Archive for May, 2019

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Arts Accessibility Webinar

May 13, 2019

Shawna Barnes

On Sunday, May 26, 7:30 – 8:30 p.m. Shawna Barnes will be hosting a webinar on Arts Accessibility. Shawna is a Teaching Artist Leader with the Maine Arts Leadership Initiative.

Shawna N.M. Barnes is a disabled artist and arts accessibility educator. One of her passions is helping educators, camp counselors, and relatives of those living with a disability, find economic solutions to arts access barriers.

In this short webinar, Shawna will introduce several inexpensive and immediate modifications to tools that can be done to help your student or loved one be able to create as independently as possible. Adaptive tools can be expensive. So a big focus for Shawna is finding those creative adaptive solutions by using products you may already have at home, in your studio, or in the classroom.

Do you have a specific tool, disability, or pain point you’d like covered? Ask your question, or describe your situation in this event, and Shawna will be picking 2-3 to use as examples during this webinar.

This introductory webinar is FREE and scheduled to last 30 minutes. If there is higher interaction and engagement, time may be extended an additional 30 minutes. Material will be presented via a live Facebook video on her sculpting page – Shawna N.M. Barnes – Beyond the Clay Art Studio.

To learn more contact Shawna at info@shawnabarnes.com.

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Artist Social

May 12, 2019

Ibiyinka Alao

On Wednesday, May 15, 6:00 – 8:00 p.m. at the Steel House in Rockland there will be an Artist Social. The evening features Ibiyinka Alao, the Art Ambassador to the United Nations. Join Ibiyinka to share your creative work and engage in lively conversation!

The Artists Social is FREE to attend
Open to all creative minds
RSVP required to hannah.wells95@gmail.com

  • After a brief intro by Ibiyinka Alao stay for our Artist Social creative community pot luck
  • Please bring an appetizer, dessert or beverage to share if you will be joining the gathering

Click on the image to read the details. 

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Make History

May 12, 2019

Sarah Orne Jewett House Museum

You are invited to Make History at the Sarah Orne Jewett House Museum

5 Portland Street South Berwick, Maine

Historic New England celebrates the third annual Make History, an exhibition featuring the work of Berwick Academy and Marshwood High School art and music students with a reception on Thursday, May 2, from 6 p.m. – 8 p.m. at the Sarah Orne Jewett House Museum and Visitor Center and Education Space.

Both the exhibition and the reception are free and open to the public. Make History is the culmination of an educational collaboration with educators Seth Hurd, Raegan Russell, Jeff Vinciguerra, and Julia Einstein, in which students were inspired to create personal meanings from the Sarah Orne Jewett House story through visual and performance-based interpretations. On visits to the Sarah Orne Jewett House Museum, students explored rooms and collections, including objects by Marcia Oakes Woodbury and Charles Woodbury, Sarah Wyman Whitman, and Celia Thaxter, investigating the influence of Jewett’s surroundings on her work. One visit took the form of “classroom in the museum,” as students selected a space in the house to study, sketch, or write. Students and teachers came just as in 1891, when Jewett invited artist friends Marcia Oakes and Charles Woodbury to work in her home to immerse themselves in her surroundings and her writing to develop the drawings that would become the illustrations for her book, Deephaven.”

The project was the conceived by Historic New England Maine Education Program Coordinator Julia Einstein. Said Einstein, “I enjoy creating learning spaces to cultivate the creative process. New thinking, and fresh ways of looking excite young people to come up with original ideas.” Visitors to the exhibition will look for ways the students have connected art and history. Two students from Berwick Academy’s Senior Studio Seminar share their thoughts. Eila Shea said, “What resonated with me the most about the Sarah Orne Jewett House were the details, and objects that made up each room. I focused on the small, but beautiful, and often peculiar things that told stories about the history of the house.” Eliana Fleischer spoke of how she found “a way to understand who a person is, is by the books they read. For an author, the books they write serve the same purpose.” Eliana goes on to describe how “Inside Sarah Orne Jewett’s house there is a beautiful library stacked high with books, and filled with furniture of various shapes and textures. I made a print which combines fragments of texture with words that were influenced by that creative place.”

Marshwood High School’s Jeff Vinciguerra, describes how “Everything about this project fits perfectly with my own philosophies as an educator. When students are tasked with designing and making a piece of art which will be displayed in the community, that increased sense of responsibility kicks the students creativity and work ethic into high gear. As an educator I really enjoy this project because it takes students out of the classroom and into the real world and allows us all to see what they are really capable of. The results are consistently impressive. I’m always proud of their hard work and diligent efforts. And to see them connecting in some way to the past history from our hometown is an experience I wish everyone was able to partake in.” Principal, Paul Mehlhorn has expressed an interest in the project becoming a purposeful part of the curriculum going forward where it happens each year.” Raegan Russell, of Berwick Academy adds “the Make History Project has been a thoughtful collaboration between my art students and the Sarah Orne Jewett House. Our students visited the historic home of Jewett, read excerpts of her writing and were invited to experience the space personally and authentically. They were given sketchbook prompts that encouraged them to find what resonated with them, and to discover what questions they had about Jewett, and her time. Our art students further explored these ideas in their sketchbooks, and ultimately through an expressive art work.” Seth Hurd’s Berwick Academy Chorus recorded a period piece of music in the historic house museum to create an audio installation to the exhibition. He is pleased to work on “projects like this one, which align perfectly with our student centered and project -based curriculum at Berwick Academy.”

Make History is on exhibit at the Sarah Orne Jewett Visitor Center until May 18, 2019, and at the Sarah Orne Jewett Museum Education Space until June 30, 2019. Hours are first and third Saturdays, through May, and Friday – Sunday, from June 1 – October 15, 11:00 a.m. – 5:00 p.m. For more information, please call Sarah Orne Jewett House Museum and Visitor Center, 207-384-2454, JewettHouse@historicnewengland.org. or visit the website www.historicnewengland.org. The project and exhibition wad funded in part by the Sam L. Cohen Foundation.

Sarah Orne Jewett House Museum and Visitor Center is one of 36 house museums owned and operated by Historic New England, the oldest, largest, and most comprehensive regional heritage organization in the country.

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Sustainability Festival

May 11, 2019

Sweet Tree Arts

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ECOARTS Project

May 10, 2019

Gulf of Maine   2019 – 2022

Krisanne and Anna

Artist Anna Dibble is working closely with educators on a multi-year project described below. She’s presently matched up with Medomak Valley High School art teacher, Krisanne Baker, for the start of this project. Anna is actively looking for other teachers and schools to work with so after you read this article consider emailing Anna at THIS LINKShe is most interested in schools in the greater Portland area for the school years 2019-2020 and 2020-2021. 

The Project

The central physical focus of the project is the making of a large scale visual art installation to be exhibited for two months or longer in at least two public venues. Utilizing a special fusion of art and natural science, this project’s goals are to increase public awareness of the ecological issues, promote stewardship, and illuminate current changes in biodiversity due to human source climate change and pollution in the Gulf of Maine. The project is an educational collaboration, and also an attempt to create an active dialogue between artists, scientists, educators, and students on the subject of environmental action and solution.

Because of its particular rapid warming, and the unique nature of its ecosystem, the Gulf of Maine is on the forefront of the global climate and ecological crisis – which makes it an excellent metaphor for a public work of art in Maine.

Integral to the project – a catalytic way of public engagement with the installation – will be an accompanying program of related arts events, including music, poetry readings, science talks, and possibly a panel of civic-minded artists and scientists discussing the biodiversity crisis in the Gulf of Maine, and common goals related to the emergency situation.

The Installation

The elements of the installation and the 2D wall displays will be created by a collaboration of over a hundred art and science students – middle, high and college levels, professional artists and filmmakers, lighting and sound designers.

Anna Dibble will direct the entire project with advice and help from a multi generational Creative Team of 12.

Science

The lifecycles and current climate change challenges, as well as the changes in biodiversity will be an important part of the program when I and the other teachers are working with the students to create the sculptures.

First Venue

The Commons at Bigelow Laboratory:  Within a 24 by 7 by 30 foot area between the windows and balcony edge – a facsimile of a Gulf of Maine ecosystem – cross section of upper atmosphere, sky and ocean.

An explosion of hanging light sculpture constructed of marine debris and recycled/found materials: From the top down: Depiction of CO2 overload above sky of sandpipers, knots, plovers, curlews and other endangered flying migrant shorebirds, salt marsh sparrows, puffins; a centrally located 20 foot Right Whale encountering a wild tangle of monofilament, plastic bags, soda bottles and fishing nets; schools of species chosen as symbolic representatives – herring, tuna, cod. Leatherback sea turtles – all  suspended at various levels from the ceiling and stretched cables between the windows and the balcony. Also, ‘alien’ species moving into the Gulf from the south: Green crab, black bass, squid. The ‘texture’ of the installation: hundreds of hanging, floating enlarged versions of Calanus and other microbial  marine animals, jelly fish, algae.  

Wall displays

Anna sharing information in Krisanne’s art room at Medomak Valley High School, Waldoboro

A special film about the process of the project: Interviews with students, artists, teachers and scientists, footage of beach field trips, and edited documentation of the building of the whale, the other animals and elements of the installation.

Two Timelines: Life on earth and Human life on earth. A chart showing ten year increments of the CO2 overload from the time of the industrial revolution until 2021.

The Animals: From the Calanus to the Right Whale: Each represented animal in the installation will have a yet to be determined visual art piece showing the changes in its life cycle, geographic location due to climate change and other human caused impact.

Thank you to Anna for providing the content for this community. 

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Homer High School Fellows

May 9, 2019

Portland Museum of Art

Do you have a student who is a creative thinker with a strong point of view, who loves the idea of spending part of their summer in an art museum and on the coast? The Portland Museum of Art’s (PMA) Homer High School Fellows program is a paid, part-time Fellowship program at the PMA open to rising Sophomore, Junior, or Seniors in High School who are able to secure a work permit if under age 16. The 2019 Fellowship will run tentatively from June 24 to August 2, with two full week intensives.

Reflecting on the rocky shore of Prouts Neck

Each summer, the Homer High School Fellows work together to strengthen their community and develop their creative voices at the PMA and the Winslow Homer Studio, using the museum’s collection and special exhibitions as wellsprings of inspiration. They also learn what makes museums tick, visit artist studios, create original work, and share their experiences with others. Past Homer High School Fellows have produced and presented popular teen-oriented programming, found out Homer wasn’t who they thought he was, made lasting friendships, and much more.

2018 summer fellows at the Winslow Homer house

The application period for Homer High School Fellows is currently open until Sunday, May 5th 2019 at 11:59pm.

To learn more about the program check out the information and view photos on SUMMER 2018. For program description and the application please CLICK HERE

If you have questions about the fellowship please contact Martha Schnee, Youth and Teen Programs Coordinator at 775-6148, ext. 3284 or email Martha at mschnee@portlandmuseum.org

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Maine Arts Academy

May 9, 2019

The Queens of Brimstone

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Teacher

May 8, 2019

Ahhhhhh….

The mediocre teacher tells. The good teacher explains. The superior teacher demonstrates. The great teacher inspires.

~William Arthur Ward

Happy Teacher Appreciate Week! I am grateful for the work (and play) teachers do each day to inspire and encourage creativity and innovation to become part of everyone’s thinking.

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Happy Teacher Appreciation Day!

May 7, 2019

THANK YOU EDUCATORS

 

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“Finding the Boxmaker”

May 7, 2019

Tom Luther’s album released

Finding the Boxmaker album cover

On May 1, 2019 composer/performer Tom Luther released his newest album, “Finding the Boxmaker”. The album has been released in digital-only format on Bandcamp, and can be found at THIS LINK.

“Finding the Boxmaker” is an instrumental work that was inspired by William Gibson’s Count Zero and the art of Mark Kelly. The music combines acoustic performance with electronic, improvised material with algorithmic/systems based material, and a layering of “found” sounds. The music explores different combinations of all three and alternates between “Tableaus” and “Assemblages”.

There are five “Assemblages” of slowly evolving soundscapes surrounded by six “Tableaus” of more traditional musical narratives. Like chapters in a novel, there are over-arching relationships between the Tableaus that “nest” the work together.

Much of the work is driven by the idea of assemblage, this being the collecting or curating of seemingly unlike (and often ordinary) found objects and arranging them in compelling ways. The work of Joseph Cornell (1903-1972) stands out as exemplary, and is a key narrative element in Gibson’s novel. Mark Kelly also works with assemblage in addition to working with some systems driven art which is the second primary driver of the work.

Despite the influence of Count Zero, “Finding the Boxmaker” is not a retelling of Gibson’s novel. “It is an exploration of systems, a merging of acoustic and electronic aesthetics, and a restructuring of how I think about music and art and my relationship to both”, says Luther.

“Finding the Boxmaker”

Tom is on the Maine Arts Commission Teaching Artist roster and a member of the Maine Arts Leadership Initiative as a Teaching Artist Leader. Tom will be facilitating on June 17 at the Teaching Artist professional development workshop. When Tom isn’t writing music he is teaching at the Midcoast Music Academy. Not to mention Tom is a great guy and musician that you should meet if you don’t already know him and his work.