Archive for the ‘Communication’ Category

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Happy Arts in Education Week, September 9-15

September 10, 2018

Celebrate!

Starting in 2010 Arts in Education Week was designated by Congress with the House Resolution 275. The resolution names the week beginning with the second Sunday in September as National Arts in Education Week. This provides all of us in the field of arts education and our supporters the chance to celebrate and communicate why arts education is essential to the development of all learners.

We see first hand the power of arts education every day in our classrooms and understand how transformative the arts are. Others aren’t as fortunate as we are so by sharing your stories we can help people understand.
What can you do?
  1. Celebrate. Host a celebration in your community, whether big or small, an existing event, or a new one. Download and use the shared logo and be sure to register your event on ArtsMeet, a national arts event calendar. You can even purchase #ArtsEdWeek swag in our Bookstore. Be sure to download the 5 Ways to Partner Packet for other ideas of how to celebrate in your community!
  2. Advocate. Work with your elected officials and decision-makers to share the value of the arts in education. Whether a mayor, principal, or U.S. Congressman, check out sample resolutions and videos, send an op-ed to your local newspaper, and use the Arts Education Navigator—an online tool with six action steps to crafting a personal advocacy plan. Be sure to sign the petition encouraging Secretary of Education Betsy DeVos to support the arts!
  3. Participate. Share your story in the social media campaign, #BecauseOfArtsEd, to bring national visibility to the issue of arts education. See below for more information and download the Social Media How To Guide. Also, be sure to attend and invite friends to the Facebook Event.

Learn more at AMERICANS FOR THE ARTS.

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MICA Arts Ed Sessions

September 8, 2018

Three amazing sessions

This is the third blog post that provides information about the learning opportunities being happening in September from the Maine Arts Commission – the Pre-MICA At the HEART of Education, Thursday, September 27 at USM, Portland campus, Abromson Center. And, yesterday’s post with the overall details for the Maine International Conference on the Arts being held, same place, on Friday, September 28. This post includes the details on the ARTS EDUCATION track with 3 sessions for your interest. Below you will find the details.

CONFERENCE REGISTRATION

Kaitlin Young

Kaitlin Young is one of five speakers that will start off the day presenting in the Maine Artists Idea Lab. It is a fast-paced and engaging peach kulcha-style format that will knock your socks off with the newest innovations.  an Idea Lab.

Kaitlin Young is the 2018 Maine Teacher of the Year and Music Educator from Sedomocha School in Dover-Foxcroft. The room will be filled with Maine’s arts community members including educators. Very exciting opportunity for her to represent arts education among arts supporters.

ARTS EDUCATION SESSIONS

  • 11:00 – 12:00 How do teaching, learning and assessment work together in a positive, productive standards-based Visual and Performing Arts classroom? 

Description

The use of “standards” and “assessments” in visual and performing arts (VPA) education have been discussed, planned for, and developed over many years. A panel of educators will share the work they have underway. Participants are invited to join the conversation – bring your thoughts, questions, and curiosity on why standards and assessments are used in the arts.

Facilitator

Jeff Beaudry

Panel

Jen Etter, Kelly Hrenko, Michelle Kaschub, Holly Leighton, John Morris

Bios

Jeffrey S. Beaudry, Ph.D., Professor, Educational Leadership, University of Southern Maine

Jeff Beaudry

Dr. Beaudry is focused on high impact, classroom and leadership strategies, and how they relate to assessment literacy, assessment for learning (formative assessment), evidence-based practices, and STEAMSS (STEM and arts and service learning). Dr. Stewart MCafferty and Dr. Beaudry just co-authored a book, Teaching Strategies to Create Assessment-literate Learners and Educators, which Corwin Press released in May, 2018. The book provides the research base and multiple examples of practices of high impact strategies of assessment for learning. He also wrote a textbook, Research Literacy: A Primer for Understanding Research, and a book of teaching case study about concept mapping and critical thinking. Jeff passionate about the use of visual thinking in teaching, learning and assessment. He is also very proud of his time as co-director of the Southern Maine Partnership, a regional collaboration of schools and the University of Southern Maine.

Jen Etter

Mrs. Etter is a music teacher at York Middle School in York, ME.  She is currently in her 11th year of teaching chorus, general music and beginning band at YMS.  Within her district, Jen serves on the Leadership Team and played an integral role in helping to transition the York School Department to a proficiency based, student centered model of instruction and assessment.  She has presented on proficiency education at the regional and state level and is passionate about spreading the story of how this has transformed her classroom. Jen has been a teacher leader with the Maine Arts Leadership Initiative since 2013 and in 2014 was selected to featured in the Initiative’s video series on standards-based, student centered learning.  She is extremely proud of the work of this organization and feels blessed to have had the opportunity to be involved with MALI. It is a privilege to be able to work with such amazing arts educators from around the state of Maine.

Kelly Hrenko, Ph.D., Associate Professor, Art Education, University of Southern Maine

Kelly Hrenko

Dr. Hrenko’s current scholarship is within the field of integrated arts and multimodal creative literacies. She uses her position as a teacher educator in the visual arts as a place where several intersections occur; between art and culture, community and school; and interdisciplinary education. She comes from the Midwest where she worked in public and Native American BIA schools, assisting k-12 teachers as they work to integrate the visual arts and native cultures across curricula. Dr Hrenko’s recent publication, Decolonizing Vacationland (Hrenko & Paul, 2017) in Staikidis and Ballengee-Morris (Eds.) Transforming Our Practices: Indigenous Art, Pedagogies, and Philosophies, shares examples of culture based work from Maine classrooms, in partnership with Maliseet teaching artist Mihku Paul. Additionally, Dr. Hrenko works closely with Side X Side, a local arts education non-profit, to support the integration of creative teaching practices and arts-based curriculum across k-12 subject areas.

Michele Kaschub, Ph.D., Professor of Music, Coordinator of Music Teacher Education, Director-Center for Collaboration and Development, University of Southern Maine

Michele Kaschub

Dr. Kaschub is Professor of Music and Coordinator of Music Teacher Education in the School of Music, as well as Director of the Center for Collaboration and Development at the University of Southern Maine. Prior to teaching at the college level, Dr. Kaschub taught 6-12 general and choral music in Camden, ME, and elementary music in Glencoe, IL. Her research interests include children’s composition, composition pedagogy, choral music education, curriculum design/assessment, and the professional development of teachers at all levels. She is co-author of Minds on Music: Composition for Creative and Critical Thinking (Rowman & Littlefield, 2009) and Experiencing Music Composition in Grades 3-5 (Oxford University Press, 2016), co-editor of Composing Our Future: Preparing Music Educators to Teach Composition (OUP, 2013) and Promising Practices in 21st Century Music Teacher Education (OUP, 2014), and has contributed chapters to several pedagogy texts and articles to multiple professional journals.  Michele is currently the Chair & Academic Editor of Music Educators Journal, the most widely disseminated journal for music practitioners in the world. An active clinician and guest lecturer, she has presented research papers and workshops at conferences throughout the United States and abroad.  

Holly Leighton, B.S., Art Education, K-12 Mattanawcook Academy, RSU 67, Lincoln

Holly Leighton

Ms. Leighton is an art teacher at Mattanawcook Academy, RSU 67, Lincoln, Maine.  Holly began her teaching career in the district 20 years ago at the Ella P. Burr Elementary School by developing and implementing the first art program at the elementary level in RSU 67.  Holly is currently in her 4thyear as the art teacher at the high school. Over the past 4 years Holly has participated in district courses and workshops led Dr. Beaudry and Dr. Stewart MCafferty on assessment literacy which has become an important part of her teaching philosophy.  She has continued working with them by attending USM Literacy Conferences and co-presenting at workshops. Holly believes in creating a classroom environment of trust and respect where formative assessments are welcome and occur continuously between teacher and students and between students themselves.   Holly is proud to have become a MALI Teacher Leader and a Teacher Leader at Mattanawcook Academy.

John Morris

Mr. Morris is a dance educator and teaching artist based in Bridgton, Maine. Born and raised in Maine, John performed and taught dance for many years in New York City, before living in the United Kingdom for four years with his wife and stepdaughter. John promotes creative exploration and expression in his teaching, specializing in improvisation and inter-disciplinary collaboration. His writing on creativity and dance has been published in “Creativity Across Domains: Faces of the muse,” edited by James C. Kaufman and John Baer. In addition, he has created a resource for the Maine Arts Leadership Initiative Resource Bank on creativity and dance. He also has a background in large-scale arts assessment, as a consultant for the NAEP arts assessment and the A.P. Studio Art assessment. John is a member of the MALI design team, and is on the Maine Teaching Artists Roster.

  • 2:00 – 3:00 When Teaching Artists and Arts Teachers Connect, Students Win  Description: During the past 4 years, teaching artists and arts educators in the Maine Arts Leadership Initiative have collaborated to provide meaningful, purposeful and authentic learning opportunities for students. Educator collaborations provide opportunities for learners that can surpass what a teacher, working alone, can offer. Hear the stories from these collaborators, bring your questions, share your experiences and imagine the possibilities in more Maine schools and communities.

Description

During the past 4 years, teaching artists and arts educators in the Maine Arts Leadership Initiative have collaborated to provide meaningful, purposeful and authentic learning opportunities for students. Educator collaborations provide opportunities for learners that can surpass what a teacher, working alone, can offer. Hear the stories from these collaborators, bring your questions, share your experiences and imagine the possibilities in more Maine schools and communities.

Facilitator

Kate Smith

Panel

Brian Evans-Jones, Kris Bisson, Tim Christensen, Lori Spruce, John Morris, Carmel Collins

Bios

Kate Smith

Mrs. Smith is an energetic music teacher currently teaching music to preK-third grade students in South Berwick, Maine. Kate earned her music education degree from USM and a Master’s degree in Technology in Education from Lesley University. Kate was honored as 2014 York County Teacher of the Year for her passion for innovation and creativity. Kate serves as a teacher leader and design team member for the Maine Arts Leadership Initiative, the Parade Coordinator for South Berwick’s annual Lanternfest and a coordinator for Central School’s farm-to-table program. Kate lives in southern Maine with her husband and three children.

Brian Evans-Jones and Kris Bisson

Mrs. Bisson is Director of Choruses and a music educator at Marshwood Middle School in Eliot, Maine. She received her Bachelor’s and Master’s degrees in Music Education from the University of Southern Maine and has served as adjudicator and guest conductor for several district choral festivals. She is a teacher leader for the Maine Arts Leadership Initiative, and a member of the National Association for Music Education and the American Choral Directors Association. Her passion for student engagement is reflected in each class she teaches.

Mr. Evans-Jones is a former Poet Laureate of Hampshire, UK, now living in South Berwick, Maine. He studied Literature and Creative Writing at the University of Warwick, UK, and received his MFA in Poetry from UNH in 2016. His poems have appeared in magazines and competitions in America and Britain, and he was the poetry winner of the 2017 Maureen Egen Writers Exchange Award from Poets & Writers. Brian has taught creative writing to children and adults since 2005, and has run poetry residencies and workshops in schools, historic houses, prisons, libraries, and other community and educational venues.

Tim Christensen

Mr. Christensen is a well known ceramic artist, and teaching artist, living in the woods of Downeast Maine. In his practice working in sgraffito on porcelain, he seeks to understand and record the complexities of the systems operating, and changing, in our world today.  In his teaching practice, he helps facilitate learning through the use of visual art as a language, supporting students, teachers, and administrators as they unlock the wonders of our world through art and visual literacy. He has worked in clay since 1999, and been teaching since 2003.

Carmel Collins

Ms. Collins is both a visual arts and dance teacher at Lake Region High School, Maine.  She teaches a variety of arts classes that include ceramics, drawing, fundamentals and the latest addition graphic design.  The dance program offers dance showcase (primarily a performance class) and dance academy, as well as supporting a dance outreach program which serves the district schools. She has served on several educational boards and acted as teacher leader for MALI several times, and served as a member of the reviewing committee in the formulation of the NCCAS. In addition to her classroom duties Carmel also serves the district as K-12 fine arts coordinator and serves on the teacher evaluation committee.

John Morris

Mr. Morris is a dance educator and teaching artist based in Bridgton, Maine. Born and raised in Maine, John performed and taught dance for many years in New York City, before living in the United Kingdom for four years with his wife and stepdaughter. John promotes creative exploration and expression in his teaching, specializing in improvisation and inter-disciplinary collaboration. His writing on creativity and dance has been published in “Creativity Across Domains: Faces of the muse,” edited by James C. Kaufman and John Baer. In addition, he has created a resource for the Maine Arts Leadership Initiative Resource Bank on creativity and dance. He also has a background in large-scale arts assessment, as a consultant for the NAEP arts assessment and the A.P. Studio Art assessment. John is a member of the MALI design team, and is on the Maine Teaching Artists Roster.

Lori Spruce

Mrs. Spruce is a visual art educator at Brewer High School in Brewer, Maine. She teaches multiple art classes including Art 1, Painting, Photography, Graphic Design, and Advanced Placement Studio Art.  Lori received her Bachelor’s Degree in Art education and Studio Art from the University of Maine in Orono. She is proud to have been instrumental in creating the digital media arts program that is now offered at her school that includes a traditional black and white photography darkroom as well. She is also the curriculum leader for the visual and performing art department at Brewer. She is a teacher leader for the Maine Arts Leadership Initiative, a member of the Maine Arts Education Association, and Art in the Heart of Maine. Lori lives in Lamoine, Maine, with her husband and son and is a painter in her artist time.

  • 3:15 – 4:15 Empowering Your Voice for Arts Education 

Description 

We often underestimate the power of our passion and voice for arts education. Yet, we’ve seen students, educators, artists, arts organizations and community members find their voice, build their stories and messages, back them up with research and evidence, and become leaders and advocates for arts education in powerful ways. In this session, we will explore ways to empower our voices, use helpful resources that are just clicks away, and be on our way to making an impact with our hopes and dreams for the arts in education!

Presenter

Ms. Ring is Executive Director of the New England Institute for Teacher Education and teaches graduate level courses to educators across the state of Maine. She co-founder of the Maine Arts Leadership Initiative and has served on the core leadership team since it was established in 2010. Catherine completed her Education Leadership studies at the University of Vermont and received her Master of Arts from Vermont College of Norwich University. For her thesis, entitled “Education and the Arts, Toward Creative Intelligences,” she researched the role of the arts in learning and has worked closely with classroom teachers, helping them to integrate the arts into their regular curricula. As Principal, Catherine helped to bring to her school district the Kennedy Center’s National Partnership program. She assists school districts throughout Maine with differentiated instruction, arts integration, and gifted and talented programs. Catherine is the 2014 Advocate of the Year by the Maine Art Education Association. Catherine returned to the art classroom in 2016 and is teaching on Isle au Haut. 

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MICA

September 7, 2018

Biennial gathering for the Arts

Portland, ME | September 28, 2018

University of Southern Maine, Abromson Community Education Center

Join the Maine Arts Commission for the third biennial Maine International Conference on the Arts (MICA), where we will explore art making, arts education, capacity-building strategies and skills, and more—all specifically for Maine artists, arts educators, and arts organizations.

To learn about the Pre-MICA Arts Education conference, September 27, CLICK HERE.

MICA CONFERENCE REGISTRATION

Registration Pricing & Info

Thursday Pre-Conferences

$50 each, concurrent, select one only: Arts Education or Rural Arts
Thursday night reception and keynote included in conference pricing.

Friday Conference

General Admission…………………………………………………………………………….$125
Maine Arts Awards Luncheon ONLY…………………………………………………….$50
Students (no luncheon)……………………………………………………………………….$25
NEW! Cultural Sector Network Member………………………………………………$75
Join ArtsEngageME’s Cultural Sector Network to use this discounted price.

Friday, September 28 | Maine Arts Awards

ArtsEngageME is pleased to be partnering with the Maine Arts Commission on the inaugural Maine Arts Awards – a brand new program to recognize and celebrate the arts in our communities. Awardees will be recognized for their substantial contributions made in Maine that exemplify a long-term commitment to the arts. Each awardee in seven categories will be given a work of art commissioned especially for the Maine Arts Awards by Molly Neptune Parker, a fourth generation Passamaquoddy basketweaver and National Heritage Fellow.

Friday, September 28 | Conference

Maine Artists Idea Lab: Five speakers using the fast-paced and engaging pecha kucha-style format will knock your socks off with their newest innovations. Speakers include:

Lucas Richman, Music Director, Bangor Symphony Orchestra
Rene Johnson, Executive Director, Theater Ensemble of Color
Erin McGee Ferrell, Visual Artist
Kaitlin Young, 2018 Maine Teacher of the Year and Music Educator
Jeremy Frey, Passamaquoddy basketweaver

20 Professional Development Sessions in 5 Tracks Running Concurrently:

LEVERAGING INVESTMENT. Learn to attract and leverage greater investment through corporate sponsorships, development planning, capitalization and more.

BUILDING CAPACITY. All you need to know on strategies for sustainability and increased impact, from an intensive on strategic planning with Julie Richard to a session on The Role of the Arts in Communities in Crisis.

VISIBILITY OF THE ARTS & CULTURAL SECTOR. Discuss ways to increase awareness of creative opportunities, as well as their value to communities and local economies. Participate in a new, two-part workshop by MICA 2016 superstar Matt Lehrman, Opportunity Everywhere, Parts I & II. Or attend a dynamic session hosted by DataArts/The Cultural Data Project on ways to connect your data to stories about your mission and impact, for more effective communications with key stakeholders.

ARTS EDUCATION & LIFELONG LEARNING. Participate in sessions on fostering PK-12 arts education and lifelong learning programs, including Creative Aging and Traditional Arts.

PROMOTING CULTURAL TOURISM. Gather the information you need to enhance experiences and leverage cultural tourism. Hear from organizations on their successes creating experiences outside of traditional venues, or attend a Rural Community Arts Development session facilitated by Maryo Gard Ewell.

Pop-up performances throughout the day.

ARTS EDUCATION SESSIONS

  • 11:00 – 12:00 How do teaching, learning and assessment work together in a positive, productive standards-based Visual and Performing Arts classroom? Facilitator: Jeff Beaudry. Panel: Jen Etter, Kelly Hrenko, Michelle Kaschub, Holly Leighton, John Morris
  • 2:00 – 3:00 When Teaching Artists and Arts Teachers Connect, Students Win Facilitator: Kate Smith. Panel: Brian Evans-Jones, Kris Bisson, Tim Christensen, Lori Spruce, John Morris, Carmel Collins
  • 3:15 – 4:15 Empowering Your Voice for Arts Education Presenter: Catherine Ring

Thank you to our sponsors

Eaton Peabody
Maine Community Foundation
University of Southern Maine
ArtsEngageME
Boston Brands of Maine
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Pre-MICA Arts Ed Conference

September 6, 2018

Opportunity to learn 

At the HEART of Arts Education

Biennial conference – Thursday, September 27, 8:00 a.m. – 4:00 p.m.

USM, Portland campus, Abromson Center

Arts educators, teaching artists, community arts leaders, youth advocates, and community arts leaders are invited to attend the Arts Education Pre-Conference: At the HEART of Arts Education.

The cost to attend is $50 and includes a full schedule (see below), lunch, performance by The Extension Chords, students from the Midcoast Music Academy, the Maine International Conference on the Arts Opening Reception: A celebration of the arts with Keynote Speaker Maryo Gard EwellRural Community Development in and Through the Arts, and possible 12 contact hours.

CONFERENCE REGISTRATION

The Arts Education Pre-Conference participants will:

  • learn skills to improve teaching and learning in the arts;
  • make connections among the arts disciplines: dance, media arts, music, theater, visual arts and creative writing;
  • network with other educators and reconnect with old friends;
  • make connections between school and community, including arts organizations, artists, and other arts education supporters.

Description

The 2018 Maine State Teacher of the Year, Kaitlin Young, will provide an engaging keynote and guide participants in creating action steps for educators and their work in schools and/or communities. Attend as an individual or consider bringing a team from your school or organization. The day will start and conclude with creative art and music making.

The conference will be a joyous occasion to learn together and celebrate who we are! We are educating the future, the next generation of artists, arts educators, and appreciators of the arts. To do that we need to:

  • instill purpose/passion;
  • ensure high quality instruction;
  • provide relevant and real-world learning experiences;
  • empower our students to become the teachers of their generation.

Facilitators: Kaitlin Young and Catherine Ring

Morning Session Descriptions (Concurrent)

A. Celebrate Community Through Music

Communities thrive when opportunities are given to connect, communicate, create and celebrate.  The arts are the perfect vehicle for bringing communities together. Come prepared to sing, dance, move or play, there will be something for everyone!

If you choose the Music Making session participants will have the opportunity to learn:

  • Basic African drumming and singing
  • Simplified steps to an African dance

And put it together to make an African processional and use later in the day as part of the MICA processional.

FOLI  – “Foli”is the word used for rhythm by the Malinke tribe in West Africa But Foli is not only found in Malinke music, but in all parts of their daily lives. FOLI: there is no movement without rhythm

Facilitators: Kris Bisson and Kate Smith

B. Lantern Making and Creative Exploration

Come prepared with your creative energy to make lanterns using simple materials and be ready to play with the possibilities.

If you choose the Visual Art – Lantern session participants will have the opportunity to learn:

  • How in some cultures light holds a symbolic meaning and is an integral part of traditions
  • How to create a lantern

And, use it later in the day as part of the MICA professional.

Bon Festival – In Japan this annual festival honors deceased relatives while people spend time with their living family members. At the culmination of the festival families place lanterns on the river to be carried away symbolizing the peaceful return to the afterlife.

Facilitators: Lindsay Pinchbeck and Argy Nestor

If you attend with a team from your school/district or community please consider splitting up your team during the morning sessions so the learning can be shared between your colleagues.

Facilitator Bios

Kaitlin Young is the 2018 Maine Teacher of the Year. She currently teaches music to students in prekindergarten through fourth grade and choral music to students in fifth through eighth grade in the RSU #68 school district in Dover-Foxcroft, Maine. Kaitlin graduated from The University of Maine at Orono with a Bachelor’s Degree in Music Education in 2010, and completed her Master’s Degree in Music Education with a concentration in Kodaly Pedagogy at The Hartt School in Hartford, CT in 2017. Kaitlin enjoys spending her free time at her family camp with her husband Bob, cat Zoe, and dog Gabby.

Catherine Ring is Executive Director of the New England Institute for Teacher Education and teaches graduate level courses to educators across the state of Maine. She is co-founder of the Maine Arts Leadership Initiative and has served on the core leadership team since it was established in 2010. Catherine completed her Education Leadership studies at the University of Vermont and received her Master of Arts from Vermont College of Norwich University. For her thesis, entitled “Education and the Arts, Toward Creative Intelligences,” she researched the role of the arts in learning and has worked closely with classroom teachers, helping them to integrate the arts into their regular curricula. As Principal, Catherine helped to bring to her school district the Kennedy Center’s National Partnership program. She assists school districts throughout Maine with differentiated instruction, arts integration, and gifted and talented programs. Catherine is the 2014 Advocate of the Year by the Maine Art Education Association. Catherine returned to the art classroom in 2016 and is teaching on Isle au Haut.

Kris Bisson is Director of Choruses and a music educator at Marshwood Middle School in Eliot, Maine. She received her Bachelor of Science and Master of Music degrees in Music Education from the University of Southern Maine and has served as adjudicator and guest conductor for several district choral festivals. She is a teacher leader for the Maine Arts Leadership Initiative, and a member of the National Association for Music Education and the American Choral Directors Association. Her passion for student engagement is reflected in each class she teaches.

Lindsay Pinchbeck has been teaching with and through the arts in a variety of settings for the past 20 years. Lindsay is the director and founder of Sweet Tree Arts a community arts organization in Hope, ME and began Sweetland School a K-6 Arts Integrated elementary program in 2013. Pinchbeck gained her Masters in Education through Lesley University’s Creative Arts and Learning program. Creatively Lindsay works as a printmaker and photographer. Lindsay believes the creative arts should be accessible to all. She encourages us to be active participants and keen observers with the hope of enriching our communities through the arts.

Kate Smith is an energetic music teacher currently teaching music to preK-third grade students in South Berwick, Maine. Kate earned her music education degree from USM and a Master’s degree in Technology in Education from Lesley University. Kate was honored as 2014 York County Teacher of the Year for her passion for innovation and creativity. Kate serves as a teacher leader and design team member for the Maine Arts Leadership Initiative, the Parade Coordinator for South Berwick’s annual Lanternfest and a coordinator for Central School’s farm-to-table program. Kate lives in southern Maine with her husband and three children.

Argy Nestor is the Director of Arts Education at the Maine Arts Commission. She earned a Master’s degree in Education from the University of Maine, Orono. Much of her career has been spent in a middle school where visual arts was at the heart of all subjects. Argy has been recognized for her accomplishments in teaching, leadership and advocacy including the 1995 Maine Teacher of the Year. She has authored many articles and presented workshops at the local, state, national, and international level. She serves on the education council for the Americans for the Arts. Argy is most proud of the accomplishments of the Maine Arts Leadership Initiative, MALI, (formerly the Maine Arts Assessment Initiative) and the work (and play) that all arts educators do in classrooms across Maine. When she is working to further arts education in Maine Argy can be found on a pond somewhere in Maine or making mosaics.

Questions? Please contact Argy Nestor

CONFERENCE REGISTRATION

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Back to School Resources

August 30, 2018

Research, ideas, videos, suggestions from others all wrapped in one

A collection of items that will provide some food for thought for you or your students. There’s information, serious and fun, for all of the arts education disciplines. Have fun and don’t be surprised if you learn some things to use starting off the school year with students and/or staff.

  • Cambridge Public Schools in Massachusetts is working to incorporate yoga and mindfulness into classrooms to help both students and teachers manage their stress and regulate their emotions. This is happening district wide and they see that it is making a difference (June 7, 2017) Yoga and Mindfulness
  • Amazing website with a blog, podcasts, video, and a store. Subscribe and have access to many learning materials. Cult of Pedagogy
  • Start off the school year by focusing building relationships, making connections with students, and telling your story. Article in Ed Week (August 15, 2018) Build Student Trust by Sharing Stories on the First Day
  • What do Employers Want in a New Hire? Strong speaking skills, but they have a tough time finding candidates who are good at it, according to a survey released Tuesday. Good oral communication skills got the #1 slot among the 15 job skills that executives and hiring managers identified as very important in new hires. (August 28, 2018) READ EDUCATION WEEK ARTICLE.
  • Setting up your classroom for a new year can be fun or stressful. (August 27, 2018) Teachers, How Did You Set Up Your Classroom This Year?
  • Peter DeWitt keeps a blog called: Finding COMMON Ground and he had a superintendent write a post recently called “Kids Need Play and Recess. Their Mental Health May Depend on It”. He talks about the facts on the topic of anxiety, depression and suicide. (August 1, 2018) READ THE POST.
  • Flight of the Bumblebee performed A Capella style by Team Lachey on the television show Clash of the Choirs.  FLIGHT OF THE BUMBLEBEE
  • Musician and conductor André Rieu performing Amazing Grace live in the Amsterdam Arena with His Johann Strauss Orchestra and a contingent of bagpipes. AMAZING GRACE
  • The Spotlight Dance performed by Jackie and Charlie at the summer workshop of ShagAtlanta 2013. DANCING
  • Lead with an Open HeartAre you a teacher leader or taking on a leadership role in your school/district this year? The author starts with “leadership is hard work”. (August 22, 2018)
  • Do.Reflect.Do Better. That’s the motivation for the author of the blog called Project 180, Monte Syrie. He just posted his first day of school blog post BUILDING BETTER: PROJECT 180, DAY 1. Good food for thought!

 

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Storytelling in the Arts Classroom

August 27, 2018

How might you use storytelling?

At the Maine Arts Leadership Initiative (MALI) Summer Institute “Storytelling” was the overarching theme. It was interwoven in many aspects of the 3 days.

Storytelling session led by Jake Sturtevant and Lindsay Pinchbeck

Falmouth High School and MALI Design Team member Jake Sturtevant and Sweetland School founder and director and MALI Design Team member Lindsay Pinchbeck provided a workshop on Storytelling and they set up a Story Corps tent where teachers could visit during the institute and have a conversation, similar to the National Public Broadcasting Story Corps.

We listened to musician and MALI Teaching Artist Leader Tom Luther tell his story of the stroke he had almost a year ago. He worked his way back and to almost full recovery using a ‘beginner’s mind’ and his music.

Brian Evans-Jones and Kris Bisson

MALI Teaching Artist Leader Brian Evans-Jones and Marshwood Middle School music educator and MALI Teacher Leader Kris Bisson shared their story of their incredible collaboration during the 2017-18 school year where they composed a song about an all but forgotten bridge in South Berwick.

Elementary visual art teacher and MALI Teacher Leader Elise Bothel shared her story and research on self-care tools and how they are enriching her life and positively impacting her teaching.

A panel on Leadership included stories from Catherine Ring, co-founder of MALI and art educator, teaching artist and MALI Design Team member John Morris, MALI Teacher Leaders: music from York Middle School Jen Etter, visual art from Brunswick High School Jenni Driscoll, and music from SeDoMoCha school and Maine’s 2018 Teacher of the Year Kaitlin Young. All unique!

Stories in the Leadership session

In a recent edition of the eSchoolNews from NAfME music educator Lori Schwartz Reichi reflects on her college wind ensemble rehearsal when her conductor would pause to tell a story. She wondered why he would take time out of rehearsal to share details of his personal life.

Years later when she started teaching it made perfect sense to her. The stories her professor told were intentional ‘pauses’ in the rehearsal. READ the entire article and learn more about the power of storytelling in the music classroom. (Storytelling has potential in any classroom)!

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MAC Dance Education Grant Recipient

August 22, 2018

East End Community School 

Teaching Artist and dancer Elly (Elisabeth) Lovin worked with the Kindergarten students at the East End Community School in Portland during the spring of 2018. They received one of the Maine Arts Commission dance education grants. I had the opportunity of visiting and I was so impressed with Elly’s ability to connect with every student on multiple levels. She doesn’t miss a beat and she is full of positive energy!

Elly’s Reflections… I am so grateful to have had the opportunity to work with the East End kindergarteners for ten weeks this past spring. Not only was it a joyful, memorable and necessary experience for the children, but it changed me as a dance educator and taught me so much about the power of of movement.

I was able to see each of East End’s four kindergarten classes once a week. We had a large community room to meet in, with a tile floor and big windows overlooking the Back Cove. The children would remove their shoes and socks and join me in a circle. Spending time barefoot is so important, and I wanted to make sure the kids could feel the floor and improve their proprioception by moving without the hindrance of shoes. We always started class in a circle, because I believe this shape is equalizing and empowering. We could all see each other’s faces, and were all equidistant from the center. In each class we started by reviewing our Agreements (my expectations for a successful class). These were: Keeping our bodies within our kinosphere (space bubbles), Using Movement as our language (voices off) and No Running (though we can dance really fast!). We often began with a sensorial warm-up using different types of touch from head to toe–brushing, tapping, squeezing, rubbing–to get into our bodies and prepare for movement.

In each session, I introduced a different element of movement, loosely based on Rudolf Von Laban’s movement themes. I explained that dance is like a recipe, and there are many different ingredients we can think of adding to our dances to make them more “flavorful.” In the ten weeks, we were able to study the following dance “ingredients:” space, an awareness of body parts & whole, time/tempo, locomotion, levels, weight, flow, shapes, and relationships.

“My favorite part was moving my body.”

After introducing the day’s theme, we would move into a locomotive dance. Beginning with walking, we would pay close attention our pathways on the floor, moving in the general space without bumping into one another, and really seeingthe other dancers in the room. The walking dance would build into other forms of locomotive movement–marching, skipping, sliding, galloping, bear crawling, etc.

We practiced dance skills like leaps, hops and jumps, and then explored the movement theme of the day with dance games and explorations. At the end of each class I tried to allow a brief moment of “settling” back into stillness, for reflection and sharing standout moments from the class, and to honor our bodies for all they can do for us.

I saw so many little moments of change in the students. From week to week, confidence blossomed around both physical skills and creative expression. For those 45 minutes, children with little or no English were able to participate on a level equal to their peers, as everyone worked to communicate through movement, watching, mirroring, and generating physical responses to the movement messages around the room. I honestly couldn’t always predict which children could not understand a lot of English–until the classroom teachers told me.

“My favorite part was when Miss Elly made our dance space small.”

A moment that really stood out to me happened during the sixth or seventh week of class. One student always came to class with a manipulative to work with. I assume he was experiencing difficulties with anxiety and attention. He would join us, but with his manipulative, and it seemed that for the first month or so of classes, he could not stay for the full class. At some point, he would become disinterested and leave the space with an aide. Gradually, he was able to stay for the full class, with a few breaks to use his manipulative. Then one day, I noticed that he had brought his manipulative into our opening circle but as we got up to begin locomotion, the object had been pushed to the side wall, where it remained for the rest of class. And then, the next week, he came to class without his object. He was able to stay engaged for the full class, and every time I looked at him, he was smiling and joyful in his moving body.

As a culmination to the project, we hosted an evening “open class” in East End’s beautiful cafeteria space, with floor to ceiling windows that overlooked the sun setting over the Back Cove. About 20 children came, and approximately 45 parents and grandparents. We demonstrated a full class, with several of the children’s favorite dance explorations from the past ten weeks. We finished with a game called “Art Museum,” but instead of dividing the children into groups to play, we invited the parents to be the museum-goers. The children spread out and made shapes with their bodies, staying still as statues or sculptures. As soft jazz played, the parents were invited to come to the museum, but in our museum, you don’t just look at the art. As the parents looked at each sculpture, they had to mimic the same shape with their bodies, from head to toes to facial expressions. The exploration lasted ten minutes or so, and it was really beautiful to watch. In children’s interactions with adults in their community, how often are they being talked at or guided or expected to follow the adults? What an opportunity to be truly seen by so many grownups–and be the one that all of the grownups must follow! I love this movement game because of the empathy sparked by the simple act of looking at another human being, studying the shape they are making, and mirroring what you see with your own body.

“My favorite part was jumping and eating the air.”

After the “performance,” many parents expressed their gratitude for the project. One little boy’s father came up to me excitedly and said “This has been so great… now we have dance parties at home!” Another dad asked “Who do we have to talk to? All kids should have this experience in school.” I wholeheartedly agree. Who do we talk to?

I don’t know what the future outcomes from this project will be. Will Maine schools begin to integrate dance into their educational philosophies–just as music and art hold a place in public education? Will my students continue to move through their lives with agency over their kinospheres and respect for others’ space boundaries, and enjoy creating dances to express themselves? All I can do is plant the seeds. This teaching experience has furthered my confidence in my philosophy: I believe movement is a human right, and as such am committed to furthering dance education for children in my community.

Teacher PD with Elly

Elly collaborated with kindergarten teacher Kathy Gray to plan, write and implement the Dance Education grant that they received from the Maine Arts Commission.

In Kathy’s words…

When I first responded to Elly’s invitation to work with her to apply for the Dance Education grant, I was excited about the possibilities, but really had no real background or knowledge of what that might look like! As we began the process of writing the grant, I began to learn about the many ways dance would support the youngest learners in our school not only to creatively express themselves, but to also listen in many ways, develop motorically, become aware of their body in space and develop many basic concepts through movement. All of these are basic Kindergarten foundational learning skills.

Parent night performance

Two thirds of the children in my class are English language learners and several have little or no ability to communicate in English. But oh how fluent they were in communicating through dance! They were all totally engaged and danced with smiling and joyful faces! I had especially hoped that dance would allow all the children, regardless of language or motor abilities, opportunities to be creative and competent
and it DID!

Dance classes supported core development and strength as well as balance. I had great concerns about one child’s development – fine motor as well as gross motor and
awareness of body in space. By the end of the dance education sessions, this child had made remarkable progress. He is no longer bumping into children or furniture.
He is no longer needing daily reminders about giving space to the peers sitting beside him. His focus and overall fine motor control has greatly improved.

Children saying good-bye to Elly

Another facet of this grant was on-going PD for our K staff. I have learned so much and have begun to use some of the dance strategies in our classroom. Creating our bubble of space, calming our body from toe to fingertips, traveling at different speeds and zones. District professional development was offered by Elly and staff came from 4 other schools and included pre-K and K teachers, an OT therapist and an OT intern and a grade 3-4 teacher.

This has been such a valuable element of our K students’ learning that I can’t imagine not having it as a permanent part of our curriculum! I think our administrative staff is looking to find ways to make this happen at least for our K students if not for others as well.

The MAC Dance Education grant funds are provided by a performance held each November at Thornton Academy by a collaborative group of school dance programs and community dance programs from southern Maine. The grant will be available again during the winter of 2019. If you’re interested in applying please read the guidelines posted on the MAC site from last year. 

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ECET2 Spot On!

August 14, 2018

Gathering at Colby College

The ECET2 – Elevating and Celebrating Effective Teachers – conference held last week at Colby College was outstanding. ECET2 Maine is an educator community and two-day event and based on the ECET2 national model offering a unique opportunity for teachers from across Maine to connect with other practitioners to gain leadership skills, share innovative classroom practices, and be “celebrated” for their work on behalf of Maine’s students.

Allan Monga speaking with Sydney Chaffee

There were three Cultivating the Calling speeches that provided seeds of inspiration. Hearing educators stories is motivating and validating. One was provided by the 2017 National Teacher of the Year, Sydney Chaffee. She has been moved by her own students stories and by Maine’s Poetry Out Loud champ Allan Monga.

The breakout sessions were terrific, presented by thoughtful educators sharing their ideas and practices. The Colleague Circles provided time to discuss challenges and successes and it was made clear that we share so much across our state in schools/districts.

Colleague Circle presentations during Gallery Walk

Participants could add their “Why I Teach” to a wall and I’ve included some of them in this blog post. You can see that the arts were well represented.

The conference closed out with a Shark Tank where three teams pitched their ideas. Five hundred dollars was given to the most convincing idea which was decided by participants votes on Twitter. And, of course, the door prizes were super!

A great big thank you to the planners – once again they did an outstanding job providing an opportunity that was “spot on” for educators!

There were at least 5 participants who said they will be working on having an ECET2 event in their communities. Watch for the information as it becomes available on their website or Facebook.

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In Today’s News

August 13, 2018

Ashley Bryan

Bob Keyes article in the Maine Sunday Telegram provides the latest news on Ashley Bryan. His show opened recently at the Portland Museum of Art and it is fantastic. At age 95 Ashley is working on a number of books and is planning on one being completed within the month. It is a book of collages based on Christina Rosetti’s poems. He’s also working on a larger project based on his time during WWII when he served in the segregated Army. Seventy four years ago he was at Omaha Beach.

I was very excited to read that he is working with Maine composer Aaron Robinson who happens to be a former student of mine. They are collaborating on an African-American requiem for chamber orchestra, choir and spoken voice.

He’s calling it “A Tender Bridge: An African American Requiem,” based on a Bryan quote: “I always confuse the past and the future, the way I mix up death and life – they are connected only by a tender bridge. This is why stories are at the heart of civilization.”

Plan to take your students to the museum for the show and watch for information on the performance of one of Ashley’s books scheduled for the end of October.

READ the entire article.

“Oh, When the Children Sing in Peace,” 2006, collage of cut colored paper on paper, from “Let It Shine: Three Favorite Spirituals,” 12 by 20 inches. Photo from Portland Museum of Art

 

 

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MALI Summer Institute

August 7, 2018

Work is just beginning

Even though another Maine Arts Leadership Initiative Summer Institute (MAL) is history (number 8), the work for the MALI Teacher Leaders and Teaching Artist Leaders is just beginning.

I am so impressed with the topics that participants have taken on – each year the work is more comprehensive! I will include information about the research the leaders have underway in a future blog post.

The work is challenging and participants make a commitment to stretch themselves as they build on their knowledge and expertise as educators in the arts. MALI’s educators are committed to providing quality arts education for every Maine learner.

Often I am asked so what’s MALI all about and how can it impact me as a teacher? Below you will find some of the initial feedback received at the conclusion of the institute. The comments reflect the thoughtfulness of the participants and will provide a glimpse of the power of participating in MALI as a “leader”.

  • This institute may have changed my entire outlook. I feel like I have value and can help others through my work.
  • The energy was great.
  • Thank you for bringing us all together! The constant stimulating conversations are exhilarating! (joyfully exhausting). I LOVED the storytelling element.
  • Powerful presentations great stories
  • Gained a tremendous amount of insight into other teacher’s schools, jobs and lives. Always amazing experiences with MALI.
  • Thank you for the community connection of the Museum of Art and Ashley. Very inspiring.
  • Lots of great info. Introduced to new concepts. Networking and connections.
  • Amazing sharing! Inspired beyond belief by my peers.
  • Once again, I’m leaving excited about this year.
  • Leadership and creativity hit the spot for me personally. As always you can’t beat the connections made and renewed at MALI. I think I have benefitted a lot from a few key conversations.
  • OMG! I needed a 4thday now! Can you believe it? Great re-boot to my goals as an educator. Focused organization to start the year!
  • It was great! I have much to ponder over the coming months.
  • Lots of great information and inspiration. I liked the small workshops best.
  • I feel motivated and empowered by being around so many like-minded people. The positive energy that is found in this room is amazing.
  • This might be my favorite yet! I feel so fulfilled but not overwhelmed! So re-energized! Thank you and so much love for this organization!
  • I find it fascinating that as we add years on to our MALI gatherings our topics and ideas for our projects and presentations get bigger, better, deeper, more thoughtful, more global. I am so lucky to be part of this organization. Your hard pre-game work was truly appreciated!
  • Love the peeps – Love the sharing – especially the personal journeys. Leadership and artistic.
  • My overall reflection brings me to WOW! I have thoroughly been challenged, inquisitive, curious, exhausted, reignited, and REWARDED. Being surrounded by greatness has, again, been humbling.
  • This was an awesome opportunity to converse with people with similar professions and a wealth of experience to reflect on.