Posts Tagged ‘Maine’

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CONGRATS to Suzanne and Gloria!

April 2, 2014

Maine Arts Assessment Initiative Teacher Leaders receive awards today!

As you know Maine and arts education is fortunate to have 52 arts educators who have stepped up and taken on the role of “teacher leader” with the Maine Arts Assessment Initiative (MAAI). Some of the 52 teachers have participated in all three of the MAAI phases, some two and some one. Each of them have contributed immensely.

During the three phases four educators have received the Carol Trimble award for their commitment to visual and performing arts education in Maine. In the summer and fall of 2010 Rob Westerberg and Catherine Ring helped to create the MAAI after traveling to the New England Assessment Institute in New Hampshire. Both are members of the MAAI leadership team and received the award in October 2011.

In March of 2013, Jeff Beaudry who teaches in the Educational Leadership program at USM received the Carol Trimble award for his contributions to MAAI. Jeff is an incredible collaborative leader and has a special way of bringing out the best in each of our teacher leaders. His knowledge of assessment has been greatly appreciated.

In October 2013, Bronwyn Sale received the Carol Trimble award. Bronwyn taught high school art before moving to Bates College where she instructs in the teacher preparation program. Her willingness to share her knowledge of arts education and especially creativity has been valued.

At the Youth Art Month opening at the Portland Museum of Art recently, Catherine Ring received the Art Advocate of the Year award from the Maine Art Education Association. Catherine continuously contributes in her role with MAAI and as the Executive Director of the New England Institute for Teacher Education. She offers graduate courses on a variety of topics including arts education.

Catherine, Waterville Senior High School art teacher Suzanne Goulet, and I just returned from the National Art Education Convention where we presented on the MAAI and the use of technology. It was a wonderful convention (and very beautiful in San Diego). While there, the Maine Art Education Association newsletter was recognized for the quality publication which comes out monthly and authored by Suzanne. It is worth being a member just to receive the newsletter.

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And today, at the State House in Augusta, the Maine Alliance for Arts Education will be holding Arts Education Day . The program includes a morning filled with student performances, exhibit tables and opportunities to speak to legislators. At noon a formal program will include recognition of two arts educators, Suzanne Goulet and Mount View Middle School art teacher Gloria Hewett. Both are MAAI teacher leaders. Suzanne is the recipient of the Bill Bonyun award which is given to a teacher, parent or community member in honor of Bill who was a musician that provided quality arts education to many students during his lifetime. Gloria is the recipient of the Distinguished School Leadership Award which is presented to a school leader or teacher who is an exemplary leader promoting quality arts education.

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CONGRATULATIONS to both Suzanne and Gloria and thanks to those who nominated their colleagues.  

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Another Arts Teacher’s Story: Suzanne Goulet

April 1, 2014

Waterville Senior High School visual arts teacher

This is the fourth blog post for 2014 and the third phase of the Maine Arts Assessment Initiative of this series sharing arts teachers’ stories. This series contains a set of questions to provide the opportunity for you to learn from and about others.

A Visual Art Educator at Waterville Senior High School, her business card reads, “Suzanne Goulet. Art – Traditional, Digital and Emerging Media.” In 1990, after hiking the Appalachian Trail and managing a small ski area, she thought that it was time to begin teaching. In those 24 years she has taught and created classes of all levels; Introductory to AP.

A registered Maine Guide, Suzanne enjoys sharing her love of the outdoors with her students by advising the Outing Club and is a volunteer sign maker with the Maine Appalachian Trail Club and the International Appalachian Trail Club Chapter. She is currently lucky enough to have an eagle’s nest in view of her classroom studio and is eagerly awaiting this year’s clutch.

What do you like about being a visual art educator?

I remember someone telling me that an engineer’s job is different all the time; that it changes every day; and are presented with new problems to solve constantly. Educating has the same benefit. There are no recipes that will be successful with all students, so one must craft an approach and deliver. Lots of medias to explore and creations to be made – before you made it…. it did not exist.

What do you believe are three keys to ANY successful visual And performing arts education?

  1. Trust – Essential between students and teacher. Creating and performing are personal and strategies for accepting criticism can be taught and nurtured.
  2. Understanding – The Arts have different goals (and benefits) that are a bit more complicated to measure achievement and require patience from students, teachers, administrators and the community.
  3. Quality – A continued quest to perform at a high level and to always be learning and seeking.

How have you found assessment to be helpful to you in your classroom?

Assessing is all about taking stock; figuring out where you are and then making a plan for where you want to go and how to get there. Striving for a culture of self-starters with initiative and the confidence to ask for help and collaborate, I have found quality assessments are great ways to scaffold students to meet these goals (which sometimes are shifted).

What have been the benefits in becoming involved in the arts assessment initiative?

Have been provided the opportunity to meet and work closely with colleagues that are striving for quality – personal and statewide. My perspective of our rural state with lots of nooks and crannies is now transformed to a layout of creativity and excellence.

What are you most proud of in your career?

How divergent the careers and paths of my students are: Industrial designers, film makers, public relations experts, attorneys, environmental engineers, botanists, ornithologists and parents…of children that I am now teaching!  Usually the above statement is enough, but I have been blessed with having some pretty amazing teachers throughout my own learning experience. Honoring these educators, remembering what they did for us – for me – by striving to do the same for my students is a goal I strive for…to make a difference.

A number of years ago, Waterville SHS started a Renaissance Award program to recognize student achievement and growth. At the end of the first year, an inaugural educator award was given…I was truly surprised to be the first recipient. The greatest honor of that award is that the nomination came from a very quiet student that took the time to let others know that she truly appreciated the work that we do. It was at that moment that I realized the overwhelming power of quality relationships…and the legacy to my teachers.

What gets in the way of being a better teacher or doing a better job as a teacher?

            The need for sleep.

Seriously, there is always something more that can be done. Instruction, curricular and support services are best when unique for each student…and requires time…and the need for sleep gets in the way.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

Envisioning, imagining and striving for quality. Building strong foundations takes time and a lot of calculus is employed to improve the timing of converging forces.  Here is one of my favorite movie quotes to help illustrate, (From Star Trek (2009))

Scotty: [back to Spock Prime] The notion of transwarp beaming is like trying to hit a bullet with a smaller bullet wearing a blindfold whilst riding a horse.

Everything is possible…..want something to happen…..just tell me that it is not possible (does this make me sound stubborn…..or optimistic?)

Look into your crystal ball: What advice would you give to teachers?

You don’t have to be a “Teacher Leader” to be a Teacher Leader. A rose by any other name…….

Take the time to develop quality relationships with your students. Consider a three minute “talk in the hall”, a random can of “Moxie” or nominating and taking the time to recognize quality in students – academic and personal.

If you were given $500,000.00 to do with whatever you please, what would it be?

Education – I have five nieces filled with wonder and energy and have always dreamed of a school (education) experience on a bus (even got my Class B license for this). Drive west to study the history of US expansion and its’ impacts, calculate travel approximations, recreate with region specific adventure, enjoy cultural music, play, write, write, draw, draw, photograph and dance. Would love to do this with students and nieces!

Nurturing a Spark – Some know that I “go west” each summer for rejuvenating wanderings. I have challenged former students to find me….the award is a dinner of their choosing – none have yet succeeded….though three came close (less than one mile away) in a remote section of Montana……would use the funds to offer a week in a remote lodge with ranch cooking!

Creating the Space – An addition to my current studio classroom. About 30 feet out….three stories high (so my upstairs colleagues could look down in to our atrium). Did I mention that the roof would be a clear dome so we can watch the eagles? An integrated ramp would be a part of the space so that all students would have access to the fruit tree that is also growing here. If this could not happen….then I would settle for a direct door to the outside in my current studio classroom…a nice set of French doors!

Time Travel – How much is a helicopter?…..this would give me more time (here’s the sleep thing again). Quick trips to Lewiston and Smithfield. Love it!

            Space Travel – Yeah…I’d go.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

No big ones……just little ones. Still have lots of plans and dreams. Continuing to suck the marrow out of life – why wait?

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Give.Maine.Art

March 29, 2014

Sarah Robinson’s capstone project at UMaine – Sarah’s Another Student’s Story is at https://meartsed.wordpress.com/2014/02/05/another-students-story-sarah-robinson/

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MLTI Student Photos

March 27, 2014

Congratulations Maine Students

AUGUSTA – Twenty-two young Maine artists will soon have an audience of tens of thousands of their fellow students and teachers for their artwork.

A painting, drawing or photograph from each of the 22 artists representing a dozen schools has been selected to be displayed during the 2014-15 academic year on devices provided to schools by the Maine Department of Education through the Maine Learning Technology Initiative (MLTI).

Through MLTI, the State provides either an Apple iPad, MacBook Air or an HP ProBook laptop to all seventh and eighth graders and teachers in grades 7-12. High schools also have the option to participate by leasing competitively priced devices through the program for their students.

The more than 70,000 devices in schools through the initiative will feature the student artwork on their screensavers starting next fall. For MLTI devices without a screensaver setting, the images will be made available as a download, allowing students and teachers to set the image as their background.

More than 250 Maine students submitted images to be considered in this year’s contest, and an independent panel of three judges selected the winners.

The artwork challenge is an annual opportunity that has attracted entries from more than 1,200 students, grades K-12, during its six-year history. The students whose artwork was selected are also invited to attend the 2014 MLTI Student Conference free of charge.

Additionally, the winning artwork will be displayed at the Maine DOE’s offices in Augusta and on the Department’s MLTI website. Students will receive a letter of congratulations and certificate of accomplishment from Education Commissioner Jim Rier.

“I am incredibly impressed with the talent and creativity reflected in all of the entries received, especially those submitted by our 22 winners,” said Commissioner Rier. “Maine has long been celebrated for the art created by its citizens or inspired by its beauty, and these winning works show us that the next generation of Maine artists being developed in our schools today are continuing that rich tradition.”

The selected students are listed below. Their artwork is additionally available for viewing at http://www.maine.gov/mlti/about/photos.shtml.

Taylor Barnes, Houlton Jr Sr High School, Grade 10, Sunset
Audrey Beal, Mount Desert Island High School, Grade 12, Bridge
Luke Krebs, Mount Desert Island High School, Grade 12, Tundra
Matthew Lambert, Mount Desert Island High School, Grade 10, Striations
Jane Parlee, Mount Desert Island High School, Grade 11, Owls
Dominick Bernard, Deering High School, Grade 10, Eye in Triangle
Julie McGarvey, Deering High School, Grade 10, Henna on the Hand
Elana Bolles, Yarmouth High School, Grade 11, Holograms
Fiona Clarke, Yarmouth High School, Grade 11, Street in Rome
Alex Trippe, Yarmouth High School, Grade 12, Quilted Beetle
Gaelon Kolczynski, Yarmouth High School, Grade 11, Tree
Claire Donaghue, Mt Blue High School, Grade 12, Exploration
Kyaira Grondin, Frank Harrison Middle School, Grade 7, Silent Moment
Molly Harris, Bangor High School, Grade 11, Blue Sky
Abbey Kidder, Bangor High School, Grade 12, Stairs
Liam Reading, Bangor High School, Grade 11, Landscape
Maya Silver, Bangor High School, Grade 12, Wolf
Kegan MacLean, Ella Lewis School, Grade 6, Moose
Kyle Manzo, Stearns Jr Sr High School, Grade 11, Call of the Wild
Julia Sagaser, Waterville Senior High School, Grade 11, Vulture of Destruction
Gabriel Tilton, Freeport High School, Grade 12, Eye on Katahdin
Kate Trebilcock, Mt Ararat Middle School, Grade 8, Bird

For more information about the Maine Learning Technology Initiative, visit www.maine.gov/mlti.

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Essence of the North

March 25, 2014

Northern pARTners-Aroostook County Regional Art Educators

The pARTners are hosting the Essence of the North Student Art Exhibition at the Aroostook Centre Mall in Presque Isle, Maine in recognition of Youth Art Month. The exhibition will be one of the stops on the First Friday of the Month Art Walk on March 7th sponsored by the Presque Isle Chamber of Commerce. The exhibition will be on display from March 1 through April 5. There will be an Artists’ Reception on Friday, March 14, at the site of the exhibition from 7-7:30 PM. There will be collaborative weaving for attendees to add to and a scavenger hunt which will involve identifying various objects from within the art work. Districts participating are from Houlton, Hodgdon, Mars Hill, Easton, Fort Fairfield, Presque Isle, Washburn, Caribou, Limestone, Connor Township, and Frenchville/St. Agatha.

Presque Isle elementary school art teacher Ruth McAtee says of the exhibit:

“We are very fortunate to have the opportunity to show work from around the county at one location while the Jr. Biathlon and other events at the mall makes this year unique…..Our students get a varied range of audience and the mall gets an attraction for its guests, employees and shoppers.  It is interesting how many mall walkers and employees frequently visit the gallery. This year we have a collaborative weaving and scavenger hunt on the reception night.”

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Another Arts Teacher’s Story: Beth Lambert

March 24, 2014

Carrabec High School Performing Arts Teacher

This is the third post for 2014 and phase three of the Maine Arts Assessment Initiative of this series sharing arts teacher’s stories. These blog posts contain a set of questions to provide the opportunity for you to learn from others.

imageBeth Lambert teaches about 100 students in grades 7 and 8 Unified Arts and grades 9-12 Performing Arts in MSAD #74, Carrabec. This is her second year teaching at this school district.

What do you like best about being a performing arts teacher?

The best part about being a theater educator is challenging my students’ perceptions about their world and about themselves. I get to provide them with an outlet for emotions, thoughts, and dreams that they might not otherwise have means to express. In my class, a student can become another, explore a new role, try out and experiment with various personal choices and solutions to very real problems- problems from their own life, or problems faced by characters in literature or historical figures, in a safe environment.

What do you believe are three keys to ANY successful visual and performing arts education?

  1. Support from administration and community.
  2. A teacher who understands the importance of making and maintaining authentic connections with his/her students.
  3. A teacher who can make the art real for the students- someone who understands what her community needs and offers art as a means to make life richer.

How have you found assessment to be helpful to you in your classroom?

Clear rubrics take the guess-work, and often, much of the fear, out of performing for a grade. Students know exactly what they are expected to be able to do and when they are ready to show me that they can do it, they are assessed. Students are in more control of their own learning and success.

What have been the benefits in becoming involved in the Maine Arts Assessment Initiative?

Without a doubt, the greatest benefit has been getting to know, work with, and learn from such an able group of arts educators.

Additionally, it is has allowed me the opportunity to do targeted work on my classroom from an arts educator’s perspective.

What are you most proud of in your career?

My students.

What gets in the way of being a better teacher or doing a better job as a teacher?

All the non-teaching stuff that teachers must do takes them away from teaching and becoming better teachers. Also, ourselves- sometimes we get in our own way.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

Everything.

Look into your crystal ball: what advice would you give to teachers?

Always remember that we are here for the students- make your choices based on what is best for them and do right by them. The rest with fall into place.

If you were given a $500,000.00 to do with whatever you please, what would it be?

I would build my students the performing space they deserve and would set up scholarship programs so that I never again have to see a child’s dream fade because they couldn’t pay.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

No. Every road, no matter how broken, crooked, or difficult, has brought me to where I am today and I wouldn’t want to be anywhere else!

 

 

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Workshop at MECA

March 23, 2014

Maine College of Art, Portland

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Creativity and Common Core

March 21, 2014

Professional Development Workshop for Maine Teachers – April 1

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Lesley University’s Creative Arts in Learning Division proposes to offer a professional development workshop for teachers in your district focusing on creatively implementing the Common Core State Standards. The 2-hour workshop will introduce teachers to strategies for designing curriculum and pedagogy that utilize creative processes across the disciplines to implement Common Core State Standards.  Just one example is preparing students to “actively seek the wide, deep, and thoughtful engagement with high-quality literary and informational texts [drawn from all of the arts] that builds knowledge, enlarges experience, and broadens worldviews.”[i]   The Massachusetts Department of Elementary and Secondary Education points out that it is important to select “informational texts and multimedia resources to create coherent curriculum units that link science, social studies [and] the arts.” [ii]   This workshop is offered at no cost to the district.

Design of the Program

The district-wide professional development workshop will be offered for teachers across disciplines and grade levels.  The workshop will focus on creative strategies to support teachers in integrating creative movement, drama, music, poetry, storytelling, and visual arts into teaching and learning activities.  At the conclusion of the workshop, teachers will have the opportunity to imagine creative project-based learning activities that meet Common Core State Standards in their classrooms.

The Creativity and Common Core workshop is designed to address best practices in education that Cambridge’s Superintendent Young identified in his district’s 2011 Innovation Agenda.  These include “engaging students in project-based and experiential learning, interdisciplinary curriculum and instruction … and providing professional support for teachers to provide effective differentiated instruction.”

Workshop Leader

Martha McKenna is University Professor and Director of the Creativity Commons at Lesley University. A senior administrator of the University for 27 years, Dr. McKenna founded the Creativity Commons in 2011 to support innovation in teaching and learning.  The Creativity Commons is committed to active learning, scholarly research, critical inquiry, and diverse forms of artistic practice through the development of close mentoring relationships with students, faculty, and practitioners in the field.


[i] Introduction: Common Core State Standards for English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects.  Common Core State Standards Initiative: Preparing America’s Students for College and Career. 2012.  p. 3.

[ii] Massachusetts Department of Elementary and Secondary Education

Resources for Implementing The Massachusetts Curriculum Frameworks

in 2012-2013.

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Catherine Ring: Art Advocate of the Year

March 19, 2014

Maine Art Education Association names art advocate

On Saturday, March 8 at the opening of the 20th annual Youth Art Month exhibit at the Portland Museum of Art, Catherine Ring shared the following message as she accepted the Advocate of the Year award. Catherine truly “walks the walk” of an advocate – She helped establish the Maine Arts Assessment Initiative (MAAI), serves as a member of the leadership team for the MAAI, and is the executive director of the New England Institute for Teacher Education. CONGRATULATIONS Catherine!

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Catherine receiving her award from MAEA president Heidi O’Donnell

Hello, I want to tell you some stories that really made me mad. But it’s not a bad thing. Because if you are an advocate, you can turn something you’re mad about into something good. And because I’m an advocate of the arts, I like to think I can turn MAD into MADD, which stands for Music Art Dance and Drama. All of the arts.

The first is a true story that happened to me when I was in kindergarten. The teacher rolled out some big paper on the floor and had all of us get down on the floor with some crayons and draw a picture of ourselves and our houses. I drew a picture of myself with wild purple curly hair and my house was a log cabin. The teacher came over and yelled at me and said, “No! Not like that. Do it like this!” and she moved me next to another girl, who drew a picture of herself with yellow hair, and a regular house with little curtains in the windows. I remember that day, because something in me told me that this wasn’t right. Why couldn’t I live in a log cabin and have purple hair? Why did I have to do it just like the teacher said? Just like the other little girl? I was mad. I think it was that day that I decided that I would be an art teacher when I grew up.

When that little voice inside me told me that the teacher was wrong, it made me mad. When I did eventually become an art teacher, I was determined to make sure my students grew to love art and I would encourage them to be as creative as possible. That voice in my head led to action and I turned something I was mad about into something good.

Here are some other things that make me mad:
Not every kid thinks they are creative. We’ve all heard people say, ! • “Oh, I can’t draw. I’m not an artist. I can’t sing. I’m not creative.” Where did they get this idea? Aren’t all children born creative? There are many of us who believe they are. In fact, Sir Ken Robinson, who has written many books on the subject and who has spoken to audiences all around the world, believes all children are born creative, and that schools are killing creativity. He believes that we don’t grow into creativity, we are educated out of it. If that is true, that makes me mad.

If you are in a school that inspires your creativity, be very glad. But here are some realities in Maine:

  • Not every student in Maine gets Art.
  • Students don’t all get taught by qualified arts teachers.
  • Art and Music are often the first things that get cut out of school budgets.

Even though the research shows, irrefutably, that students with lots of exposure to the arts do better in all subject areas. Even though the research shows that test scores go up. Even though we know that the arts teach kids to be creative and critical thinkers, to be problem solvers and collaborators, to communicate and innovate. These are exactly the skills that are being sought after in the 21st century. So why would school leaders cut music or art? This doesn’t make sense. This makes me mad.

Catherine RingSo what do we do? How can we make a difference in our schools? How can we make people understand and support the arts in our schools? How do we help them understand that the arts are not something that’s just nice to have, or a frill, or just for fun? That the arts are absolutely essential for every child? In fact, that they are just as important as reading or math? How do we turn something that makes us mad into something good? We can get MADD.

There are a lot of things being done in Maine right now, I’m happy to say. We still have a lot of work to do, but music and art and drama and dance teachers all across Maine are making a difference through the Maine Arts Assessment Initiative. The arts teachers are making a difference in their communities through workshops in their school districts, and communities. They are making a difference by talking to their principals and parents and school boards. Arts teachers are making a difference. They are using their voices to express what they know is right, and change is beginning to happen.

So what can you do? How can you use your voice to make a difference? How can you be an advocate for more good quality arts education in our state? In every school? For every child? How do we go from being mad to being MADD? Well, here’s one way.

Because I am the Advocate of the Year, I am being asked to talk to a lot of people about how they can make a difference. I’ll be going to the state house and many other places throughout the year to advocate for the arts. I will also be writing for newsletters and other publications. But I could really use your help.

I created a new email account. maddaboutart@gmail.com. If you agree that the arts are essential for every child, in every school, please email me at this address and let me know. So, again, here’s the question:

Why is it important to have the arts in every school?
If you are a student, please write your name, your age and what school you go to. If you are an adult or a student, please send me your stories that I can then share with others. I will take all of your answers and stories to the Statehouse, and to schools and organizations around Maine. I will write about the importance of the arts in education in publications throughout the year. Our voices together will be stronger. Together we can make a difference. Let’s help everyone get MADD about art!

“We don’t need to save the arts. Instead we can save the world with the arts.”
~ John Maeda, President, Rhode Island School of Design

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Another Teacher’s Story: Judy Fricke

March 18, 2014

Featuring one teacher’s journey as an arts educator

This is the second blog post for 2014 and the third phase of the Maine Arts Assessment Initiative of this  series of blog posts telling arts teachers’ stories. This series contains a set of questions to provide the opportunity for you to read the stories and to learn from others.

DSCN0239Judy S. Fricke is an Early Childhood (EC) Music Specialist at the Main Street Music Studios in Bangor, Maine. Judy has been an EC Music Educator for twenty years, first in Collierville, TN and for the last four years in Bangor. In those twenty years she has had opportunities to work with children ages one month through five years in parent/child class settings and with children one year to five years old in a large preschool of 350 students. At Main Street Music Studios in Bangor she has 23 students who attend age-bracketed classes with a caregiver. She uses John Feierabend’s First Steps in Music curriculum as the basis for all of her classes since studying with him 19 years ago.

What do you like best about being a music educator?

While working with our youngest learners, I will never tire of watching the “light bulb” gleam in their eyes as they feel the rhythm in bounces or anticipate the tickle at the end of a tickle rhyme. I will never lose the joy in watching a one year old gain control of his or her arm muscles and begin to play a drum with a steady beat, or of listening to a three year old gain control of his or her voice muscles and begin to “echo sing” dead on pitch. I also will never get tired of watching the confidence grow in the parents of these children as they learn how to interact musically with their little ones.

What do you believe are three keys to ANY successful visual and performing arts education?

The three keys I would consider highest on my list for a successful arts program would be:

  1. Unbridled passion for what you teach
  2. A safe, exciting, and encouraging environment in which to teach
  3. A wicked good sense of both humor and humility

How have you found assessment to be helpful to you in your classroom?

As an independent instructor of the very young, formal assessment is not part of my program. Yet, informal assessment has been part of my day to day lesson planning since the beginning. By tweaking my planning based on the specific ages of my students I am able to deliver developmentally appropriate activities for various physical, mental, and attention levels.

What have been the benefits in becoming involved in the arts assessment initiative?

The MAAI has given me the opportunity to meet and interplay with arts teachers and early childhood educators from around the state. I am sure I would never have had that opportunity on my own. Thank you Argy for this gift.  MAAI has made me much more aware of my place, or lack there of, in the incredibly complex world of arts education in the state. I have felt more connected, as well as more alone, in the last year as I worked beside fellow educators. We need more early childhood arts folks involved in MAAI. I need collaborators on my level so that the important work of laying the foundations for the K-12 programs does not feel as much as an afterthought, but more of the beginning of something wonderful.

What are you most proud of in your career?

I was teaching in Tennessee long enough to see children that I had in preschool excel in high school music programs and continue on to study music in college. I cannot take complete credit for these achievements, but when I would see them as young adults and they would raise and lower their arms while making a slide whistle sound, I know I had made an impression. A good impression can bring an exceeding sense of pride.

What gets in the way of being a better teacher or doing a better job as a teacher?

I teach in a lovely old downtown building. The other teachers with whom I work have private studio rooms for private lessons. I teach in the lobby because it is the only space large enough for my classes. Therefore, we have folks walking through the classes, stopping to ask questions, and opening and closing the door to let in very cold air. These physical issues often get in the way of my teaching, but trying to handle it in stride and continue to love what I do makes up for it. The people I work with are professional musicians and teachers and are so supportive of my program, I know I am a better teacher because I am there.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

I believe finding Main Street Music Studios on-line from Tennessee was a brilliant stroke of luck! I was just looking for any kind of employment in the downtown area so that I could walk to work once we moved to Bangor. Yes, having the 16 years of experience to bring with my proposal for the early childhood program here helped, but the fact that Bangor had the Studio for me to be a part of was definitely luck!

Look into your crystal ball: what advice would you give to teachers?

I believe the word I would most like to share with fellow teachers is “collaborate”. If you are a K-6 teacher, and you have a PreK program in your school, find out what you can do with the EC teachers to help them with their goals for the arts – in doing so, you are only enhancing your programs. Same goes for high school teachers – work with your middle school counterparts. Middle school folks work with your elementary counterparts. In doing so, everyone will be working toward the same ultimate goal – that of giving every student the best arts experiences possible in a way that makes sense to both the programs and the students.

If you were given a $500,000.00 to do with whatever you please, what would it be?

If I were given $500,000.00 to do with as I please, I would make an endowment to the University of Maine Systems for the purpose of creating an Early Childhood Music Education program and a Music Therapy program. Then I would ask to teach in the Early Childhood program and I would take classes in the Music Therapy program.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

If I have the fortune to live until I am 94, I hope I am still able to bounce little ones on my knee and sing soft lullabies to them when they are tired. If I can do this, I will not have any regrets.

Well, I might regret that I never got that $500,000. And so might a lot of very young children.