Posts Tagged ‘arts education’

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Critical Friend Days

November 26, 2018

Maine Arts Leadership Initiative

What happens when you bring together arts teachers, teaching artists, and arts leaders who are committed to arts education? An opportunity for all to learn at a very high level. On October 13 and November 13 – both rainy days and one a little snowy – educators traveled from all parts of the state for the Maine Arts Leadership Initiative (MALI) Critical Friend Days.

CRITICAL FRIEND DAY

Critical Friend Day provides an opportunity for MALI educators to share their “Logic Model” work that has been underway since the summer institute and for some before that time. Each educator has taken on a challenge that they wish to work on and devise a plan to solve the challenge. They share their projects to date and get feedback from “critical friends”.

Some of the topics:

  • Collaboration & Emotional Intelligence
  • Poetry and Improv Play Together!
  • Empty Bowls- Nourished Hearts!
  • Increasing Art Instruction at the Elementary Level
  • Authentic Pre-Assessment
  • Dance, Sculpture, Our Ocean
  • Self-Care in Education
  • Quality Elementary Music for ME
  • Math and Music : The Leonardo Effect
  • Theater Today, Building the Foundation
  • Valley K-12 Art Curriculum

In addition to sharing their Logic Models other educators are invited to take on the role of “critical friend” that we define this way: “critical” – expressing or involving an analysis of the merits and faults of a work of literature, music, or art. “Friend” – a person who gives assistance. Both are done in a direct and gentle helpful way. Feedback from the day includes: We want the teacher leaders to create the best work possible so please be honest in your feedback. Thanks so much for your participation!

FEEDBACK

MALI education leaders and invited critical friends often say that the day is their favorite one of the year. A few comments from the participants are included below.

  • I thought it was a wonderful opportunity to hear and see what educators are doing across the state.
  • I LOVE hearing about what people are doing.
  • For Theater Today I certainly struggled with what I wanted to present and what I wanted for feedback. I found just putting it all out there and having a supporting critical friend room was wonderful and filled with growth. For Poetry and Improv this work keeps showing its beautiful placement.
  • It was good to see how committed these presenters are to their work as teaching artists. I was also impressed by how articulately they talked about their work and how it serves their students.

The day ended with an opportunity to do theater improv lead by MALI Teaching Artist Leader Nicole Cardano. The group created a “Dragon” which you can see in the video below.

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Lindsay’s Helsinki – Part 2

November 20, 2018

Lindsay’s notes

This is the second post about our travels to Helsinki for the HundrED Innovation Summit earlier in November. Yesterday’s post gives you a glimpse. Today’s post, below, was written by Lindsay Pinchbeck who is the founder and director of Sweet Tree Arts Center and Sweetland School located in Hope. Thank you for your contribution Lindsay – in her own words…. 

In 2016 I traveled to Malawi with Argy. 

We shared professional development with 12 teachers from the village of Mpamila and neighboring primary schools. We introduced arts integration ideas and used the arts to learn and build community. The experience was life changing, and pushed me to reconsider my own teaching practice and my daily actions. I continue to believe travel gives us the ability to step back and see with fresh eyes what we knew all along, it allows us to trust our intuition, see new perspectives and build new friendships and new ideas. 

On the flight home Argy and I began dreaming about other places we might travel to keep growing and learning. Finland, the antithesis of Malawi, was on the list. 

Two years after our trip to Malawi (last week), Argy and I had the great privilege to travel to Helsinki for the HundrED education summit. HundrED’s manifesto – 

The purpose of education is to help every child flourish, no matter what happens in life.

In a fast changing world focusing on traditional academic skills will remain important, but that is not enough. To thrive as global citizens, children must be equipped with a breadth of skills.

We were invited to be a part of their Ambassadors program to share our arts integration work in Malawi. 

Discussions around ideas of implementing change and many inspiring projects and innovations were shared. It was a highly positive environment, with passionate educators focused on implementing new practices to engage mind, body and soul in relevant work. A focus on sustainable practices was clear and a strong message of student centered work and listening and responding to our children was heard loud and clear. Many educators shared passionately their ideas to better the world through their efforts as educators. The invented word of the conference was ‘Humblitious” created by HundrED founder and creative director Saku Tuominen. Innovations and Educators were indeed both humble and ambitious.

In my journal I noted down these key questions and ideas swirling around the summit. Notes were gathered from discussions, presentations and panels. Many of the ideas and conversations felt so supportive of my own work in a school and community arts center that honors questions over answers, new thinking, listening deeply, and valuing each experience.

What kind of attitude is needed to make change happen? – Listen, be open, We know so little, don’t assume we know anything.

How can we support every child to flourish? – Always ask this question

What is the purpose of school?- Self discovery and Life long Learning

Honor the past, change with the children, make room for new ideas

Change with the children and listen to the children. 

Every drop of water leads to an ocean of change. 

Humbilitious – Humble and Ambitious ideas. 

I do not assume to believe any of these ideas are easy to put into practice and I do not assume to have the answers but in my own work and practice in the arts and education I know I have grown and continue to grow each day by not knowing the way, reflecting back and trusting the process. More than anything the practice of learning, then relearning and learning again how to listen to the children and valuing them as capable, active contributors to our world is the work that is the most challenging and most rewarding.

Lindsay Pinchbeck can be reached at sweettreearts@gmail.com

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My Helsinki – Part 1

November 19, 2018

What an experience

Pinch me – is this real? Over and over that question entered my mind as I set out for Helsinki, Finland for the HundrED Innovation Summit during the week of November 4th. It was an honor to be invited to participate in the summit. Lindsay Pinchbeck, Sweet Tree Arts founder and director of Sweetland School and member of the Maine Arts Leadership Initiative Design Team and I were selected as Ambassadors for the HundrED organization. I arrived early so I could take in as much as possible.

I’ve been asked dozens of questions about the trip so I’m writing a series of blog posts to share this amazing educational experience. In this post I share some of the “exploring” parts of the trip as well as the school visit.

BOSTON – REYKAVIK – COPENHAGEN – HELSINKI

Nicholas and I with my Danish family members

My son, Nicholas and I left Boston on Friday evening. We had a quick plane change in Iceland and flew on to Copenhagen, arriving mid-morning. I studied in Copenhagen during my junior year in college (MANY moons ago) and lived with a Danish family. My Danish mother, now 87 years old, met us for lunch with some of the family. It was such a treat to see them and have Nicholas meet them! Afterwards we started walking through Copenhagen along the Strøget – the pedestrian, car free shopping area, down to the 17th-century waterfront –  Nyhavn, and to visit the bronze statute, the Little Mermaid sitting at the waters edge, created by Edvard Eriksen. We found a lovely spot outside to eat – most of the restaurants have outdoor heaters – pretty much ignoring the cold and damp air.

Nyhavn

We stayed one night and boarded the plane the next afternoon for Helsinki. We stayed in an Airbnb that was located in a short walking distance to almost everywhere we needed to be. I was happy to have Nicholas along since he has traveled extensively with his back pack. He had done some research and we were out and about the next day learning about the history and cultural opportunities. We stopped at two beautiful churches, very different from each other. The Uspenski Cathedral which originally was Russian Orthodox and is now Finnish Orthodox. It sits high on a hill overlooking the city and makes the brick facade look monumental. The second, a Lutheran church – delightfully elegant with hundreds of steps leading up to the entrance. Inside we found simple, clean curved lines and strong columns. On our way out we  met the Boys Choir Director and learned that the 500 member choir representing ages 15-25 has performed throughout the world. I had to imagine their sound in the church that seats 1,200. I was told that the Finnish were serious people but if you asked them a question they were warm and wonderfully helpful. I found that advise to be very accurate so I didn’t hesitate talking to people to learn as much as possible.

Paavo Johannes Nurmi was a Finnish middle-distance and long-distance runner. He was nicknamed the “Flying Finn” as he dominated distance running in the early 20th century. This statue is outside the Olympic stadium.

As we continued walking we passed the presidential palace, historical monuments, the outdoor markets, and stopped at the amazing Helsinki Music Centre (just 7 years old). On to the site of the 1952 summer Olympics where they are refurbishing the well used stadium, tracks and other venues. We were wowed at the sculpture that honors the

Finnish composer and violinist Jean Sibelius (8 December 1865 – 20 September 1957). Even though Sibelius created little music for organs the piece is made to look like stylized organ pipes. It consists of 600 hollow steel pipes welding together. Visiting the piece as the day light disappeared made it all the more dramatic.

The late afternoon was chilly and damp, and the sky was grey so we headed for a delightful small cabin called Cafe Regatta. Located just next to the water it was originally built to hold the Paulig family’s fishnets. In 2002 it became a cafe and it may have been chilly outside but the wood stove warmed up the inside and the hot chocolate was a wonderful helper. We actually sat outside by the fire pit as the sun set. We imagined what it must be like sitting outside during the summer watching the boats on a lazy afternoon.

Interestingly enough Helsinki is a city of about 631,695 (2016) and Copenhagen (2017) has about 602,481. Helsinki has a Design District, several amazing museums, lots of shopping, and great little restaurants. Later in the week, Lindsay and I visited the Ateneum Art Museum with new artists and many well preserved older works as well. The place was packed – the Finnish out and about enjoying their Saturday. We stumbled upon the open studio where everyone was invited to create styrofoam prints. Young and old mixed in and all seriously focused. We had a delightful meal at the museum which included the best salmon chowder I’ve ever had! We visited a great little stationery store and were directed to a wonderful fabric store called Eurokangas where we bought some Marimekko fabric. It is beautiful!

JUMPED RIGHT IN 

I was invited to the HundrED Master Class where we had the chance to hear from amazing educators from India, New Zealand, California, and Arizona. Fascinating conversations over a delicious lunch of reindeer with educators from Australia, Hawaii, Brazil, New Zealand and Helsinki! I was so humbled. Their stories were amazing – everyone was abuzz sharing ideas and their passion for making a difference with their innovations. The class was held at Supercell which is one of the sponsors of HundrED. We entered an amazing space where we took off our shoes and stashed our coats. It oozed with imagination and prompted everyone to connect!

SCHOOL VISIT

I had a choice of visiting several different schools and chose one that had a focus on visual arts, digital arts, and Chinese. Meilahti Comprehensive School: ages 13-15, grades 7-9, 468 students, 45 teachers, 9 other staff. The 7th graders are grouped by interest and in grades 8 and 9 students select from a variety of options to focus. For example, an 8th grader can focus 7 of their periods per week in visual arts or music. The principal was a gracious host, sharing and answering our questions and was very well connected to the students.

Meilahti Comprehensive School music class

In addition to Finnish, 6 other languages are offered. Everywhere we went in Helsinki everyone spoke English very well. There are 24 different nationalities and languages represented in the school and homes. The school focus was on the success of each student with this years emphasis on Positive Interaction. Grade 7: Cultural, interaction and self-expression, grade 8: Managing daily life and taking care of oneself, and grade 9: working life and active citizenship. They follow a national curriculum but there is a ton of freedom so the teachers can determine how to deliver the curriculum and how much they focus on what. Teachers are trusted and supported to offer the best learning for students. In turn their empowerment encourages student empowerment. In Finland teaching is well respected and it is competitive to get a job teaching.

The school visit was definitely a highlight of the trip. Tomorrow’s blog post will be written by Lindsay where she’ll provide her reflections on the trip. And, the the post after that will dive into the actual summit.

Art work on display at Meilahti Comprehensive School

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Edutopia

November 14, 2018

Maine art educator

Carol Shutt retired in June after 27 wonderful years as the K-8 art teacher at Mount Desert Elementary School in Northeast Harbor. Congratulations to Carol for her article that was recently published in Edutopia called Making an Event out of ArtThe piece is about the annual Arts Week (20 years) and suggestions on how to plan for one.

You can read an interview with Carol posted last February on this blog.

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Dance for Joy

November 9, 2018

What fun

Amber Pendleton, grade 6, Prescott Memorial School, Washington

This collage was created by Amber Pendleton who was in 5th grade at the time when Teaching Artist Chrissy Fowler provided a dance residency at Prescott Memorial School in Washington. She was working with art teacher Anthony Lufkin and a Maine Arts Leadership Initiative (MALI) Teacher Leader (MAL) in a Gifted and Talented art class. This was Amber’s response to the fabulous opportunity. The residency took place with funding from the Maine Arts Commission Dance Education fund. This fund was established by a MALI dance teacher at Thornton Academy, Emma Arenstam Campbell. If you’re interested in bringing dance education to your school please watch for the information coming soon on this blog for the 2019-20 school year. The dance performance that has provided the funding for this grant will take place at Thornton Academy on Friday, November 16, 6:30 p.m. Only dance educators on the Maine Arts Commission Teaching Artist Roster are eligible for the funding. Please consider reaching out to one of them and begin planning for next year. This funding has been in place for three years and hundreds of students in grades Pre-K through 12 throughout Maine have benefited from the opportunities it has afforded. If you have questions please don’t hesitate to contact me at argy.nestor@maine.gov.

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Retired Arts Educators

November 5, 2018

Gone but not forgotten

Retired music educator Paul Greenstone assisting in a summer music program in Lake Region Summer Band Program for students entering Gr. 5 through high school. Shirts designed by Paul’s son, Andrew Greenstone. Photo by music educator Jenni Null who is recently retired and teaching one day a week.

As we know the field of education is changing right before our eyes – sometimes with us at the table and some days we wake up and wonder how we got where we are. Some of this has to do with a generation of educators retiring. The numbers are on the increase and the list of openings at this time of year is larger than normal, according to communications. The statewide census that the Maine Arts Commission conducted provided us with all kinds of information including the number of school districts who have non-certified educators. We also know that in some arts disciplines, the number of undergraduate students in our field is smaller this year. Both of these are concerns.

I keep thinking about the number of retired teachers who still have so much to offer. I’m hearing about several who are teaching one or two days a week in schools that have a need for a part-time arts educator. I’m also aware of educators who are volunteering in their communities and/or schools to help support the education of young people. If you’re one of these educators, THANK YOU you for stepping up and continuing to use your teaching skills!

Doesn’t matter what age you are or how long you’ve been teaching, I suggest that you consider who is available to assist you and consider the many retired arts educators when you hear of opportunities. Both the Maine Music Educators Association and the Maine Art Education Association knows who has retired in the past few years plus I have blogged about the retirees for the last five years. Don’t hesitate to reach out – these are ways to advocate and gain support for yourself and your program. We know that young people are the ones who will benefit!

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Kate Smith

October 17, 2018

Receiving her Carol Trimble Award

If you missed yesterday’s blog post I hope you’ll go back and read about Kate Smith and her recent honor receiving the Carol Trimble Award for her work with the Maine Arts Leadership Initiative. Below are some photos taken by Lindsay Pinchbeck at the very moment Kate was surprised! And a photo of Kate back at Central School with some of her third grade students and her certificate. On the screen behind is a photo of the Lanternfest that Kate works on with her community.

Kate with one of her third grade classes with her Carol Trimble award.

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New Experiences – Raegan’s Story

October 15, 2018

“Winging It” by Raegan Russell

Raegan Russell is a visual art educator at Berwick Academy who was on sabbatical last year. I hope her story inspires you (and perhaps your students) to think about challenging yourself in a new and different way. This is her story…  

This post was written by Raegan Russell for the Berwick Today Magazine, Summer 2018 issue

“View from my window this morning. I’m off to my service site and have butterflies in my stomach. In addition to teaching the young women some printmaking, I’ll be learning their crafts, taking care of babies, pigs, and frogs, gardening, repairing buildings, and whatever else they ask…”

So began the first days of my sabbatical, for which I traveled in Southeast Asia for service, exploration, and art-making. Early on, I joked to my students and colleagues that I was taking a gap year, a semester abroad, or some version of the Eat, Pray, Love journey. For two months, I lived out of a backpack, stayed in hostels or homestays, and sought out local restaurants, cheap digs, and real communities. I traveled to Thailand, where I worked with women and children in crisis outside of Chiang Mai, then on to the temples of Angkor Wat in Cambodia, and later explored the bustling cities and stunning beauty of both the landscape and the people of Vietnam. The trip was an adventure for me, and even though I consider myself a well-seasoned traveler, I knew that it would throw me out of my comfort zone and challenge me.

“Highlights from this weekend’s trek to Ba Panden village in the hills north of Chiang Mai. Eva and I hiked 9km up to the village of the Lahu people. I swam in a cool waterfall, rode a raft down river, hiked through bamboo forests and rubber trees, and was kept up all night by a pack of crowing roosters…”

Throughout my trip, I had my sketchbook by my side. I drew the ancient Bodhi trees in Chiang Mai, the temples of Angkor Wat in Cambodia, and the motorbikes of Hanoi. As I was drawing Ta Prohm, a beautiful temple nearly overtaken by lush trees and moss, a tourist questioned me about why I didn’t just take a picture of it. I answered truthfully that “this is how I notice and experience things. I will remember the heat, the smells, the beauty, and even the discomfort of sitting here on this hard rock when I look back at this drawing.” The sketchbook drawings from my trip became the springboard for the work that I have taken on since I have been home and in my studio in South Berwick. As an educator who has always balanced teaching with studio practice, this sabbatical has given me the rare gift of time to develop new work. The subject matter of my new paintings has pulled closer to home, and the vibe of the work is exploratory and a truthful expression of how I experience the world.

“Yesterday, I made my way to Wat U Mong, where I found the oldest (?) Bodhi tree in Chiang Mai. It took some getting to, but I was able to paint for several hours directly from the tree. This was an experience I will not forget.”

Nearly two days after I took off from JFK on a cold evening in January that made me rethink my choice to travel light (with only a light down jacket that could roll up into the size of a softball), I landed in Thailand. I had specifically sought out a service opportunity that focused on women’s empowerment, and found the perfect project in the northern hills near Chiang Mai.

After a three-day orientation on Thai language and culture, I began my service project at the Wildflower Home, a shelter for single women and their children directed by two intrepid and compassionate women, sisters Anurak and Siripon. My mornings were spent minding the children in the daycare and teaching the mothers printmaking and artists’ books in the afternoons. The artists’ books were a hit, as many of the mothers transformed them into baby books and journals, quickly discovering that they could sell them with the many other handcrafts and goods they make.

All of this work was accomplished without a shared language between us; I learned a little Thai and they learned a little English. We became friends and laughed together while working. They welcomed me into their lives in ways that I never expected. Dao, a mother who headed the kitchen duties, taught me how to make Khao Soi, the region’s sublime dish of coconut milk, chili, and curry noodles over the wood fire stove in the home’s kitchen. The older children knew me as the art-auntie and would join in on our printmaking projects. As I left work every day, Fa, a young mother who has a beautiful daughter SaiSai, would shout to me: “Good-bye! See you tomorrow!” as I rode from the home on the back of Dao’s motorbike to catch the bus back to Chiang Mai.

“Sketchbook Sunday: a collection of sketchbook pages from over the last few months. My sketchbook has been a place for reflection, taking time to understand the world around me, and for gathering resources for work ahead. My sketchbook has always been by my side. It’s feeling kind of precious these days.”

I am lucky to have been able to maintain an art practice beside my work as a teacher. It has taken effort on my part, but it has been made possible with Berwick’s support and professional development opportunities; 20 years of conferences, workshops, and studio sessions have not only recharged me, they have broadened my perspective and provided me with a rich community of artists and art educators as friends and supporters.

My sabbatical has given me the opportunity to push pause in an extended fashion and appreciate the things that are important. I am grateful for this gift, and the adventure is far from over. I am excited to be planning a trip to Thailand over March Break 2019, where I will take students to engage in service projects like mine in Chiang Mai.

Closer to home, I was awarded a fellowship to paint on Monhegan Island in July. I dusted off the red backpack and packed up my paints to head to another place I had never been, where I let new experiences wash over me like the waves that wash over the dark grey rocks at the water’s edge.

Watch for a future blog post describing Raegan’s fellowship opportunity on Monhegan Island. 

www.raeganrussell.com/

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Janie’s School on Dot Day

October 8, 2018

What did you do?

Janie Snider is an elementary visual art educator at Hancock Grammar School where she teaches students in grades 6-8.

I’m guessing that some or many of you and your students celebrated Dot Day in some way. Janie celebrated in a big way that impacted the entire school community. Student learning connected to analogous colors and also to kindness and being positive. Every student and staff member painted a dot, about 270 of them. Afterwards they were displayed in the school’s lobby for all to see and appreciate.

Janie is a Maine Arts Leadership Initiative Teacher Leader and this is her 25th year teaching. Janie has one of nine videos on standards-based education. This school-wide project is a great example of how Janie leads in her school. She said: “The Dot is such a great book and the dot is such a building block to so many great art works!” Peter H. Reynolds is an actor and illustrator and has done a great job connecting his book to a variety of curriculum and resources. Check them out at The Dot site.

If you did something at your school for “Dot Day” please send me an email so your idea can be shared with others on this blog. Thanks!

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Video – Day 1 MICA

September 30, 2018

Overview of the Pre-Conference

If you missed the Maine International Conference on the Arts this year check out this video that provides an overview of Day 1! Mark your calendars for the next Biennial conference being held in the Augusta area in conjunction with the Bicentennial of Maine – 2020!

PRE MICA CONFERENCES VIDEO – DAY 1