileym@thomas.edu or 207-859-1313.

h1

In Today’s News

March 23, 2018

Waterville High School at Heritage Music Festival

Music students travel to New York City and sweep festival awards! Five gold awards. READ about it in today’s Central Maine newspaper. CONGRATULATIONS students and Sue Barre, Ciara Hargrove and Graybert Beacham! Watch for a blog post coming soon on the topic!

 

h1

Snow Shoe Art

March 23, 2018

Got snow?

Lisa and some of her students

Art has always been a passion for me. Art is magical, ephemeral and life changing. But those reading this who are arts educators, you already know that. Trying to find the words is not easy to describe the experience my students and I had with snow shoe artist, Jason Cote. The whole experience was serendipitous. Teaching art for 20 years, I was thinking of new ways to engage my students. Looking to breathe new life into my lessons I started to see more and more about snow shoe art. Then as the universe would have it Jason Cote was interviewed by Bill Green’s Maine. He was close to my school! I contacted him through social media and he immediately responded and wanted to work with my students.

Working with a local community organization, Winthrop Plays Outside, run by Margy Burns-Knight, we were able to be the first to commission Jason as an artist. Jason Cote came to the middle school in February for a half an hour assembly. Students were shown his work and were able to ask him questions. Now we had to wait for the snow….

March delivered great snow. We got 12 inches of fresh snow on March 8 and 9 and the magic happened. Jason arrived at school at sunrise and sketched the design in snow. He laid down the initial circles and paths for students to follow. We kept the groups small, we had 12 pairs of snow shoes. Students were given directions to follow the path and follow Jason’s directions. Students could watch if they did not want to participate. For many students this was the first time on snow shoes. However, when the first drone pictures came out, more students wanted to participate. About 150 students in grades 6, 7 and 8 created the work of art with Jason.

Watching from the sidelines, directing students, helping get snow shoes on and off, I was nervous. The kids were incredibly well behaved but from my view it looked like fun chaos, but chaos never the less!! Then the school’s tech teacher took a few drone pictures and the magic began to appear. Jason hires a professional drone photographer to take the final photographs and video. The pictures were amazing. The artwork was clear, the middle school staff and I were all in pure awe. Students have expressed their gratitude for several days.

It’s hard express how grateful I am for this experience. The art was temporary, but the memories will last forever. When I got home and had time to reflect I thought of Christo and Jean-Claude. Their work is tough for many to understand; it’s temporary, environmental, conceptual. Whatever you want to call it, art work, art happening, snow shoe art, I as an artist got to feel like Christo and Jean-Claude for the day. The experience transcended all expectations.

WATCH THE VIDEO to get a full sense of this project. The still photo doesn’t tell the story well. It is HUGE! To learn more watch the Bill Green’s Maine segment with Jason Cote. Amazing! And, an article from the Portland paper, March 2017, on Jason’s work. Thank you to art educator from Winthrop schools, Lisa Gilman for providing this blog post!

h1

Who Are They? Oxford Hills Region Part 4

March 22, 2018

Western Maine Art Group

This blog post is part of a series that aims to bring awareness to the Maine Arts Ed blog readers about the many visual and performing arts venues and educational opportunities in the Oxford Hills. The Oxford Hills Region of Maine is a perfect setting for the arts as it is centrally located where the rolling foothills of the White Mountains and beautiful lakes regions intersect. Located 45 miles north of Portland, 35 miles east of New Hampshire, and 20 miles west of Lewiston-Auburn, the region hosts multiple year-round opportunities for learners of all ages and a thriving arts community. The Oxford Hills School District (SAD17) is Maine’s largest school district in geographic area, with nine community schools, a regional middle school, a comprehensive high school and the Streaked Mountain School, an alternative school for high school students. The Oxford Hills include the towns of Buckfield, Harrison, Hartford, Hebron, Mechanic Falls, Norway, Otisfield, Oxford, Paris, Poland, Sumner, Waterford and West Paris. A great big THANKS to Diana Arcadipone for writing this series of posts.

Melanie Tornberg, current President Western Maine Art

Melanie Tornberg, member and current president of the Western Maine Art Group (WMAG), took classes at WMAG as a child of 9 years old through her teens and up to graduating from high school. She went on to study painting and earned a BFA from The University of New Hampshire. Making a living as an artist was hard and being a small town girl, Melanie was not interested in moving to a big city.  She settled in Southern Maine with her husband and two children and decided to go back to school in biochemistry. Melanie worked as a scientist for twenty years during which time she didn’t stop painting and she continued to exhibit her work. Currently, she is settled in Western Maine and splits her time between her studio and her role as member and president.

Melanie is passionate about the Western Maine Art Group and helping artists define community.  Her story is unique because of her long history with the organization as well as her science background, but she is not unlike the 60 other members who practice their art and artisanry.

The WMAG has been in existence for over 50 years and became a non-profit 501(c)3 organization in 1962 through the efforts of Hungarian artist Professor Lajos Matolcsy and his students Lee Bean and Ellie Viles. Their mission was to provide opportunities for artists and artisans in Western Maine to learn, exhibit and teach while providing community access to original art.  For more

Matolcsy Center

than half of it’s existence, every Monday night, WMAG has offered a life drawing session (anyone over the age of 18 is welcome).  The organization operates the Main Street Gallery (an artists cooperative) and the Matolcsy Art Center, where its headquarters are housed in the first school house on Main Street in Norway. Both sites are within walking distance of each other and are frequented by locals and tourists from all over.

Membership to WMAG is inclusive and affordable at $25 a year (friend), $50 a year (exhibiting artist) and offers it’s artists and artisans a multitude of exhibition opportunities both on and off site (most recently at The Maine Medical Center Cafe in Portland), educational opportunities, teaching opportunities, workshop space, web exposure, participation in the Norway Art Festival, First Friday’s, community engagement and more. For artists interested in becoming a member of the coop Main Street Gallery, the fee is $30/month.

The organization works with the Oxford Hills Comprehensive High School Guidance Department to award two annual scholarships to graduating students. And in addition, one of the programs that members are most proud of is an annual standing tradition; The Student Show in May. WMAG works with local art teachers to curate the exhibition and award prizes to middle school and high school students in design, painting and photography.For additional information about visiting, members, events and more, visit the website at http://westernmaineartgroup.org/

 

h1

Our Other Landscape

March 21, 2018

Industrial Maine

MALI Design Team member Bronwyn Sale has three pieces in this show. YAHOOO and Congratulations Bronwyn!

INDUSTRIAL MAINE:

Our Other Landscape

Atrium Art Gallery

University of Southern Maine Lewiston-Auburn College
51 Westminster St., Lewiston, ME

paintings, prints, photography, and sculpture curated by Janice L. Moore

March 12-June 1, 2018

Opening reception: Thursday March 22, 6 p.m.-8 p.m. Free and open to the public

Gallery hours: Mon.-Thurs., 8 a.m.-8 p.m.; Fri., 8 a.m.-4:30 p.m.; Sat., 9 a.m.-3 p.m.closed holidays; usm.maine.edu/atriumgallery

 

h1

Maine State POL Champ

March 21, 2018

Allan Monga, Deering High School Junior

They came, they recited, and they were AMAZING! Students from the following high schools were this year’s Poetry Out Loud finalists:

  • Abigail vanLuling, Grade 12, Gorham High School
  • Hanna Lavenson, Grade 10, Messalonskee High School
  • Lauren Farmer, Grade 10, Rangeley Lakes Regional School
  • Emma Lombardo, Grade 11, Westbrook High School
  • Nelson Peterson, Grade 12, Oak Hill High School
  • Lydia Caron, Grade 12, Bangor High School
  • Wyatt Bates, Grade 11, Yarmouth High School
  • Richard Hilscher, Grade 12, North Yarmouth Academy
  • Lauren Dodge, Grade 12, Lee Academy
  • Katharine Kemper, Grade 10, Camden Hills Regional High School
  • Allan Monga, Grade 11, Deering High School

You can listen to them recite from the regional finals held earlier this winter on the Maine Arts Commission site.

Allan Monga, Deering High School

Yahooooo for Allan Monga from Deering who is Maine’s 2018 State Champ.  The poems he recited at the Waterville Opera House on March 20th at the state finals included “The Song of the Smoke” by W.E.B. Du Bois, “She Walks in Beauty” by Lord Byron (George Gordon) and “In the Desert” by Stephen Crane. You can hear him recite “In the Desert” on Maine Public Radio.

The Maine Arts Commission is proud of all of the recipients and wish Allan the best at the national finals which will be held in Washington, D.C., on April  23-25. They will be live streamed – look for the link in a later blog post.

CONGRATULATIONS to Allan and all of the 9,500 students in schools across the state who participated this year. See hundreds of photos from the state finals on the Maine Arts Commission Facebook page.

Waterville High School jazz band under the direction of music educator Sue Barre provided music at the state finals

Poetry Out Loud is organized nationally by the National Endowment for the Arts and the Poetry Foundation and administered at the state level by the Maine Arts Commission. It begins in Maine’s schools where school champions are selected to compete in two regional finals at which ten students are ultimately selected to recite at the state finals. One student, the state champion, moves on from the state finals to represent Maine at the national finals in Washington D.C., where students from all 50 states, the District of Columbia, the U.S. Virgin Islands, and Puerto Rico will compete for a total of $50,000 in awards and school stipends for the purchase of poetry books.

Lauren Dodge, Lee Academy

Charles Stanhope, Chair Maine Arts Commission, Allan Monga, Maine State Champion, Julie Richard, Executive Director, Maine Arts Commission

h1

MALI Teacher Leader Story: Kris Bisson

March 20, 2018

Music educator: Kris Bisson

This is one of several blog posts in 2018 that include stories of the Maine Arts Leadership Initiative (MALI) Phase 7 Teacher Leaders and Teaching Artist Leaders. This series of blog posts includes a set of questions so you can learn a little bit about each leader. CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 93 Teacher Leaders and 8 Teaching Artist Leaders.  CLICK HERE  for Arts education resources. CLICK HERE  for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories.  Thank you Kris for sharing your story!

Kristine (Kris) Bisson, Music Teacher and Chorus Director for Marshwood Middle School, grades 6, 7, and 8, in Eliot, Maine. She has been teaching a total of 16 years, all of them at Marshwood Middle School. Kris teaches 350 students throughout the school year in six classes: guitar/ukulele, piano, Composing Music, and three grade level Chorus classes (Grade Eight Chorus, Grade Seven Chorus, Grade Six Chorus)In addition, Kris offers several music classes as extra-curricular groups after school. These are always offered as multi-age ensembles open to all students and we have had students participate from grades four through twelve join us for Select Chorus Ensemble, Rock Band, Guitar/Ukulele Ensemble, Piano Class, and Songwriters Workshop.

A unique fact is that I taught here ten years, then had my maternity leave and decided to stay at home to raise my children. After nine years I returned to my position at Marshwood Middle and have been here since. I consider myself very fortunate to be able to return to the teaching position I have always loved. She also is very fortunate to teach my own two children in my music classes.

What do you like best about being a music educator?

I absolutely love my profession. I love music and am reminded every day of why I love it. I have the amazing opportunity to share what I love with young people and help them embrace what they love about music, too. We do a lot of reflection in class: “Why did the composer choose this note? this rhythm? how would you sing this if you were really feeling these lyrics? how would you sing this differently?”

I love to personalize music making and music creating. Everyone can respond and it can be different to each and every person, and that is acceptable. This is personalization.

Every day we laugh, learn, make music, and work together to discover new things about ourselves. My favorite phrase in the classroom is, “Who else is having this much fun?”

What do you believe are three keys to ANY successful visual and performing arts education?

  1. Personal expression is unique to the performing arts. Every day and every item of study should carry an aspect of how there is a human response. I try to establish an environment of trust and respect between teacher and students and foster this every day. We work together as a team and support each other. I remind my choruses that this is what an ensemble does: we work together.
  2. Passion is an important element in the classroom. Being able to explore music as an art means being able to share first-hand experiences and giving students that opportunity as well. When you create music you have a story to tell. Tell it!
  3. Taking time to process what we are learning has been a key part of reflection in learning. Taking time to listen and hear my students respond to what they are learning is important learning. Why are we learning this? How does this moment in our learning affect other areas of our lives? I strive to help students continue to think about music beyond our classroom walls.

How have you found assessment to be helpful to you in your classroom?

Teaching performance-based classes (Choruses, creating compositions in Guitar, Piano, and Composing Music classes) can sometimes create some confusion around the subjective and objective qualities present. Authentic assessment has created a more objective and transparent method of demonstrating learning. Students can compare the rubrics we use with those similar in every class at our school. It validates the arts. It also provides measurement that can be effectively reached by various means. There are multiple pathways to learning, thus creating a broader spectrum of learning. This has been extremely rewarding to me as an educator and likewise, to my students.

What have been the benefits in becoming involved in the Maine Arts Leadership initiative?

MALI has provided a generous amount of support and enrichment to my teaching career. Being able to collaborate and learn from highly motivated and skilled teaching artists and teacher leaders has awakened a new area of growth for me. It has reminded me of the risk I ask my students to make daily to try something new and take a leap of faith into the unknown. MALI has brought that desire to succeed closer to me and I carry this with me in my classroom.

What are you most proud of in your career?

Kate Smith and Kris at the summer institute, summer 2017

With the help of my extremely supportive husband and two amazingly awesome children I earned my Masters in Music Education at the University of Southern Maine last year. It was an incredibly busy four years, but everything I studied and researched and learned I have used directly in my teaching classroom. The best lesson from this has to be that while I was working on my Masters, my husband was working on his MBA and our children witnessed first-hand how dedicated we both were to our goals in our careers, in our studies, and with our family. From our example both of our children have expressed how valuable education is and I know they will always remember this.

What gets in the way of being a better teacher or doing a better job as a teacher?

Time

  • I always make time for a student who wants to keep improving or delving deeper during lunch breaks or after school.
  • Researching new material or reading up about improving learning or my own teaching takes time.
  • Getting the word out to the newspapers or parents about the goings on of our trips, activities, and concerts takes time.
  • Sending out “I got caught being awesome!” emails to students and their families takes time.
  • Needing the sleep for the energy my job demands sometimes gets in the way, but is absolutely necessary time! 🙂

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

When I returned to classroom teaching after a nine year hiatus I hadn’t touched my resume, my certification had expired, and I hadn’t interviewed in nineteen years. I put my full effort into the entire process and committed myself fully. This took a great amount of work and I knew it was the absolute thing to do.

Look into your crystal ball: what advice would you give to teachers?

Love what you do. Love giving that thirst for knowledge to others. Love being with the age group you work with. There is no greater satisfaction than loving what you do and sharing and seeing that grow in others.

If you were given a $500,000.00 to do with whatever you please, what would it be?

I would love to start a music school that extends our learning for Marshwood students – and our surrounding community – giving scholarships to children and adults who want to learn beyond their classroom music experience and grow more music in their lives. Choruses, rock bands, jazz bands, and private lessons on instruments they love or haven’t even explored yet would be definite possibilities to so many people. Having intergenerational ensembles where the people you sit beside are sharing the same love of learning is an amazing experience for any human being. I attended small schools that did not have any band experiences and now I conduct four choruses and a Rock Band. The experience one learns in an ensemble is unique. Every person should experience being a member of a music ensemble.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

Kaitlin Young and Kris at the MALI summer institute, August 2017

I really hope I do not have any regrets. One of my favorite rewards of teaching is the surprise meeting with former students and their family members. I sincerely love finding out who they have become, where they are, and what they are doing. It means so much to know that they look back fondly on their learning in my classroom and have taken some of our learning with them in their pursuits. I can honestly say that I have made music, laughed, and learned every day and hope my students do, too. For this, I have no regrets.

h1

In Today’s News

March 19, 2018

Waterfall Arts – Belfast

Youth Art Month exhibit takes over the gallery in Belfast at Waterfall Arts. From the Penobscot Bay Pilot: BELFAST—For the third year, the walls of Waterfall Arts’ Clifford and Corridor Galleries are covered in children’s and teenagers’ art—some of it as recognizable as what you’d find on a refrigerator at home and some, arresting enough to stop and try to find out how old the artist is.

READ the entire article written by Kay Stephens, photos by Kay as well.

h1

Dance Education Funding

March 19, 2018

Grant deadline: Wednesday, May 2

AUGUSTA-April 12, 2017—Dance education changes lives, yet only 5 percent of all schools in Maine offer it. The Maine Arts Commission is offering a grant program for schools and teaching artists that seek to bridge this gap and bring the power of dance to more schools. Applicants may apply for awards up to $2,250. The deadline for this new program is Wednesday, May 2, 2018.

John Morris leading a session at the MALI Mega conference, spring 2017

This program was launched in 2016 and has successfully funded 4 dance education residency’s. Each will have a story included on this blog during this school year.

The first teaching artist to provide the residency with the assistance of these funds was veteran dance educator John Morris. “Creative movement is meant to allow students the ownership of their own uniqueness,” Morris said. “I give students the foundational movement to invent and explore their own movement, and I guide them through the process of making their own dances.”

John is also a member of the Maine Arts Leadership Initiative (MALI) Design Team and works with the teaching artist leaders.

Funding for the dance education grant was made possible this year by several dance studios and two high schools who came together for a benefit performance in November, 2017.

Karen Montanaro leading a session at Hampden Academy, December 2017

The Maine Arts Commission is pairing eligible PK-12 school districts with teaching artists from the Arts Commission roster. The roster includes 16 dancers.

“We are extremely appreciative of these contributions and the impact they will have on dance education in Maine,” said Julie Richard the Executive Director of the Maine Arts Commission. “There are so few dance education programs in our state and this is one important way we can make a difference to the students that we serve.”

If you’re a PK-12 educator or teaching artist looking to introduce students to the power of dance education, the Arts Commission encourages reviewing the grant guidelines and application criteria before applying for the May 2 deadline. The top qualifying schools selected will be eligible for the next funding cycle from September 1, 2018 through March 30, 2019.

For information visit the the grants and the teaching artist roster webpages at www.MaineArts.com

For questions regarding the grants or current teaching roster, contact Argy Nestor, Director of Arts Education, argy.nestor@maine.gov.

 

h1

New England Institute Courses

March 18, 2018

Encountering the Arts, Music assessment, G/T 

  • Encountering the Arts: Choice, Voice and Creativity, (hybrid) taught by Lindsay Pinchbeck – April 7 to June 9, 4.5 CEUs
  • Assessment in the Music Classroom, (online) taught by music educator, Jake Sturtevant – April 2 to June 11, 4.5 CEUs
  • Educating Gifted & Talented Learners, (online) taught by Grace Jacobs – April 2 to June 18, 4.5 CEUs

Encountering the Arts: Choice, Voice and Creativity – April 7 to June 9

You can join Lindsay Pinchbeck, MALI Design Team member, in her very own school, Sweetland School in Hope, and learn some wonderful strategies to incorporate into your classroom right away. Sweetland School is s a project based elementary program inspired by the Reggio Emilia approach. Drama, Movement, Music, Poetry, Storytelling, and Visual Arts will be integrated across content areas: Math, Science, Social Studies, Reading and Writing.

Work with colleagues, build relationships, and ask questions of the professor, in person, for two Saturdays and have the convenience of doing the rest of the coursework online. Encountering the Arts: Choice, Voice and Creativity is one such hybrid course.

Assessment in the Music Classroom – April 2 to June 11

This online course taught by music educator and MALI Design Team member Jake Sturtevant provides looking closely at assessment practices through a collaborative and fine-tuned lens. It can provide unique opportunities for growth. Connecting new assessment practices to instruction can bring exciting changes to how we approach our students and their learning.

Participants will discuss how best to apply recent music assessment work to their own unique situations in their own school music programs. This will lead them to create a personalized plan for implementing new strategies. Assessment in the Music Classroom will provide a great opportunity to look closely at assessment practices.

Educating Gifted & Talented Learners

This introductory course provides foundational information relating to the field of gifted and talented education (i.e. history, laws, etc.), details characteristics of gifted students from various populations, describes how such students are identified and assessed, and presents up-to-date, research-based pedagogy relating to curriculum design and instruction.

It may be applied toward the 690 (Gifted & Talented) endorsement for the State of Maine teachers. Join Grace Jacobs for this Educating Gifted & Talented Learners online course.

If you have questions contact Catherine Ring, Executive Director, New England Institute for Teacher Education.