Archive for the ‘Theater’ Category

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Who Are They?: Celebration Barn – Part 2

March 31, 2016

Workshops

This blog post is part of a series called Who Are They? where information is provided for the Maine Arts Ed blog readers to learn about community organizations and institutions that provide educational opportunities in the arts. You will learn that they are partnering with other organizations and schools to extend learning opportunities, not supplant. Please consider ways in which you can collaborate to provide excellent arts education for all learners.

This is the second of 5 blog posts about Celebration Barn which is located at 190 Stock Farm Rd, South Paris, ME. Thanks to Ian Bannon for providing the posts.

Celebration Barn is an immersive physical theater school where students develop their own works. Summer workshops are offered in a restored horse barn in rural Maine – a picturesque place that’s only a one-hour flight from New York City. This beautiful setting – away from distractions and obligations – allows performers to fully focus on their craft and develop their work in a supportive atmosphere where creativity and experimentation are encouraged.  The Barn attracts today’s most sought-after physical theater instructors and performers who grow and refine artists’ ideas through a uniquely rigorous and collaborative process.

Students perform as part of Dodi Disanto's 2015 Body-Motion-Gesture Workshop Photo by Davin Currie

Students perform as part of Dodi Disanto’s 2015 Body-Motion-Gesture Workshop
Photo by Davin Currie

Depending on the instructor, the one- and two-week-long intensive workshops can consume between 6-12 hours a day. Further, intimate class sizes ensure each student gets adequate attention during their stay. This professional training is open to students (ages 18+) of all experience levels.

Each year brings a different set of workshops. In 2015 the Barn is offering 7 workshops taught by artists from around the world. Natsuko Ohama encourages students to, “Free your voice! Free yourself!” through The Voice and The Performer. Aitor Bassauri from London’s Spymonkey Theater will teach a workshop on Creating Clown Material. Giovanni Fusetti will lead an exploration into a grotesque of humanity with Bouffon and The Ecstasy of Mocking. Lastly, Jeff Wirth will train an ensemble of cutting-edge, interactive performers during his StoryBox: Interactive Performance Intensive.

Then there are the perennial favorites:

Avner the Eccentric and Julie Goell have been mainstays of the program for many years with two week-long courses on their Eccentric Principles of clowning. The Barn’s most popular workshops, Intro to Eccentric Performing and Advanced Eccentric Performing draw many participants back time and time again.

Davis Robinson and Karen Montanaro, along with guest instructors, lead the Celebration Barn Devising Intensive each summer. This workshop is designed for directors, teachers, and performers interested in devising their own theater pieces. Students learn several methods for imaginative theater problem-solving by spending two intensive weeks devising solo, duet, and ensemble pieces. Students participate in daily classes in movement dynamics, improvisation, partnering, premise work, graphics, and scripting. In the afternoon, world-class artists provide them with a range of approaches. Evenings are spent working on assignments and sharing devised material.

For more information about Celebration Barn Theater workshops, visit their by CLICKING HERE.

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The Little Mermaid

March 27, 2016

April 1, Strom Auditorium, Camden

Maine Arts Leadership Initiative Teacher Leader Allysa Anderson is directing her middle school students in The Little Mermaid.

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Who Are They?: Celebration Barn – Part 1

March 24, 2016

Celebration Barn

This blog post is part of a series called Who Are They? where information is provided for the Maine Arts Ed blog readers to learn about community organizations and institutions that provide educational opportunities in the arts. You will learn that they are partnering with other organizations and schools to extend learning opportunities, not supplant. Please consider ways in which you can collaborate to provide excellent arts education for all learners.

This is the first of 5 blog posts about Celebration Barn which is located at 190 Stock Farm Rd, South Paris, ME. Thanks to Ian Bannon for providing the posts.

Photo by Davin Currie

Photo by Davin Currie

Celebration Barn Theater is a center for creating and performing original theater. Dedicated to unleashing individuals creativity and building a creative community. Celebration Barn fuels the development of new work that is crafted, innovative and wildly alive.

Founded in 1972 on a farm in South Paris, Maine, the Barn was born out of internationally acclaimed mime artist Tony Montanaro’s drive to encourage people to create their own original theater. Now in its 44th year, Celebration Barn is world renowned for generating diverse and uniquely personal physical theater. Alumni are performing on Broadway, in film and television, and at thousands of festivals and theaters around the globe. From this creative oasis in the woods of Maine, we are launching the next generation of theater pioneers.

Each Saturday night, the Barn’s Summer Show Series brings world-class artists to Western Maine: from masterful physical comedy and powerful storytelling to off-the-wall improvisation and unforgettable spectacle.

Summer Workshops and Residencies provide theater artists with opportunities to train and develop new productions in a creatively-charged and bucolic setting. Many of these new works then tour world-wide and are seen by millions of audience members each year.

For more information about Celebration Barn Theater, visit their website by CLICKING HERE.

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Messalonskee High School Players

March 10, 2016

Original adaptation of The Arabian Nights

The Messalonskee High School Players will perform an original adaptation of The Arabian Nights, a colorful collection of tales told by the brave queen Scheherazade to King Shahryar, a violent king who vows to execute her on the morning after their marriage. With each night comes a new story, and with each new story comes a new day full of life and happiness for Scheherazade and Shahryar and their kingdom. Come see tales of love, adventure, and magic from all over the globe, and see a colorful array of characters ranging from animals and kings to a genie and a valiant princess! There will be live music, dancing, and even a bit of poetry!

Show dates are March 10th and 11th (Thursday and Friday), at 7 pm and Saturday at 2 pm and the Messalonskee High School Performing Arts Center. Tickets are $3.00 for students and seniors and $5.00 for adults. If you see the Friday show, come early and get a delicious dinner at the Empty Bowls Supper, and a part of your ticket price will be donated to our local food pantry.

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Maine Drama Festival

February 20, 2016

March and high school drama

Screen Shot 2016-02-17 at 6.33.35 PMIn the upcoming weeks, nearly 3000 Maine high school students from 81 high schools will compete in the 85th annual Maine Drama Festival. The event is sponsored by the Maine Principals’ Association and the Maine Drama Council.  March 4-5, at nine regional sites, schools from Class A (at least 525 students) and Class B (524 or less students) will present plays ranging from the classics to original student-written plays.  Winners from each regional will be selected by a panel of judges to advance to the State Finals on March 18-19.  The Class A Finals will be at Camden Hills Regional HS and Class B at Stearns HS. One school from each State Final will be selected to advance to the New England Drama Festival April 21-23 in Old Saybrook, CT.

Please feel free to contact either of the MDF Coordinators (see below) with any questions or for further information including contact information for individual schools and directors. MDF Coordinators: Rick Ash rick.ash@fivetowns.net Robin Lisherness rlisherness@gmail.com

RESOURCES

For additional information contact Main Drama Festival or e-mail MEDramaCouncil@gmail.com. A list of Regional winners will be available, Sunday, March 6.

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Opera in Washington County

February 15, 2016

Passamaquoddy Bay Symphony Orchestra

PBSO BRINGS OPERA TO WASHINGTON COUNTY CHILDREN

Do you remember the 2014 PBSO Woodwind Quintet’s production of “Peter and the Wolf?” That project, which involved 8 schools and more than 700 students, resulted in approximately 450 teacher and student questionnaires that were overwhelmingly positive. One student wrote: “If you have a chance to see this show, do it! And I’m not a music person.” The success of “Peter and the Wolf” and requests from additional schools ignited a desire in PBSO to build on this first major outreach experience by establishing the MUSIC FOR CHILDREN PROGRAM. This Program annually will develop and present accessible, yet serious, musical programs for elementary-age children. To tie the music to other areas of the curriculum, selected music will be bound to great examples from children’s literature or fine arts. PBSO looks forward to introducing Washington County children to opera and orchestral instruments and music and showing them how music goes beyond a one-time show to become a life-long friend.

This year there is excitement in the air as the PBSO Music for Children Program busily prepares “Hansel and Gretel” for presentation to more than 1,200 school children from 17 schools in Washington County! Seven performances for schools are scheduled in March at EAC and at UMM with a public performance at EAC on Saturday, March 19. Home-schooled students are invited to attend the performance of their choice.

Composer Gregory Biss, writer Sarah Dalton Phillips, and artist Chris Grannis are creating a phenomenal score, narrative, and set that will delight audience members of all ages. The ensemble consists of 13 PBSO musicians and the cast includes Washington County children and adult singers and actors.

This project is funded in part by generous grants from the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts; the Community Building Grant Program of the Maine Community Foundation; and the Steven and Tabitha King Foundation. Thanks also to Eastport Arts Center, the University of Maine at Machias, and the many volunteers who have contributed hours of service to make this dream a reality.

For additional information please contact June Gregory at 207-213-9145 or june.gregory@gmail.com.

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Bossov Ballet Theatre

January 8, 2016

Maine dance program for learners, ages 4 to adult

I had the opportunity to visit Maine Central Institute recently to learn more about the Bossov Ballet Theatre. The staff was wonderful to meet with me and as a follow-up share the information below. I was very impressed with the dance instruction provided by the Artistic Director Natalya Getman and with the passion exhibited by the students in class and in a follow up conversation. If you have any questions about the program please contact Jen Beane at jbeane@mci-school.org.

IMG_1392Bossov Ballet Theatre (BBT) was founded on February 23, 1996 by Col. Michael D. Wyly and Andrei Bossov, a former principal dancer with St. Petersburg’s Kirov Ballet. Initially an independent corporation, Bossov Ballet Theatre was housed on the campus of Maine Central Institute (MCI) in Pittsfield, Maine. In 2013, BBT officially became a part of MCI.

BBT at MCI offers an after school program for students from ages 4 to adult. In addition, the program offers high school-aged students who qualify for the opportunity to study classical ballet (Russian style) as part of the academic curriculum. This unique program, the only one of its kind that we are aware of in the United States, allows students to earn full academic credit for ballet training. These students receive three and a half hours of ballet class during the school day, and two and a half hours on Saturday plus rehearsals. The curriculum includes technique, pointe, partnering, classic pointe variations, character, and acting.

IMG_1361In addition to ballet, students take a full college preparatory high school curriculum, grades 9 through 12. The ballet course counts for 2 credits each year and is continuous all four years. Students can matriculate as freshmen, sophomores, juniors, or seniors, depending on their previous credits earned at other institutions. Ballet and other academics are all on MCI’s campus along with dormitories and dining. Classes are small; the year-round ballet class includes 15 select students.

Historically, MCI’s ballet students have been the school’s highest achievers in terms of SAT scores and grade point average. Students who complete the program are uniquely positioned either to matriculate to an outstanding college or join a professional ballet company. BBT dancers have gone directly from their senior year in high school to companies and colleges such as the following.

Schools

  • Academic Ballet School of St. Petersburg, Russia (“Vaganova Academy”)
  • Hart School, Hartford, Connecticut
  • Suny Purchase, New York
  • Denison University, Granville, Ohio
  • Smith College, Northampton, Massachusetts
  • University of Utah, Utah

Ballet Companies

  • San Francisco Ballet, San Francisco, California
  • Ballet Met, Columbus, Ohio
  • Joffrey Ballet, Chicago, Illinois
  • Ballet Theater of Maryland, Annapolis, Maryland
  • Ballet Illinois, Peoria, Illinois
  • Bejart Ballet, Lausanne, Switzerland
  • Columbia Classical Ballet, Columbia, South Carolina
  • Louisville Ballet, Louisville, Kentucky
  • Nashville Ballet, Nashville, Tennessee

Classes are taught by BBT Artistic Director Natalya Getman. Getman was born in Russia, where IMG_1368she was a gymnastics champion by the age of ten. She studied dance at the Leningrad Academy Choreographic School (Kirov Theater) and graduated with honors from the Uzbek Choreographic School. Upon graduation from the Uzbek School, she joined the Turkmenistan State Theater of Ballet and Opera. In 1995, Getman joined the Moscow Ballet and began touring with them to countries such as Turkey, Spain, Israel, and China. In 1999 she came to the United States with the Moscow Ballet to dance and teach choreography to local children to allow them to dance in the children’s roles with the visiting company when they traveled with The Nutcracker to their city. Getman joined Bossov Ballet Theatre in 2001 as an instructor and became Artistic Director in 2013.

BBT at MCI also offers a six-week Summer Intensive and students can apply to take 1, 5 or 6 IMG_1367weeks.  The five-week intensive program will culminate with a full performance of Don Quixote on Friday July 29 and Saturday July 30 at the Williamson Center for Performing Arts in Fairfield. In addition to Getman, the summer faculty includes Elena Petrichenko and Sergey Chumakov, soloists with the Moscow Ballet. Petrichenko and Chumakov perform both in the US and internationally and come to MCI each summer directly from Moscow.

In addition to the performance at the end of the Summer Intensive, each year BBT students have the opportunity to perform two full-length ballets that have been professionally staged at area theaters. BBT just completed its annual production of The Nutcracker and the school is looking forward to this year’s spring show, featuring The Ugly Duckling, at the Waterville Opera House on May 13 and 14.

Students who are interested in Bossov Ballet Theatre can visit the website at www.mci-IMG_1379school.org/ballet, email bossovballet@mci-school.org or call the Admission Office at 207-487-2282. Auditions are required as part of the admission process and can either be done in-person or by sending a video. Fees for the program are based on the class level in which the student is placed after auditioning. Merit scholarships are available for the year-round and summer intensive programs. Students who are interested in joining BBT are invited to visit a class, though an appointment should be made in advance.

BBT is fortunate to have students from around the country and the world. In addition to IMG_1371classical ballet, the program teaches students key skills including memorization, time management and discipline, which can aid students in all aspects of their lives. It also instills a deep love and appreciation for dance, music and the visual arts while allowing students to investigate their varying interests. The high school students are encouraged to join other student clubs and co-curricular activities while at MCI and have a “normal” high school career. Many of the students who choose to not pursue ballet professionally have gone on to very successful careers in medicine, communications, business and other areas.

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Messalonskee High School

November 15, 2015

The Sound of Music

MHS 2015 SoM Poster

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Camden Hills Regional High School

October 30, 2015

Fall Musical

 

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This We Believe!

October 20, 2015

MALI makes it clear

This summer while attending the Teach to Lead Summit in Washington D.C. the team representing the Maine Arts Leadership Initiative decided to take action on the MALI Teacher Leaders idea of creating Belief Statements. The topics were selected based on the past 4 years of MALI and ones that MALI Teacher Leaders are engaged with, individually and/or collectively: Arts Integration, Advocacy, Assessment Literacy, Creativity and 21st Century Skills, Educator Effectiveness, Effective Teaching and Learning, Proficiency Based Learning and Student Centered Learning, and Teacher Leadership.

IMG_1901At the Summer Institute that MALI had August 3-5 participants worked in groups to draft the statements of which everyone provided feedback on during the institute culmination activity. As a follow-up to the institute they were updated with the suggestions and went back to the teams who collaborated on the writing of them. One last look by the Leadership Team and what you can read below is the result of the several months process. The collaborative effort is another example of the grass-roots work of MALI.

These statements were created to help guide MALI as we continue to move forward with our work. Will these This We Believe statements change? Perhaps, as is most things with MALI, changes are made to move the initiative forward to meet the needs of Arts education in Maine which should positively impact every Maine student.

These statements now live on the Maine Arts Assessment website at http://www.maineartsassessment.com/#!this-we-believe-statements/cmni and were unveiled recently at the Biennial Statewide Arts Education conference on Friday, October 9.

  • ARTS INTEGRATION… allows for cross-curricular collaboration within the creative process. Interconnected learning provides students an opportunity to demonstrate understanding and knowledge using multiple avenues.

  • ADVOCACY… educates communities that arts education is essential. Arts advocacy should involve the presentation of solid, factual information that challenges misconceptions about the role of the arts in our society. Arts advocacy should also highlight the various benefits of the arts through the creation and viewing process; involving the larger community in purposeful and meaningful ways.

  • ASSESSMENT LITERACY… is an ongoing dialogue between stakeholders that informs instruction, supports learning, clarifies understanding and validates what we do as educators.

  • CREATIVITY AND 21ST CENTURY SKILLS… quality arts education is critical to fostering Creativity and developing 21st Century Skills. The arts provide authentic, real life opportunities that nurture:

    * Collaboration

    * Communication

    * Critical Thinking

    * Creative Problem Solving

    Creativity is the ability to connect ideas, information and issues, through exploration, and in novel ways in order to develop personal and relevant solutions.

  • EDUCATOR EFFECTIVENESS… effective teachers are passionate, and love what they do. They are problem solvers, able to reach all learners. They are informed about current pedagogy. They are flexible and can adapt their perspective. They are positive, with a focus on developing student growth.

  • EFFECTIVE TEACHING AND LEARNING… effective teaching leads to effective learning when students are actively engaged, the learning is individualized and relevant, and feedback leads to informed teaching practice and improved student progress.

  • PROFICIENCY BASED LEARNING AND STUDENT CENTERED LEARNING… students are encouraged and empowered to become independent learners, ultimately taking charge of their own education. Experiences within the learning environment are active, collaborative, and engaging; supporting students to explore their artistic processes in meaningful and purposeful ways.

  • TEACHER LEADERSHIP… is collaboration, the ability to foster change, challenging and supportive of others, advocating for the needs of all, and inspiring others to become leaders. Teacher Leadership is an intentional, collaborative strategy which supports and inspires: a) students and their learning through effective teaching practices and  b) the teaching profession through shared expertise, resources, and high quality and ongoing professional development.

Please note: On August 3, 2015, MAAI, the Maine Arts Assessment Initiative, announced its new name, MALI, the Maine Arts Leadership Initiative. MALI is a program of the Maine Arts Commission. You can read about it at https://meartsed.wordpress.com/2015/08/09/maai-goes-to-mali/. Please email Argy Nestor if you have any questions at argy.nestor@maine.gov.