Archive for the ‘Community’ Category

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Maine Poetry Out Loud

April 20, 2021

Blog post 1 of 6 – Poetry

It is very exciting to see Allan Monga, Maine’s State Poetry Out Loud (POL) 2018 champ, as the emcee of the Maine state finals this year. Unfortunately, they couldn’t be held in person but how wonderful that they’ve been recorded so you can enjoy watching and listening to students from 10 Maine high schools reciting poetry.

CONGRATULATIONS to the Maine poetry student finalists and THANK YOU TEACHERS!

EMMA COLLINS, grade 12 – North Yarmouth Academy, Teacher: Ross Markonish

HAZEL DOW, grade 11 – Waterville Senior High School, Teacher: Thomas Creeley

KATELYN NESTOR, grade 10 – Gardiner Area High School, Teacher: Melissa Cheeseman

EMILY PARUK, grade 12 – Gorham High School, Teacher: Kerry Herlihy

ZEKE SITARZ, grade 12 – Lisbon High School, Teacher: Danielle Sylvia

SOFIA STOCKWELL, grade 10 – North Haven Community School, Teacher: Matt Rich

HELEN STOUT, grade 12 – Cape Elizabeth High School, Teacher: Lisa Melanson

ROSE TUTTLE, grade 9 – Mount Ararat High School, Teacher: Emily Vail

ADA VANCIL, grade 11 – John Bapst Memorial High School, Teacher: Jennifer Babcock

MAGNOLIA VANDIVER, grade 12 – George Stevens Academy, Teacher: Maria Johnson

After three rounds of strong performances, the Maine Arts Commission POL judges announced Emily Paruk, a senior from Gorham High School, to represent Maine in May at the National POL event. Helen Strout, a senior at Cape Elizabeth High School, finished runner-up. The Maine State Finals judges were Mihku Paul, Ekhlas Ahmed, Erica Rubin Irish, and Todd McKinley. 

Emily Paruk recited Once the World Was Perfect by Joy Harjo, Fairy-tale Logic by A.E. Stallings, and [‘Often Rebuked, Yet Always Back Returning’] by Emily Bronte.

This will be the first year in the program’s 16-year history that the national competition to be held virtually. Her first appearance is May 2 at noon during one of three semifinal matches. If she advances beyond the semifinal, Paruk will compete in the national finals on May 27 at 7 p.m.

Maine’s POL program is organized by the Maine Arts Commission in partnership with the National Endowment for the Arts and the Poetry Foundation.

For more information about Maine Poetry Out Loud, visit MaineArts.com or contact Meg Fournier, Interim Director of Media and Performing Arts, Maine Arts Commission at megan.b.fournier@maine.gov. More than four million students have participated in Poetry Out Loud over the past 16 years, many advancing from classroom competitions to school competitions to state competitions to, finally, the national finals. For more information about the national POL program, visit poetryoutloud.org.

The film includes three rounds of student recitation videos, as well as performances by musicians from Maine Academy of Modern Music. Enjoy the recorded state finals below.

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Place-Based Education

April 17, 2021

Building curiosity and community

Place: it’s where we’re from; it’s where we’re going. . . . It asks for our attention and care. If we pay attention, place has much to teach us.”

Join us for the next Getting Smart Town Hall, focused on the power of place-based education (PBE), “Every Place is a Place: The Power of Place-Based Education For Building Curiosity and Community.”

We’ll start by diving into what PBE is. Then, we’ll share examples of how schools in diverse contexts and environments have adopted place-based programs as a way to better engage students this summer while attaining three important goals of education: student agency, equity, and community. We’ll close with tips for and best practices for implementing PBE for the new school year.

This event will take place on May 6th at 10:00 a.m. PT.

REGISTER AT THIS LINK

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Art for Good

April 15, 2021

Chocolate Church Arts Center Tonight 7:00 PM

Episode 2 “Dolls for Change” with Kimberly Becker

Thursday, Today at 7pm!

Art For Good is a four-part online series focusing on how the arts can be used to make the world a better place. 

How do dolls made from recycled clothing help girls in in Uganda to stay in school? Find out on on our second episode of A4G, in which we speak with artist (and CCAC gallery curator) Kimberly Becker. Kimberly will talk about her “Dolls for Change” project, as well as her other work as a feminist artist.

The episode will be broadcast (free!) Thursday 4/15 at 7pm on our Facebook and YouTube pages. 

The Chocolate Church Cultural Arts Center is a non-profit regional performing and visual arts center located in historic Bath.

The Chocolate Church Arts Center is mid coast Maine’s regional performing and visual arts center. For more than 40 years the Chocolate Church Arts Center has been offering a rich program of live music, gallery exhibitions, theatre for young artists, lectures and workshops.

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ARRT! Collaboration

April 8, 2021

Portland Museum of Art and Portland High School

Collaboration comes in many forms and can make a huge difference in the education of students. I’ve observed collaborations that start with a small idea and grow into a long-term meaningful learning opportunity. Quite often, not only are students learning but the adults, who are behind the details, are expanding their knowledge as well.

One such opportunity is presently underway at Portland High School (PHS) in collaboration with the Portland Museum of Art (PMA). The PMA Learning & Teaching Specialist Meghan Quigley Graham has been working with the Portland Public Schools (PPS) Partnerships since 2019. The PPS/PMA Partnerships was established as a way to connect with educators and students in the district on a deeper level. The partnerships work with individual educators to collaboratively build opportunities for free-choice, student-driven learning. Through these partnerships, they learn more about access barriers and opportunities for the PMA to be a better resource for educators throughout Maine. These partnerships within the PPS district help to inform ways that the museum can expand capacity for more direct collaboration with educators in other districts.

Meghan has been working with art teacher Louis Pierre Lachapelle as part of the PPS/PMA Partnerships. Louis taught at Lincoln Middle School before taking the position at Portland High School two years ago. This school year, Meghan and Louis wanted to connect students with artists featured in the Untitled 2020: Art from Maine in a ____ Time exhibition at the PMA. It was important that the youth voice be a part of this exhibition in some way, as young people have a lot to express about the year that 2020 was, just as the artists featured in the exhibition do. The PMA’s main role in this partnership was to connect Louis and the Artists’ Rapid Response Team (ARRT)! They will also be reflecting on the experience and sharing that out with wider audiences once the collaboration is complete. They hope to find a way to display some of the artwork that students create.

Each week the artists of ARRT! connect with Louis’ advanced students and provide them feedback and comments on the art they have underway. Students are inspired by the conversations and are very engaged in the opportunity. Louis acknowledged that not only do the artists’ have so much to offer students but PMA does as well. It’s a win-win for everyone.

For those who don’t know ARRT! they create banners and props to promote the work of progressive non-profits across Maine. You can learn more at THIS LINK. ARRT! artists’ are also members of the Union of Maine Visual Artists (UMVA). ARRT! collaborates with 60+ non-profit, progressive groups to promote social change in Maine. ARRT artists’ are pleased to be working with the PHS students in Louis’ classes. They are concerned about the future so being able to work with high schoolers provides a wonderful opportunity to address their concern. With the pandemic ARRT! has shifted how they perform their mission. Maine artist Natasha Mayers who established ARRT! says: “One of the best things to come out of this work with the PHS class is to work as a team, an expert panel, seeing how much we  have to offer the students. I’m overwhelmed by the skill and kindness and generosity and insight that the other ARRTists bring to the discussion. The students get feedback from at least 3 or 4 of us. Lucky students.”  In addition, this opportunity opens up a new window for ARRT. “We have worked together for years, but not in this way, so it is a new appreciation of each other and of ARRT! collaboration.”

ARRT! was selected to participate in the juried exhibition Untitled, 2020: Art From Maine In A _______ Time, which runs until May 31, 2021. The PMA is now open to the public by advance time ticketed only.

Meghan said: “PMA is always looking for more ways to collaborate and partner with Maine educators! If anyone is interested in discussing potential collaborations and partnerships with the PMA.” Please contact Meghan at mquigley@portlandmuseum.org.

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Lewis Prize for Music

April 7, 2021

RSVP

RSVP by CLICKING HERE

The Lewis Prize for Music is thrilled to invite you to our virtual Open House for Music CYD Rural Leadership on Thursday, April 22 from 5pm – 7pm ET. We are hosting an informal conversation with rural and tribal creative youth development practitioners and youth participants, members of state arts agencies, rurally based community centers, advocates and supporters for rural and indigenous communities.

Creative Youth Development is a recent term for a longstanding practice that integrates creative skill-building, inquiry, and expression with positive youth development principles, including holistic wellbeing. The Lewis Prize for Music team is eager to learn about rural communities and the experiences of working and getting funding for out of school music programming.

We will share information about our annual Accelerator Awards application and how to apply beginning in May 2021, as well as how to share about the award opportunity with other rural CYD music organizations that qualify for this opportunity. 

Please note, we are capping attendees to the first 100 people to sign up. Honorariums will be provided for attendees that qualify as being a part of CYD Music Organizations.

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Art Teachers Studio

April 6, 2021

Maine Art Education Partners in Leadership

The Virtual Open Art Teachers Studio is back, starting May 13! For and by Maine teachers. Open to anyone involved or interested in arts education – visual, literary and performing arts educators, teaching artists, administrators, community folks. This is a time to set aside and activate your own creativity. In this long year, we have learned that self-care is critical for those supporting others, such as arts educators. Please give yourself one hour a week to dive into your own imagination with us!  Four sessions, free. To register click here.  Article about past sessions can be read in the winter edition of the Maine Arts Journal here

For more information: martha.piscuskas@maine.gov 

REGISTER HERE

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MAEA Spring Conference

April 6, 2021

A HUGE SUCCESS

Congratulations to the Maine Art Education Association for a successful virtual conference held this past Saturday. Iva Damon was the chair who waited an entire year to complete her task. Last year the conference was canceled thanks to the pandemic. Every aspect of the conference entitled Perceptions 2021 went really well. If you’re working on the planning of a virtual conference or workshop I suggest you reach out to Iva who is an art teacher at Leavitt Area High School. Conference planner Extraordinaire!

The conference opened with a keynote provided by Natasha Mayers and Rob Shetterly. She often explores themes of peace and social justice. Recently the film on Natasha’s life as an artist was released called Natasha Mayers: an Un-Still Life. Natasha founded ARRT! (the Artists’ Rapid Response Team) in 2012, an artists’ collective that meets monthly, creating over 400 banners, props and yard signs for most of the progressive organizations in Maine. She co-founded and is editor-in-chief of The Maine Arts Journal: Union of Maine Visual Artists Quarterly. Learn more about how Natasha has contributed to so many meaningful projects and made a difference in Maine practicing her art in a collaborative way. You can read about her contributions since 1976 at THIS LINK. Conference participants had a chance to view the film before the conference.

“…an engaging and lively portrait of an engaged and lively artist who uses her talents in the service of truth and justice, rather than fortune”
— Edgar Allen Beem
Natasha Mayers

Artist Rob Shetterly founded Americans Who Tell the Truth (AWTT) and has painted over 250 portraits of ‘truth tellers’. The Samantha Smith Project is part of the AWTT work where middle and high school students use art to build a bridge between the classroom and the world to create curious, courageous, and engaged citizens. SSC projects teach students that, no matter what age, they can be part of solving the challenges and problems they see around them.

One of the portraits that Rob has created is of Natasha so it was a delight to have them both share their stories and inspire art educators to make a difference in their classrooms.

Participants had a chance to attend three workshops throughout the day and meet with colleagues informally. The workshops were:

  • Evaluating Creativity with music educator Joe Cough
  • Update your Advocacy: New Ways of Promoting and Expanding Your Impact Beyond the Art Room with Brunswick Middle School teacher Cory Bucknam
  • Neurographic Art with Maranacook Community School art teacher Hope Lord
  • Teaching and Learning with Natasha Mayers: An Un-Still Life with Argy Nestor, Sweetland Middle School
  • AP Art and Design Network Discussion with high school art teachers Lori Spruce and Holly Houston
  • Hand-Build a Tour Up & Stamped Mug with Bioddeford Middle School art teacher Samara Yandell

The day ended with a gathering and door prizes presented. It was very clear that teachers missed seeing colleagues from other parts of the state and making art together. Comments around the challenges of the year and that the value of the art classroom became more clear to educators. Participants said what a great conference it was. More people attended the spring conference than has been the case in the last several years. The comment that placed clarity on our important roles as art educators this year was stated by Rangeley Lakes Regional School Art Teacher Sonja Johnson:

“The Art classroom is a place of awakening this year”.

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Being a Searcher

April 2, 2021

Rob Shetterly and Jim Carrey

As another month comes to an end today I’m sharing this post that might help you close another chapter in a wondering state of mind. In Elizabeth Gilbert’s book “Big Magic” she talks about ideas that come into our thinking and how if we don’t act on them they fly out and keep circulating out there until they land somewhere else. Not sure if this has happened to you but it has to me multiple times, some small topics, others very monumental.

Recently Rob Shetterly from Americans Who Tell the Truth (AWTT) was sharing with my students his story about becoming the painter of the Truth Tellers. Rob has painted over 250 portraits of truth tellers and if you’re not familiar with them please take the time to view the AWTT site – there are many teaching and learning resources and opportunities for your learners.

Anyway, Rob said something that hit me upside my head. It went something like this: A few days later Ellsworth High School art teacher Leah Olson shared a video about Jim Carrey. First, I was surprised that the video had a similar message to Rob’s and that it was coming to me not long after I heard Rob say it. Needless to say it was my “big magic” moment and I knew that I had to act on it. So, I followed up with Rob, shared Jim Carrey’s video, and asked him to repond. Rob’s response pushed on my thinking and the importance of Rob’s paintings became more clear. I am so grateful for his work and wisdom.

Rob’s thinking on The Searcher

Fascinating little video about his art. He’s a searcher. And when you are a searcher, you are also sought. Allowing yourself to be found by what’s searching for you is one of the most important moments in your life. So much of our lives is in preparing ourselves  to be ready for the  recognition of that moment. Being open to the voice. It’s an annunciation one can decline, but at the peril of avoiding the deepest meaning you may be capable of.

Jim’s video

When I went back to view Jim’s video what I found, along with “the searcher”, was how meaningful this video is for students and adults alike. I have been reminded over and over in the last month how serious some parents and educators are about “preparing kids for the future”. Sadly, not about the importance of living each day to the fullest. The video has many messages along with the important one “what you do in life chooses you”. It’s about how important color is (I equate this with the lack of sun during Maine winters), relationships, engagement in learning, observation, love and so much more. I urge you to take the 6 minutes and 18 seconds to watch it and encourage you to share with a friend and/or colleague and of course, if appropriate with your students.

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Malaga Island

March 30, 2021

Resources available

The Maine State Museum is a wealth of information for teachers of all content and grade levels. One topic that they have excellent resources on is Malaga Island. The story of the island and the people who lived there have been of interest to me for some time.

If you’re not familiar with Malaga it is a 41 acre island located near Phippsburg at the mouth of the New Meadows River in Casco Bay. It was the site of an interracial community from the Civil War until 1911, when the residents were forced to leave their homes.

From the Maine State Museum webpage

By July 1, 1912, the community on Maine’s Malaga Island ceased to exist. The State of Maine had evicted the mixed-race community of fisherman and laborers in order to clear the small coastal island of “It’s Shiftless Population of Half-Breed Blacks and Whites”, as one 1911 newspaper article described it. The mixed-race community was controversial in the state; many people saw the island as an ugly mark on the pristine beauty of Maine’s coast. After years of well-publicized legal battles, the state succeeded in removing the community of around forty people, committing eight to the Maine School for the Feeble Minded. By the end of 1912, all visible traces of the community disappeared – houses were moved and the cemetery was exhumed.

Not long ago the museum had a comprehensive exhibit on the community and they’ve been able to include many of the resources online (links below) so we can continue to learn from them.

The museum has also archived 5 lessons which include background info, teaching resources, and photographs from the island settlement. Lessons are located at THIS LINK.

If you have any questions about the museum’s resources please contact Joanna Torow, Chief Educator at the museum at Joanna.Torow@maine.gov.

In addition to the above resources Kate McBrien, Maine State Archivist, presented at the Southwest Harbor Public Library and that recorded presentation is below. At some point there was a shift in the attitude towards Malaga Island. In 2010 Governor John Baldacci visited the island and apologized for the wrong that had been done on the island and to its residents. One of the descendants accepted the apology and communicated how grateful the state of Maine acknowledges the history. You can hear the recording from the ceremony and other stories documented at THIS LINK.

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Watershed Center for Ceramic Arts

March 26, 2021

2021 Residency: Open Studio Sessions

This year, Watershed is pleased to offer two residency sessions for artists interested in spending time in a small creative community. Each Open Studio Session is three weeks in length, offering ample time to make work in their new studio.

  • Session I: July 26 to August 13, 2021
  • Session II: August 23 to September 10, 2021

The sessions will provide a retreat-like atmosphere where artists can connect and create. Any artist who is comfortable working independently in a clay studio is welcome to participate. In a departure from Watershed’s usual Summer Residency, the 2021 Open Studio Sessions do not have themes. Artists will have the opportunity to pursue an independent path of inquiry in the company of other makers.

Scholarships are available. These include Zenobia Awards for Black, Indigenous, and People of Color (BIPOC) artists, along with Kiln God Awards, which are open to all. Apply for financial support by April 15!

2019 AIR Caroline Ennis