Archive for the ‘assessment’ Category

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Collective Wisdom

September 16, 2019

New School Year Advice

THIS WAS A POST FROM ONE YEAR AGO BUT WORTH RE-POSTING!

From the voices of veteran visual and performing arts educators on starting a new school year

Make it a delicious school year!

Whether you’re just starting to teach or you’ve been add it for 50 years or somewhere in between you might be excited out of your mind to start or having the back to school dreams and asking yourself “how the heck am I going to do this?!” or somewhere in between. I asked veteran teachers “what’s your message for new and veteran teachers starting off the school year?” Here they are – WORDS FROM THE WISE and EXPERIENCED! It’s an amazing, amazing (and amazing) collection. THANKS to everyone who contributed!

Collectively below is the wisdom of 654 + 65 years of teaching. These are not in any particular order!

Kate Smith – 21 years
Central School, South Berwick Music Educator, Grades PreK-3
-The first friends you should make are the secretaries and the custodians.
-Drink plenty of water.
-Advocate for transition time between classes (see above).
-Don’t take yourself too seriously.
-Take the time to know your students.
-Find an Arts mentor. (MALI teacher leaders are great!)
-Build/maintain/reach out to a network of teachers for a sense of community and just-in-time support.
-You are going to mess up and wish you could forget it all. Write it down instead. Some day it’ll make you laugh like crazy.

Jake Sturtevant – 14 years
Falmouth High School Music Educator
If there is one thing I have learned to do over the course of the time I have been teaching it is to breathe. The power of breath is so important, and it takes moments to do. I still have those feelings of being overwhelmed and always reaching for the surface of the water beneath the pile of to-dos and hope-to-dos, but now I just try to pause and take a breathe and allow that feeling to settle and often it moves further from me.

Jen Etter – 12 years
York Middle School Music Educator 
My biggest words of advice starting a new school year and something that I am attempting to be mindful of is to not lose sight of the big picture getting bogged down in the details. Education is ever changing and constantly evolving and that can be frustrating at times. Keep focused on the big picture and what you know to be important and always keep students at the center!
Patricia Gordan – 38 years
RSU#14 Windham Raymond, Music Educator
  1. I do not just teach music to children. I teach children through music.
  2. Whenever I get to the point where I begin to think I know what I’m doing, I gain more wisdom and realize I still don’t know what I’m doing. (Keeps me humble.)
  3. When I have a student who is a behavior challenge I try to get to know them better and build a relationship with them outside of class.
  4. Music is a vehicle for expressing all thoughts and emotions. It can be scary to share the sad and angry songs with students. Will I get negative feedback from parents? “Go Tell Aunt Rhody” is a song about death! Should I use it? Of course we should be tactful and careful, but songs in music class should cover all emotions.
  5. A musician must have the heart of a gypsy and the discipline of a soldier. -Beethoven – Some students will be really good at the heart thing and some will be really good at the discipline thing. Stretch them toward the other skill.
  6. Sometimes I have a hard time with the word, “fun.” Music is fun but it is also hard work. I want the students to have more than “fun.” I want to feed their souls. I want them to feel the natural high that comes from producing a fantastic product that is the result of extreme effort.
  7. Especially for elementary teachers – Listen very, very closely. The “music” is in there somewhere. 😊
Iva Damon – 11 years
Leavitt Area High School, Turner, Visual Art Educator
Going into this year I am really resonating with going “back to basics”. We’re here for the kids as they are at the heart of everything we do. Remembering that at the end of each day, I am able to make connections and help achieve steps in their learning. At the same time, this year I am going to work harder at self-care and making sure to take time for myself.
Holly Leighton – 11 years
Mattanawcook Academy, Lincoln, Visual Art Educator
Teaching is not something you learn and then implement for the next 30 years. It is a constant.

The more I learn the more I realize what I don’t know. It is the “what I don’t know” that drives me to learn more. This is how I grow as a person and educator. It is a continuous cycle that inspires a fresh outlook to each new school year. Take workshops and conference opportunities, no matter how long you have been teaching. After 20 years of teaching I am always come back with something I can use to positively affect student learning and engagement.

Cindi Kugell – 30 years
Oxford Hills Comprehensive High School, South Paris, Visual Art Educator
Know your “Why”. When we focus on our reason for teaching, and for me it’s because there is nothing cooler than working with kids, it gives our lives purpose, clarity and focus. Working with kids keeps me young, inspired and energized and the gratification that I get from students excitement centered around the arts fuels my passion. I truly feel that teaching is my purpose.
Hope Lord – 29 years
Maranacook Community Middle School, Winthrop, Visual Art Educator
Each school year is a new opportunity for teachers to inspire students, innovate, take risks, collaborate, and celebrate the arts.
Adele Drake – 15 years
Hampden Academy Visual Art Educator
I believe in always being open to learning and receiving help and support from others.
Jane Snider – 27 years
Hancock Grammar School Art Educator
While working outside all day in my gardens to end my summer season I was thinking about all of my gardens, how much they had grown since early spring. I realized how much my teaching is like my gardening! Many plants are now in need of a rest, much like my students and I are in late Spring! I have nurtured the seedlings, plants and bushes throughout the season. I have carefully and thoughtfully helped them showcase their beauty! They’ll be back next year, bigger and brighter! Tomorrow I return to school to nurture my students and showcase the beauty of their learning through their art! I’ve had my rest and restored my spirit, I’m ready to carefully and thoughtfully begin a new season for my students! What do they need to grow and flourish?
Sue Barre – 26 years
Waterville Senior High School Music Educator 
Every year (on the advice of my first principal) I work to learn something about each of my students that has nothing to do with music. This process keeps me on my toes and it is also fun for my students to share their non music passions. I am often uplifted, sometimes saddened, and every so often astounded, to the response I can get from “share three things you did this summer.” My personal goal this year is to greet my students every day at the door……they deserve my attention, whether they are making music or not.
Carmel Collins – 20+ years
Lake Region High School, Naples, Dance Educator
Education today is like working with a living breathing organism. It is forever in a state of flux; morphing, refining, retracting, reshaping……Practice being flexible, adaptable and innovative, learn to let things go and move on, keep light on your feet and don’t get stuck in the mud!
When a parent or guardian becomes angry or frustrated with you, always remember that to them they are fighting for their child, a child they have loved and nurtured since birth. Most of the time they are not angry with you, rather it is the situation they are frustrated with and they are looking for help. Try to stay focused on the issue and don’t make it personal. Practice this and they will become your friend and loyal advocate.
Melanie Crowe –  17 years
Marshwood Middle School, Eliot, Visual Art Educator 
The anticipation of a new school year brings up so many emotions – a changing of the seasons, realizing summer is coming to an end, wiping sand off of my sandals for another season, and the vegetable garden bearing fewer treasures. Although, the excitement of meeting new students and having a chance to bring in a fresh approach and atmosphere to the classroom is a just as much a welcome adventure today as it was entering my first year 17 years ago. I am honored to share the art studio with my middle school artists, the opportunity to engage, challenge, and expand their minds is such a precious experience. The years go by in a blink of the eye, the students faces change, but the desire to light the flame of love for art grows stronger each year. I look forward to working with my colleagues integrating art in as many avenues as I can, bridging the gaps from one content to another so students can see how their learning is not in isolation but interconnected. When students can see how valued they are in the art studio, they begin to believe how valuable their art making experience is. I wish you all a wonderful school year working with the youth of Maine and beyond!
Lindsay Pinchbeck – 13 years
Sweetland School, Hope, Founder, Director, Teacher 
New Beginnings
An opportunity to start again
Still jitters – every year, conditioned since a child
Now knowing
The mix of wonder, unease and transition
Breathe
Fear not the unknown
Anthony Lufkin – 13 years
Friendship Village School, Prescott Memorial School, Union Elementary School, Rivers Alternative Middle School, RSU 40 
Every year is similar, but never the same. Each summer goes by faster and faster, but despite wish for more R&R, I always look forward to the new school year. Art and teaching are similar to me in that they are both all about making connections. In art we attempt to connect with artists of the past to understand their ideas, or we try to connect people with our own ideas and perspectives through creation. Teaching effectively requires making connections with students in a way that they can relate to, understand, and appreciate what we are teaching. If we lose connection, not only does artwork become insignificant to us, so does the purpose for learning. Each school year is an opportunity to make connections in new ways. Being in relatively the same position for several consecutive years gives me the insight for identifying ideas and processes that will relate to specific students. As I prepare to start my 12th year of teaching art, I am looking forward to “reusing” successful lessons, opportunities, and connections I have been able to make thus far.  However, I am also looking forward to experimenting with new ideas to better convey ideas, and give students new ways to understand, and more importantly connect, to what art has to offer.
Andrea Wollstadt – 21 years
John F. Kennedy Memorial School, Biddeford, Music Educator
Allow yourself to get caught up in the excitement. Students involved in music have a passion for music. Their joy and excitement is infectious. These kids are PUMPED UP about playing in an ensemble or participating in a music class. Whatever worries or anxieties you might have about the upcoming school year, make sure you give yourself a chance to catch some of their enthusiasm.
Lisa Marin – 22 years and retired!
Jonesport-Beals High School & Jonesport Elementary Visual Art Educator     
Words of wisdom for the new teacher: I remember that first year being very excited, nervous and worried about doing a good job for my new students, the school system, and my colleagues. I tried to get as much input as I could from my fellow art teacher friends, who were very gracious and generous with advice and materials. I was told to relax, have fun, and realize that it takes a few years to make the program your own. So, cut yourself some slack and you’ll be great. Oh yes, and make friends with the custodial staff. Their help over the years has been invaluable.
Words of wisdom for the veteran teachers: It may sometimes be hard to keep up the energy and enthusiasm in the face of new and increasing demands on your time that have little to do with quality teaching for students. I’ve tried to combat this by finding ways to shake up my lessons. I’m looking for ways to incorporate materials I’ve been unfamiliar with or slightly intimidated by to blow out the cobwebs! It’s been fun and I often find I am helped in my success by my students. We say we are all in this together!
For the soon to be retiring teachers (like me): Plan ahead for what you’d like to do post retirement. That will make the transition so much easier. This sounds like a no brainer but is often overlooked. As much as you might love your job remember, you do the job, you aren’t the job. A new teacher’s approach can be wonderful. We were once new teachers as well with fresh ideas. Enjoy your new year!
Shalimar Chasse – 26 years
Wiscasset Middle High School Visual Art Educator rk Middle School Music Educator 
I like to start right off with hands on- avoiding the loooooonnnnnnnngggggggg and boring “expectations” talk that mostly sounds like “wha wha wha wha, wha wha, wha wha” to students just waking up after a summer of sleeping in until noon. I refer students to my on-line site and a unit binder that holds class expectation information. I send them home with a parent guide to art class and encourage them to review this with their parents and return with a parent note confirming their time together and comments or questions. I encourage students to ask me any question to help them acclimate to our space and class while we are doing our first day art activity. Students know what is expected, some need reminding or clarification or simply to know they might not get away with something they have tested. They come to art to Do art- so I like to meet their expectations hoping they might return the gesture.I love the newness of a brand new school year- with no mistakes in it. I like to think of the upcoming year and classes as the best we will experience yet.
Allie Rimkunas – 15 years en Etter
Great Falls Elementary School, Gorham, Visual Art Educator 
Love your students. The most difficult ones need the most love. As an art teacher, I rarely know the home situations, or past trauma that these little ones might have or are still dealing with. I try to keep that in mind when I know a difficult student is coming into my room. Every day is a new day and a possibility for new positive interactions.
I have been teaching for 14 years, and every August brings a new batch of school anxiety dreams. Never fails. I figure that if I didn’t get them then I am not doing my job and changing it up enough.
Catherine Ring – 65 years
Isle au Haut Visual ArtEducator 
Share your passion for learning with children. It’s contagious!
Jane Kirton – 21 years
Sanford High School Music Educator 
Be Compassionate . . . Be consistent . . . CommunicateBe compassionate – Music is one of the few subjects that connects the heart and the brain. Showing compassion towards my students and my colleagues is who I am. The world is filled with so much pain, we don’t know what our students are going through at home. I take great pride in the fact that from day one I tell my students that my classroom is their home and we are a family.  No bullying is allowed. If there is a drama free atmosphere in the room, our music will sound better!  Show you care, smile (even though you are a nervous wreck). Don’t forget to be kind to yourself.  Take care of you – exercise, drink plenty of water, yoga, anything to relieve stress.

Be consistent – Consistency, in my eyes, is critical in good parenting. Set your classroom code of cooperation on day one and stand by it! Treat everyone the same. Discipline can be challenging for a new teacher. Discipline allows a successful start for the entire class. I always remind myself I can always ease up a bit as we get into the year but hold firm to your rules. Keep up with the paperwork (yes, there are certain things we need to do as part of the job which doesn’t have anything to do with what we teach – just “get it done,” don’t put it off.)

Communication – I always tell my students that I’m not a mind reader. I encourage them to tell me what’s going on. It is also important to communicate with them and their parents – concert schedule, paperwork, etc. Communicating with your colleagues is also important. I recently read a post where a new teacher was critical of older teachers in their district in the ways they were teaching. Not a great way to start!  We’re all in this together. Reach out and communicate.  Communicate with your administration, janitors, secretaries, etc. Ask if you don’t know!!

Rob Westerberg – 33 years
York High SchoolMusic Educator 
It’s not about the product, it’s about the process. Precious few are going to remember your concert or art exhibit or play or dance recital three years from now. But dozens of years from now every single participant will remember their journey with you to create that product, and whether or not you caused them to flourish academically and blossom personally. If you take care of those two things – on a daily basis – the rest will take care of itself. Academic without personal is tedious. Personal without academic is cheating them. Both combined is spot-on and will leave you at the end of the day feeling like it was all worth while. Because it will have been.
Charlie Johnson – 45 years
Mount Desert Island High School Visual Art Educator 
Get to know your learners; it is through positive connections that a teacher can discover that which is not always overt from an individual. We are all unique and we are all special, and if you endeavor to learn about your students in a positive manner, it goes a long way toward developing a teacher/learner relationship that benefits both parties.
I’m just starting my 45th teaching year, and I’m just as excited about my new students and classes as I was my first year, because I haven’t fallen into “the same old thing” trap and have many new pieces to explore with my students!
Barbie Weed – 15 years
Gray-New Gloucester Middle School Visual Art Educator 
I always find that the best way to begin a new school year is to forge connections with students as soon as possible. Whether students are returnees for new to the school, taking a little time to get to know something about them sets a positive tone for the whole year. I’m excited for the new experiences that students will bring to my classroom.
Jean Phillips – 30+ years
Wiscasset Middle High School English and Drama Educator
Life is an occasion; rise to it.
Lisa Ingraham – 13 years
Madison Elementary School Visual Art Educator 
Plan meticulously, but keep your mind open to teachable moments. Some of the best learning experiences in my art room began with a student question, interest, and/or aha! that changed our direction for that day.
I’m looking forward to a great, creative, messy year!
MaryEllen Schaper – 42 years and retired
Dance Educator 
Take your work seriously; don’t take yourself too seriously. The work is VERY important, but you can be replaced.
For new teachers, yes, you want to develop positive relationships with your students, but they are NOT your friends. If you need friends at work, develop friendships with your colleagues.
My former superintendent, used to say, “we are there to teach ALL children. Parents send us their best. They don’t keep “the good ones” home”.
We never know the baggage a student brings to school, so listen and be kind. Help students learn that that baggage may be a reason, but it shouldn’t be used as an excuse by the student, the teacher, or the parent. There’s a difference.
Applicable Lin Manuel Miranda “Hamilton” quotes:
“Why do you assume you’re the smartest in the room?” You might not be. I have learned A LOT from my students.
“I am not throwing away my shot.”  You have amazing opportunity to influence lives now and beyond anything in your wildest dreams, so go in EVERY DAY and give 100%.
“I am looking for a mind at work”. Teach your students to think outside the box, ask questions, and how to find answers, even if they might not be what you had in mind.
“Talk less. Smile more.”  Breathe. listen. You’ll be amazed at what you’ll see and hear.
“I wanna be in the room where it happens”.  You ARE in the room where it happens every day. Savor it. It goes by quicker than you’d think!
Lori Spruce – 11 years
Brewer High School Visual Art Educator 
Contribute to the knowledge and skills that you have not only in your own content area, but also expand out to involve your colleagues content areas as well. By doing so, you help not only yourself,  but also students and teachers can learn and grow in the same way. By getting out of your comfort zone and content area, the relationships that you build are invaluable and help build the confidence needed to model what you learn.
Pam Chernesky – 27 years
Mt. Blue High School, Farmington Visual Art Educator 
Start each school year open and ready to build a new community! Bring your best self and a positive attitude to what you do. Every year there will be new initiatives and demands on your teaching and your time, but the real focus should be meeting your students and sharing the excitement of creating and learning with them. Remember that you have content knowledge, passion, and experiences to share and that your students want to learn from you. Don’t become bogged down by the initiatives, administrative demands, or even the details of lesson plans. Offer challenges and take risks in your classroom! Laugh with your students!  Have fun!
Kris Bisson – 17 wonderful years!
Marshwood Middle School, Director of Choruses 
No matter what type of learners you have in your classroom, every student needs understanding.

When I’m excited about what I’m teaching, my students are excited about what I’m teaching!

Theresa Cerceo – 16 years
Dr. Levesque Elementary School & Wisdom Middle High School, MSAD # 33 Visual Art Educator
Trust your instincts, value your strengths and keep yourself open to learning new things.
Danette Kerrigan – 14 years
Sacopee Valley Middle School Visual Art Educator 
Every year is different, but poses the possibility of new discovery and greatness. Every year is the same – the same bright expectant eyes, sleepy heads, hugs and growth. Starting a new year is never boring, always keeping me on my toes, yet is as exciting as opening a new box of crayons… the possibilities are endless. Fashions change, expectations change, requirements change, students stay the same – still needing reassurance, encouragement, celebration and a champion.
For new and veteran teachers – breathe. Embrace each day and reflect at the end on what went well and be honest about what did not. Remember that everyone has something to offer, even those adults who may try your patience. They too, got up this morning, hoping to do the right thing. Assume good intentions. Always apologize – even to students – especially to students – when you have had a bad day and spoke shortly when you shouldn’t have. Remember that you are making an impact you don’t even know about yet.
Rick Osann – 15 years and retired
Bonny Eagle High School Media, Theatre, and Visual Arts Educator 
Be sure to be yourself. Teaching can be really stressful and it’s easy to try to be different to either be the “perfect teacher” or to get your students to “like” you.  The most important thing is to feel comfortable in your own skin.  Students of any age recognize quickly if you’re not being true to your core beliefs. Students will respect you if you just be yourself.
Bill Buzza – 26 years
Edward Little High School Music Educator 

Some words of advice for the beginning of the year:

#1 – Take time to get organized. We get so busy and there are many demands on our time. Using an organizational system that works for you allows you to spend more time teaching.
#2 – (New teachers) Find a mentor and don’t be afraid to ask questions. It’s much more efficient to learn from others than trying to reinvent the wheel.

#3 – Don’t be afraid to say “No” but keep an approachable demeanor. Many times students try to learn / push a teachers limits. We need to be committed to our response and consistent so students know what to expect.

#4 – Build relations with everyone; students, administrators, parents, colleagues, custodians. There will be a time when those connections will pay great dividends.
What’s your advice to new and returning educators? Please email me yours and I will collect them for a future blog post. How will you include and support new teachers in your school/district? Please introduce them to the Maine Arts Education blog – its easy to subscribe (on the right side, half way down). And, invite them to join the community by joining the arts education list-serv by sending me their email address.
Before we get to the “wise words” from Maine, Nancy Flanagan taught K-12 music for 30 years in Michigan. She blogs for Education Week, the TEACHER section called TEACHER in a Strange Land (you may want to follow her on twitter) and on 6 August 2018 she wrote a post called Ten Non-Standard ideas About Going Back to SchoolIt’s worth the read (after you read what Maine arts educators have to say)!
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New England Institute

June 7, 2019

Summer courses

Sign Up Now for Summer 2019 Courses!
Get a jumpstart on your recertification requirements, work with a team on an online course, get a new endorsement or just get some great refreshers on best teaching practices, pre-K – 12. All courses are approved by the Maine Department of Education for 4.5 CEUs.
There are courses on:
Literacy for Children & Adolescents
Gifted and Talented
Google Suite 101
Teaching the Exceptional Child
Teaching Children with Autism
Teaching Children of Poverty
Music Assessment
Maine Writers
Critical and Creative Thinking and more!
Our new website makes finding a course and registering easy. Online summer courses begin in late June, early July.
For more information, visit our website.
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Visit to Wyoming

May 22, 2019

Amazing opportunity

Mary and I at the Wyoming Arts Council

I am so grateful to have traveled to Wyoming last week. I went for two main purposes – one to sit on the arts education grant panel for the Wyoming Arts Council and the second to attend the connect2women conference, especially to attend a session provided by Mary Billiter. Mary is the Arts Education Specialist at the Wyoming Arts Council. I love the Council’s slogan: Grow – Connect – Thrive.

During my almost six years as the director of arts education at the Maine Arts Commission I have been fortunate to mentor two other state arts agency arts education directors. Both have provided me with opportunities to reflect on the work that I view as so important to quality arts education in our schools and communities throughout the state and country. And, is often the case, I have learned so much and have been grateful for the chance to interact with two amazing women! Now, they are not only colleagues but friends.

Denver airport looks like a giant sculpture

It was fascinating to see ‘close up’ how another state coordinates their arts education grant panel. I have read about how other states run their panels and talked with other directors about the process but experiencing the process was much different. It gave me the chance to pause, reflect, and learn.

The panel of 8 traveled from all over Wyoming and we reviewed 53 grant applications, which is almost three times as many as are submitted in Maine. The applications received cover a wide range; PreK-through higher education institutions, arts councils, non-profit, for profit, community organizations and much more. Some of the challenges and successes the applicants face day to day are similar to what I find in Maine and some were very different. It Applicants were required to demonstrate alignment with the state’s arts standards, among other requirements. Needless to say I loved taking on the challenge and since I knew very little or nothing about the applicants and communities, in some ways the task was easier.

First Lady Jennie Gordon

Attending the connect2women conference was a real gift. Kate Debow Hayes serves as the executive director and is the energy behind the work that the organization has underway. It is their fourth conference and the first as a non-profit. Each year the conference grows as people learn about the opportunity.

The speakers, presenters and workshops were varied and interesting. Mary’s workshop was called “Writing Your Online Presence” and it was useful on many levels. From writing emails to formal and informal letters to requesting face to face meetings and much more – I was reminded of how important communication is on a variety of levels. The room was packed with about 50 people. Mary Billiter is the award-winning author of the highly acclaimed resort romance series, which she wrote on her cell phone while she underwent breast cancer treatment. She has a new book coming out in July. I will include a blog post tomorrow that I hope you’ll read since it covers a topic that is familiar to all of us and an important one to address as educators.

Giant boot mosaic

I attended a second workshop called “Brand Your Story” that was presented by Elizabeth Dillow who is an accomplished photographer and designer. The seeds she planted provided the chance to work on “advocacy” through a different lens. It is so fun to be presented with challenges when traveling.

One highlight of the conference was the keynote provided by Wyoming’s First Lady Jennie Gordon. She shared her story growing up with a mother who was born in Austria and coming to the states after marrying an American service man from WWII. She has 9 siblings and now grown children of her own. Her story was very inspirational.

One of the many beautiful flowers at the botanical garden

During my down-time in Wyoming I had a chance to visit some local spots. The Cheyenne Botanical Gardens was one and they are amazing. Many of you know that I create mosaics so seeing the giant boot in mosaic form was a real treat. The gardens also include 3 floors of beautiful plants, an extensive children’s garden, a rooftop garden spot, and much more. I loved seeing the tulips, the vegetables and flowers waiting to be planted from the greenhouse, the indoor/ outdoor classroom and the rooftop providing a wonderful view. While there I met an interesting 80 year old man who was retired from a career in education – teacher, principal, and superintendent – he was spending his day fishing.

The best part about being out west is how everything feels so HUGE. I landed at the Denver airport with a tent like design, the Rockies in the distance, the intense blue sky, the clouds that go from white puffy to grey rain clouds in a matter of minutes, the boots and hats, and the people who are curious and friendly! I am grateful to experience and learn so much while traveling and LOVE returning home to Maine!

Indoor/outdoor classroom in the children’s area of the botanical gardens

I’m sure many of the meartsed blog readers have been out west. If not, I recommend a trip – rent a car, drive around, stop in the local  shops, and stare at the immense sky and land. Ask the local people a question or two and let them talk about their lives.

 

 

 

 

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Teaching Artist Professional Development Workshop

April 23, 2019

Space limited

The Arts Commission is providing a one-day professional development workshop for Maine Teaching Artists.
Monday 17 June 2019
8:45 a.m. – 3:00 p.m.
Only 20 spots available – REGISTER TODAY
Viles Mansion/Governor Samuel Cony House, 71 Stone Street, Augusta.
$25.00. Registration is required.
Purpose
The workshop is focused on the role and benefits of a teaching artist. We will address how to structure and market a residency as well as tips for communicating and collaborating teachers,  administrators, and community arts representatives. The workshop will include resources and techniques on applying your expertise as an artist to the structure of your work as a teaching artist including communication tips, connecting standards and assessments in your lessons, promotional information, funding opportunities, messaging and much more.
Outcomes
  • Information on applying your expertise as an artist to the structuring of your lessons and residencies.
  • Hands-on experience in relating the learning standards and assessments to your work.
  • Participation in sessions that are planned to fit your specific needs as a teaching artist.
  • Promoting yourself and your work as a teaching artist
Workshop Presenters
  • Tom Luther – Teaching Artist, Musician, Maine Arts Leadership Initiative Teaching Artist Leader
  • Lindsay Pinchbeck – Arts Educator, Founder and Director Sweetland School, Hope
  • Kate Smith – Elementary music educator, Central School, South Berwick
Please note: To be eligible to apply for the Maine Arts Commission Teaching Artist Roster teaching artists must attend the one-day workshop.
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Assessment for Learning & Leading

April 16, 2019

Brain-Based Strategies to Cultivate Positive Learning Environments

USM and Southern Maine Partnership present their annual Assessment for Learning & Leading Conference, May 6-7, Portland campus in Abromson Hall. This year’s theme is Brain-Based Strategies to Cultivate Positive Learning Environments.  Featured keynoter and presenter is the brilliant and exuberant Dr. Marcia Tate

REGISTRATION

In addition to daily keynotes and breakout sessions by best-selling author Dr. Tate,  dozens of Maine educators will be presenting!
 

Dr. Marcia Tate

These educators come from a variety of schools, districts,  higher ed institutions,  and  statewide educational  organizations and represent a host of roles (e.g., k-12 teachers, instructional coaches, school administrators, central office administrators, higher ed faculty from undergraduate and graduate programs, professional development specialists, content specialists from the DOE, researchers, etc.) from a variety of content areas (e.g., social studies, literacy, math, visual and performing arts, science, leadership, teacher education, etc.). 

 
Please see the Conference Draft Program for specific session information. 
 
Session Topics include:
  • Worksheets Don’t Grow Dendrites: 20 Instructional Strategies that Engage the Brain
  • Formative Assessment in the Brain-Compatible Classroom: How Do We Really Know They’re Learning
  • Leading the Change Process
  • Characteristics of a Brain-Compatible Classroom
  • Brain-based Strategies – Gateways to Creativity, Growth and Recovery
  • Pulling Tricks from Your Hattie
  • Making Meaning in History Using Primary Sources
  • Sit & Get Won’t Grow Dendrites: 20 Professional Learning Strategies that Engage the Adult Brain
  • Storytelling and Innovation – An Exploration in Arts Integration
  • All Aboard!! Experience The Power of Field Trips at the Osher Map Library
  • Student Involvement & Student Voice
  • Authentic Assessment:  Products and Performances for Student Success
  • Assessment Literacy Leadership & Processes for Successful Implementation
  • Sketchnoting & Visual Learning Strategies
  • Develop Surveys To Get The Data You Want
  • Escape This! Breakout Challenges in the STEM Classroom
  • Shouting Won’t Grow Dendrites: 5 Ways to Detour Around the Danger Zones
  • What Questions Do You Have? Inquiry in the Social Studies Classroom
  • Using Visualization and Infographics to Tell Your Story
  • Balancing Formative and Summative Assessment in High School Math Classroom – The Synergy of Feedback, Self-assessment and Goal Setting
This is going to be an incredible two days of learning! You and your team do not want to miss this unique learning opportunity in beautiful Portland, ME! 
Register at:

https://conferences.usm.maine.edu/attendeeonline/AutoLogin.aspx?page=new&event=2856&password=event

Jeff Beaudry & Anita Stewart McCafferty

Cost: $225 for full conference, including materials, lunches, and snacks; $125 for 1 day; $200/person for full conference for teams of 5+

Co-directors of the Southern Maine Partnership and responsible for the conference are Drs. Anita Stewart McCafferty, Assistant Professor, Department Chair and Jeff Beaudry, Associate Professor, both in the School of Education and Human Development, Educational Leadership Program.

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Teach to Lead

April 6, 2019

Great opportunity to develop ideas with your team

Many of the Maine Arts Education blog readers remember that the Maine Arts Leadership Initiative (MALI) started as the Maine Arts Assessment Initiative (MAAI) back in 2010. In 2014 a team made up of MAAI teacher leaders and leadership team

Maine MALI team, bottom left

members were invited to attend a Teach to Lead Summit in Washington, D.C. It was an AMAZING OPPORTUNITY!! The team realized that the name of the initiative wasn’t reflecting the future work of MAAI. A focus on LEADERSHIP was clear so the members of MAAI decided to change the name to the Maine Arts Leadership Initiative. Like everything we’ve done in the 8 years that the initiative has been in place it was a careful decision. It proved to be the best thing for MALI. We know that in many school districts across Maine and across the country that arts educators are leaders. They are looked to for their many skills – collaboration, problem-solving, curriculum integration, student-center learning and so much more that takes place in arts education classrooms everyday. Why wouldn’t visual and performing arts educators be asked to contribute their expertise to help move schools and school districts forward?!!

You have a chance to lead your colleagues and community to a Teach to Lead Summit. Do you have an idea that takes some intense planning and time with your colleagues? Do you want to take action around something that is needed in your school? If so, I urge you to consider taking a trip west to the next Teach to Lead Summit taking place on September 19-21, 2019 in Salt Lake City, UT. The information is below – take a look – see if you’re a good match. If you have any questions please email me at argy.nestor@maine.gov.

Whole Child, Whole Teacher Summit

September 19-21, 2019

Salt Lake City, UT

Calling all educators! Submit an idea for our next Teacher Leadership Summit!

Teach to Lead supports teachers as valued experts in instruction and students’ needs. Teach to Lead summits provide teams with time to collaborate, skills development, and professional consultation to incubate innovative ideas that can make a positive impact for students in their schools, communities, districts and states.

This topical summit will bring teacher leaders and other stakeholders together to address the needs of the Whole Child and Whole Teacher in an effort to transition from a focus on narrowly defined academic achievement to one that promotes the long-term development and success of all children, as well as the well-being of all teachers.

Each idea should reflect a need that addresses students’ and/or teachers’ health, safety, learning, support in and out of school, and access to engaging and challenging opportunities. Examples of project topic ideas might include:

  • Healthy: homelessness, hunger, student and teacher well-being and mental health
  • Safe: school safety, bullying and harassment
  • Engaged: cultural diversity, student identity, school culture and climate, professional networking
  • Supported: supports for a diverse teacher workforce, coaching and peer mentoring, adult-student relationships, community partnerships, language services and supports
  • Challenged: access to challenging coursework or professional development, access to extracurricular opportunities, etc.

How do participants benefit from the Summit?

  • Develop a local idea for change into a complete plan
  • Obtain the support of a dedicated “critical friend” from a supporting organization to advance your work
  • Build relationships with ASCD, Teach Plus, the United States Department of Education, and national supporting organizations
  • Be provided with free registration and hotel accommodations for two nights or parking ( hotel will be provided free of charge for teams traveling more than 50 miles; parking will be provided for teams traveling 50 miles or fewer to the summit).

Who may submit an idea application?

  • Any teacher leader with an actionable idea is encouraged to apply here (or cut and paste into your browser) https://www.surveymonkey.com/r/TTLSLC19 by 11:59 pm ET on May 17, 2019 . Accepted ideas will be notified the week of June 10th.
  • Teams must have 3-5 members and must be led by one current teacher. Other key stakeholders (e.g. parent, student, community members, school and government officials) are encouraged.

All submitted ideas must: 

  • Encourage teachers to lead from the classroom.
  • Promote collaborative work among multiple stakeholders.
  • Identify an area in need of innovation or a specific problem with an eye towards actionable solutions.
  • Be viable in the local context and sustainable over time.

All submitted ideas may:

  • Be functioning at any stage of development – an emerging idea requiring input and buy-in to something that has been implemented which is ripe for improvement or expansion.
  • Focus on any level of change – school, district, or state.

Please contact info@teachtolead.org for additional information or questions.

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Pen Pals Pilot Program

April 4, 2019

PEER 2018:  5th Grade Painting Pen Pals Pilot Program

Lynda Leonas has been a Maine Arts Leadership Initiative (MALI) Teacher Leader since 2015, Phase 5. It was great to hear about her work at Walton School that is connecting her students with others.
5th grade students from Mrs. Breau’s class at Walton School in Auburn, Maine, began a trial practice run of the painting pen pal program on November 8 during a 30-minute art class with their art teacher, Lynda Leonas. Each student inspired personal responses and program feedback from music and art educators, teaching artists, and members of the Maine Arts Commission during the November MALI Critical Friends Day at the Viles House in Augusta. Students were thrilled with the responses they received and hope to meet their practice partners one day!
Elementary schools in Androscoggin and Cumberland Counties will participate in a larger practice run of this peer student painting exchange this coming spring. We hope to define and direct any technical adjustments necessary in creating a simple large scale painting pen pal exchange and exhibit for teachers and students within the State of Maine. Each grade 5 student will create a painting within an open choice painting studio environment. The painting will be exchanged with a student in another school district. Each participant will reflect upon key ideas and emotions expressed within the art work they receive and respond with his/her own personal interpretation to create visual conversations!
Students and teachers will expand their communities without leaving their classroom throughout the Painting Pen Pals process. Students will access and upload paintings, reflections, and literary responses in the form of poetry into a WIKI site creating an online exhibit while art and classroom teachers upload formative assessments, enrichment activities, and their own painting pen pal works! Our goal is for all peer partnerships to meet in person at a culminating exhibit of their completed works.
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MALI Teacher Leader Story: Catherine Newell

March 13, 2019

Music Educator 

This is the last of six blog posts in 2019 that include stories of the Maine Arts Leadership Initiative (MALI) Phase 8 Teacher Leaders and Teaching Artist Leaders. This series includes a set of questions so you can learn a little bit about each leader. CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 96 Teacher Leaders and 11 Teaching Artist Leaders. CLICK HERE  for Arts education resources. CLICK HERE for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories. Thank you Anthony for sharing your story!

Catherine teaching

Catherine Chesley Newell is a music educator who calls herself a “Once-And-Future Elementary Music Teacher”, because that’s what she was before she had her daughter and what she plans to do again in the future. Recently Catherine said: “Right now I have the supreme joy of teaching music with small groups of children ages 2-5 at Beansprouts Early Learning Center in Freeport. From a child development standpoint, this has been the most fascinating part of my career!”

CATHERINE’S STORY

What do you like best about being a music educator?

The magic of making a song or a rhyme or a movement artful. Children’s hands become beehives or sparks or stuck in the mud. A word becomes a laugh, a shout, or a sigh. A song becomes a declaration, an adventure, or maybe a wish. Everything is transformed by imagination into what is needed in that moment. What could be better than that?

What do you believe are three keys to ANY successful visual and performing arts education?

A passion for learning and growth, delight in the success of others, and flexibility. Maybe not THE three keys, but they’re certainly my keys.

How have you found assessment to be helpful to you in your classroom?

If I don’t know where my students are, I can’t lift them up to where they want to go next. Assessment has an undeserved, negative reputation. It needs a rebrand! Assessment isn’t the problem; the problem is when some administrators and politicians think the data gathered should be used to punish educators.

What have been the benefits in becoming involved in the Maine Arts Leadership initiative?

There’s nothing like spending time with other passionate educators. I come away feeling energized and motivated and full of hope and inspiration. This has been one of the very best things I have been part of and I am so excited to continue our work.

What are you most proud of in your career?

All of the times I was afraid to try something new and did it anyway, or worked through a challenging experience. Especially if it was particularly scary (public speaking leaps to mind!) or the stakes were high. Those are the times I’ve grown the most as a person, musician, and educator.

What gets in the way of being a better teacher or doing a better job as a teacher?

There so very many misconceptions about who is and who is not a musical person or learner. I find that reshaping perception around this is challenging work!

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

My transformation from a “band person” to a “little kids” person. I worked incredibly hard at the Kodály Music Institute to develop the skills I use today. I spent a good part of three years learning repertoire, solfege, pedagogy, and analyzing music. I studied until one or two in the morning every night of my summer sessions in Boston. It was wonderful and worthwhile and I loved it, but it was some of the hardest academic work I’ve ever done. It was, however, luck that landed me in a district that (despite having limited means) supported my summer study. Our local Maine Education Association chapter did a wonderful job negotiating a contract that prioritized professional development!

Look into your crystal ball: what advice would you give to teachers?

Keep growing, keep learning, but take care of yourself, too. Say no when you need to, accept help when you can, and rejoice in your achievements harder than you dwell on your disappointments. Long-term goals are wonderful to have, but the climb is a lot easier if you celebrate along the way!

If you were given a $500,000.00 to do with whatever you please, what would it be?

A good friend of mine passed away at 26 from a lifelong, chronic disease. Her greatest wish was to live long enough to get to be a music teacher. I have long thought that if I ever became fabulously wealthy, I would start a fund in her name to support music education. I think $500K would probably be a good start!

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

Taking so long to join MALI, of course!

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MALI Teaching Artist Leader Story: Kerry Constantino

February 19, 2019

Teaching Artist – Dancer

This is one of six blog posts in 2019 that include stories of the Maine Arts Leadership Initiative (MALI) Phase 8 Teacher Leaders and Teaching Artist Leaders. This series includes a set of questions so you can learn a little bit about each leader. CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 96 Teacher Leaders and 11 Teaching Artist Leaders. CLICK HERE  for Arts education resources. CLICK HERE for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories. Thank you Kerry for sharing your story!

Kerry Constantino

Kerry Constantino began teaching dance to kids right out of college when she graduated college in 2003. Even though she really enjoyed teaching, Kerry felt like she needed more time and experience just creating art. She stepped away from teaching and turned her focus towards developing her technique, studying movement and choreographic theory, and participating in the practice and creation of dance for herself and others. Nearly a decade later, Kerry found herself wanting to teach again, so she applied and was accepted in the San Diego Young Audiences Teaching Artist Training, where she re-learned a lot of things that would prepare her for her role as  a teaching artist. And, she loved it! Kerry really feel at home working with all members of the community. Whether through a school residency or at a private studio, she finds that working with dancers of all ages is so satisfying.

What do you like best about being a teaching artist?

I love being a teaching artist because people, especially young people, are natural dancers.           Giving people permission to move, when so often in a school and work setting, we are told to stay sedentary, is one of my greatest joys.

What do you believe are three keys to ANY successful visual and performing arts education?

I have no idea what would be the key to having a successful arts education, however, I think the thing that stops people from having a successful arts education is a pressure from society that the arts are not valid, or that they are superfluous. The arts give us tools to be creative problem solvers, to think three-dimensionally, and to have the confidence to improvise if we need to. I think all kinds of industries and workplace environments benefit when there are artists at the table.

Have you found assessment to be helpful in your classes, workshops and residencies, and if so, how?

Assessment is part and parcel to being a teaching artist. Whether I’m teaching 3 year olds or 70 year olds, having tools to assess how my students are understanding me is important. When teaching dance, so much is dependent on being a clear communicator, I want my students to dance articulately, safely, and joyfully. Knowing how much of my information is getting across is accomplished through using assessment throughout class.

What have been the benefits in becoming involved in the Maine Arts Leadership Initiative?

I have loved my experiences learning with the other educators in the MALI. It has been inspirational to hear their stories and learn from what they are currently practicing in their classrooms. Learning from other teachers and seeing how they organize and strategize their teaching techniques is invaluable.

What are you most proud of as an artist and/or a teaching artist?

I think what I am most proud of in my art is that I haven’t gotten stuck with just one medium. I began as a dancer, but over the years I have continued to be a voracious learner in many different mediums. I don’t think I will ever be satisfied just practicing and teaching one thing, there is so much more to learn. As I have learned new mediums I’ve incorporated it into my own art and into my teaching as well. Sometimes it feels like I’m a bit of a “Jack of all trades” it’s during those times that I remind myself that if I stop learning new things, then I have stopped growing.

Kerry Constantino

What gets in the way of doing a better job as a teaching artist?

I think that the biggest challenge for me as a teaching artist is navigating the process of finding residencies. I still feel really new to teaching, so I’m hoping this gets easier the more that I do it. I tend to retreat a bit when it comes to pursuing residencies because I feel like there are other people who are doing what I do, but with more experience and better. I talk myself out of things a lot and I think this is all born out of fear.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

Everything. I have spent years pushing and finding a way to continue as a dancer and movement artist. Sometimes it feels too hard, like if being a dancer and choreographer is this hard, then I just shouldn’t do it, but for some crazy reason I keep going. Every piece of choreography I have shown, every informal performance, every single time I have made dance and shown it there has been a period during my creative process that has felt impossible.

What advice would you give to someone who is thinking about becoming a teaching artist or is just starting out?

Go for it! Practice saying what you want to say to your students before you are actually in front of a class. Write down everything. Get a calendar and use it. Don’t worry if you get flustered on the first day and forget your whole lesson plan, you will be ok!

MALI Summer Institute, August 2018, USM

If you were given a $500,000.00 to do with whatever you please, what would it be?

There is so much I could do with $500,000. I have always hoped to own a home that would have a dance/art/movement studio in it. Dance requires a lot of open space, so I think that would be a big thing for me, to have a proper studio where I could hold classes and have informal performances in my own home. One of my first dance teachers lived in a huge old victorian house and the “ballroom” was her dance studio. It is definitely a dream of mine to do that. Oh, and more travel, I have terrible wanderlust.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

If I make it to be 94, I hope that I can see that all of my choices were what made my long beautiful life. I can’t say there would be any regrets at this point.

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MALI Teaching Artist Leader Story: Shawna Barnes

February 5, 2019

Teaching Artist – Sculptor

This is one of six blog posts in 2019 that include stories of the Maine Arts Leadership Initiative (MALI) Phase 8 Teacher Leaders and Teaching Artist Leaders. This series includes a set of questions so you can learn a little bit about each leader. CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 96 Teacher Leaders and 11 Teaching Artist Leaders. CLICK HERE  for Arts education resources. CLICK HERE for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories. Thank you Shawna for sharing your story!

Shawna N.M. Barnes is a Ceramic Sculptor who has been focused on teaching for three years. Her favorite group to teach is the one full of people who “don’t think they can” because of a disability. Or never gave art a try because of their disabilities. “Problem solving and finding ways to show them they can create and engage in creativity… is amazing.”

What do you like best about being a teaching artist?

I love all the people I have met as a teaching artist. Doors that have been opened, and opportunities presented. It has provided me the ability to share my passions with others who appreciate it.

What do you believe are three keys to ANY successful visual and performing arts education?

First, allowing for differential interpretations of a topic. Essentially acknowledging that the world is full of gray. And when it comes to art, the spectrum of how art and its concepts are perceived, truly is a spectrum.

Second, the ability to acknowledge that art is a bridge between worlds. Whether that be yours and mine, real and fantasy, or past and future. It allows for difficult conversations to be had, often bridging a divide caused by a lack of understanding. Teaching this concept to our students is vital.

Third, the ability to appreciate content, subject matter and skills needed to complete a work of art without having to like the art itself. The ability to see it with an objective eye.

Have you found assessment to be helpful in your classes, workshops and residencies, and if so, how?

Thus far, assessments have helped guide the evolution of my classes and workshops. By evaluating what is working, what is not; what different ages and abilities respond to; I have been able to fine tune the classes so that the highest number of people fund value and enjoyment from the class.

What have been the benefits in becoming involved in the Maine Arts Leadership initiative?

The benefits have been innumerable! It has been the push I needed to create the resource center in my website. I have been given the opportunity to grow my speaking career by giving presentations at conferences. It has sparked collaborations between several members for brand music, for upcoming tutorials, and similar applications. It has introduced me to a group of peers that have become my support network. It has given me the confidence in my own set business that my intuition is right and I am on the right path.

What are you most proud of as an artist and/or a teaching artist?

I am most proud of breaking barriers and showing others where barriers exist. As a disabled artist, I often chose to just not participate in events and workshops because it was easier. I’m taking my challenges and helping create solutions that benefit not just me… but hopefully generations of disabled learners and artists so that they can have access to creative outlets.

What gets in the way of doing a better job as a teaching artist?

My health, admittedly. It can cause me to be unreliable and miss deadlines. Another factor is physical accessibility to facilities that may want to host me for workshops or seminars

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

Simply being an artist is hard work and requires determination every day to put the work in. I work through a variety of disabilities just to be able to create; myasthenia gravis,  cervical dystonia,  hypermobility joint syndrome, seizures, chronic pain, peripheral neuropathy and PTSD are the heavy hitters.

What advice would you give to someone who is thinking about becoming a teaching artist or is just starting out?

You will stumble as you find your footing but don’t let that detour you from continuing to put the work in to build the foundation of your career. Don’t be afraid to ask for help.  There’s plenty of room for everyone at the top, do not entertain a scarcity mindset. 

If you were given a $500,000.00 to do with whatever you please, what would it be?

Build my handicap accessible studio. Give a few grants to local artists and arts organizations looking to make their space accessible by adding ramps or stairlifts to their infrastructure. And spend a few weeks in Paris, soaking up all the amazingness that is the Louvre.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

None.