Posts Tagged ‘Maine’

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Who Are They?: Bay Chamber, Part 6

March 4, 2015

Adult learner

This blog post is part of a series called Who Are They? where information is provided for the Maine Arts Ed blog readers to learn about community organizations and institutions that provide educational opportunities in the arts. You will learn that they are partnering with other organizations and schools to extend learning opportunities, not supplant.

Shepherd Building

Bay Chamber offices and music spaces are located in the Shepherd Building, Rockport

Bay Chamber Concerts and Music School is the first organization being highlighted. Located in Rockport, they provide rich music opportunities for students of all ages in the mid-coast area. Monica Kelly is the Executive Director. You can learn more at http://www.baychamberconcerts.org/.

This is the last post on Bay Chamber Concerts and Music School and the following one was written by Laura Chaney, the development director and can be reached at laura@baychamberconcerts.org.

Please tell the Maine Arts Ed blog readers about your role at Bay Chamber.

I am the Director of Development at Bay Chamber Concerts and Music School, a role that helps generate necessary resources to enable Bay Chamber to invest in its programs and services for thousands of citizens of all ages across Mid-Coast Maine. I am also a fairly new adult student at the Bay Chamber Music School, enrolled in private violin instruction since September 2013. Bay Chamber offers access to an expert faculty, a welcoming atmosphere for interested students of all ages, and affordability regardless of one’s financial status.

Please tell the story of how and why you decided to take violin lessons at Bay Chamber.

A native Mainer who returned to the state after a 30 year hiatus to join the staff here at Bay Chamber, I made a personal commitment to return to some form of music instruction. Having been a vocalist and dabbler in other musical instruments, I had contemplated returning to voice or piano instruction and then decided that I wanted to challenge myself with learning something completely new. I settled on the violin for many wondrous reasons, with one core factor being the ease of transportability in a boat for summer living along the Maine coast.

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What do you know about the benefits of taking lessons or learning something knew as we begin to age?

I promised to give myself the gift of music for two major reasons: to rediscover the passion that music inspires in my soul and that had been put on hold for sundry reasons, and to reinvigorate my brain. It is well-documented that routine reduces brain synapsis responsible for healthy memory functioning and I felt that as I approach my 60’s, it would enhance my life greatly to keep my brain healthy and active. Music is one of the most influential energies for extending auditory, communication and concentration abilities as well. All of these benefits in addition to the joy that arises from learning, playing, and working through each new musical challenge are gifts I give to myself each and every day.

Can you relate your experiences learning the violin in comparison to what you know about the benefits?

Violin - ScrollOn many an occasion, I say to my talented and compassionate instructor Gilda, “this makes me feel like my brain is twisting!”  I literally can feel my brain working hard to tackle new learning curves, which with the violin, are mental and physical.  I am activating muscles I have not used, strengthening fingers that are gaining unforeseen agility, working to separate my right from my left hand functions, focusing on relaxation (definitely a challenge for someone like me), and gaining mental flexibility and concentration in my work and in general. It is nearly one and a half years since starting my new musical endeavor.  I do feel I think differently, that I am a bit more at mental ease and responsive. I look forward to what comes next!

The fear of the unknown, fear of failure and fear of not being able to learn something new tends to trap us adults into sticking with similar habits day in and day out – whether it be our jobs, our homes, our daily rhythms that we have established throughout our many decades.  Science tells us that we need to shake things up for ourselves to remain vital and healthy, and I might add, happy.  Music sends energy waves throughout our body like no other discipline has yet shown. Pick up a new instrument today and learn something new about yourself that you did not notice yesterday. It is well worth the try.

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Another Arts Teacher’s Story: Theresa Cerceo

February 24, 2015

MAAI Teacher Leaders series

This is the second blog post for 2015 on the Phase 4 Maine Arts Assessment Initiative’s (MAAI) Teacher Leaders sharing their stories. This series contains a set of questions to provide the opportunity for you to learn from and about others. You can learn more about MAAI at http://mainearts.maine.gov/Pages/Education/MAAI# and learn more about all 61 of the MAAI Teacher Leaders at http://www.maineartsassessment.com/#!teacher-leaders/c1qxk.

Theresa CerceoTheresa Cerceo is in her ninth year teacheing Visual Arts, K – 12 with MSAD 33 in Frenchville / St Agatha school district. Check on the map, it is WAY UP NORTH! She teaches full time;  I teach full time; middle / high school in the morning (four times a week) and elementary in the afternoon (each class once a week). In addition to teaching art, Theresa is a certified Gifted and Talented teacher and works with students in this capacity for Visual and Language Arts enrichment.  At the elementary level, she helps facilitate Language Arts, Science and Math Skill Seminars as part of the school-wide daily schedule. These seminars occur for 45 minute Monday – Thursday and change topics every two weeks. Also, Theresa serves on the school district’s Leadership Team for Learner – Centered Proficiency-Based Learning. Before moving to Maine in 2006, she lived in (my home town) Philadelphia.  There, she spent some time at Tyler School of Art (Temple University) before receiving a BFA from Rosemont College and an MAT (Visual Arts) from the University of the Arts.  In addition to working for the Main Line Art Center and the University of the Arts as an arts teacher in their children’s weekend and summer programs,  she taught art for 3 years within Philadelphia and the surrounding area at the elementary, middle and high school level.

What do you like best about being a visual art educator?

What I enjoy most about being an art educator is being able to provide an opportunity for students to engage in one of our basic human instincts, to create. I am humbled that I can assist in nurturing a child’s ability to express their unique identity while providing them the knowledge in skills and  techniques so that they may communicate more effectively.

What do you believe are three keys to ANY successful visual and performing arts education?

In addition to administrative support, I believe love and personal commitment for one’s content, assessment supported curriculum, and teacher flexibility are the three keys to providing a successful art education.

How have you found assessment to be helpful to you in your classroom?

Good assessments offer me a tool in which I can communicate with my students regarding expectations and their growth. It allows me to plan for what students need and how they need instruction delivered. This allows me to make their time in my room as individualized as possible.  Students see constructive feedback regarding their thought processes and skills and then, they can set real goals that are meaningful to them. I am finding that this facilitates not only skill and concept development, but a deeper appreciation for their time spent in art class.

What have been the benefits in becoming involved in the arts assessment initiative?

Becoming involved with MAAI has given me the tools and support to establish my voice in my district. By attending Mega-Regionals and then going through the Teacher Leader training I have gained the knowledge base to establish the arts as an academic subject. At the core, what I have gained through MAAI is the knowledge that I am no longer an isolated arts teacher; that I am part of  a large group of educators that believe that the Arts are essential to human development; they understand why and they are committed to strengthening arts education and advocacy for the arts in Maine. This has reinvigorated my passion for teaching as well as my commitment to building the best art program possible.

What are you most proud of in your career?

I am most proud of my personal growth as an educator. Over the years, I have spent a lot of time developing, reflecting and revising my curriculum and it has gone from a basic outline of what I thought was important for students to know (based on my personal experiences as a student and my personal interests),  to a more (teacher – student) collaborative piece that allows for exploration and discovery, reflection and personal goal setting. The most important thing I have learned, and I am still developing is flexibility in terms of instruction. A concept may be important for all students to get, but the way I deliver it might change from class to class depending on their readiness level, learning styles or even time constraints. I strive to treat students as individuals and to allow the art room to be a place where they can make personal connections to the materials and techniques offered and feel safe to make mistakes and to grow. Although this was always my theory about how an art classroom should run, it took me time and a lot of reflection and revision in order to reach a place where I can feel I am closer to this goal.

What gets in the way of being a better teacher or doing a better job as a teacher? 

I think we can often get in our own way through self doubt or rigidity in our thinking. I realize now, I used to act as though students should be the kind of student I was or should care about the subject matter I find important. Teaching through this paradigm produced some success but not much growth or the overall “ love for the arts” I was hoping to foster. By surveying students, hearing other teachers, reflecting, and trying new ideas, I feel I learned a lot about myself and how to be a better teacher.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances? 

I am not sure. I guess I believe luck can only get you so far. For real success to happen, hard work and determination has to be part of it.

Look into your crystal ball: what advice would you give to teachers?

My advice is; do what you know is right, honor your natural instincts and let your classroom be a reflection of who you are and how you want the world to be.

If you were given a $500,000.00 to do with whatever you please, what would it be?

If the money went to my classrooms, I would build a ceramics studio at both schools.  If it was for me to use personally,  I’d get an RV and travel around all the parts of the US I have never seen and/or start an arts center.

Imagine you are 94 years old. You’re looking back. Do you have any regrets? 

No, I believe all the parts of our journey offer learning experiences to help us evolve.  And, as we go through the various ins and outs of our life, we influence and are influenced by those around us.   As long as we keep learning from our mistakes, working positively and honestly toward our goals, there is nothing to regret.

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Another Teacher’s Story: Kate Smith

February 17, 2015

MAAI Teacher Leader series

This is the first blog post for 2015 on the Phase 4 Maine Arts Assessment Initiative’s (MAAI) Teacher Leaders sharing their arts teachers’ stories. This series contains a set of questions to provide the opportunity for you to learn from and about others.  You can learn more about MAAI at http://mainearts.maine.gov/Pages/Education/MAAI# and learn more about all 61 of the MAAI Teacher Leaders at http://www.maineartsassessment.com/#!teacher-leaders/c1qxk.

Screen Shot 2015-02-16 at 3.58.23 PMKate Smith is an elementary music teacher at Central Elementary School in South Berwick where she teaches 400 students in PreK through third grade. PreK students receive half a year of music, 30 minutes a week. Kindergarten receive 30 minutes a week and First through Third Grade receive 50 minutes a week. Kate also offers second and third grade chorus during January and February for 30 minutes a week. Prior to teaching at Central, Kate was the Music Director at Presentation of Mary Academy, a private all-girl high school in Methuen, MA. Kate received her bachelor’s degree from USM in 1998 and her Master’s in Technology in Education from Lesley University in 2011. Kate is the Outdoor Classroom Coordinator at her school and the 2014 York County Teacher of the Year and the 2015 District 11 VFW Teacher of the Year.

What do you like best about being a music educator?

The joy on the children’s faces each day as they experience music in its many forms.

What do you believe are three keys to ANY successful visual and performing arts education?

  1.  Highly trained passionate and effective educators.
  2.  A well planned curriculum with meaningful objectives
  3.  Support from the administration, staff and community. Support should come not only in the form of adequate funding but also through parent involvement and authentic opportunities for collaboration and integration with peers. The Arts MUST have a place at the table.

How have you found assessment to be helpful to you in your classroom?

Assessments tell me where we are and inform my next destination. Without them I am left to guess (or worse, assume) that students understand and can perform the content. Frequent assessment assures me they still remember or allows me to fill in the gaps. I refer to my favorite form of assessment as “dipstick” assessments, kind of like checking the oil in your car. Quick, easy and essential. Student centered assessment and proficiency based assessment mean the kids know I am with them to the end. I am going to differentiate until I find the right method for their learning style and I am not going to quit until they have met their objectives.

What have been the benefits in becoming involved in the arts assessment initiative?

There are so many benefits!!! For one, the teacher leaders are like one big family. Everyone is incredibly helpful and supportive. There are many readily available resources through the initiative that take the guess work out of creating authentic, effective assessments. Best of all, it is a “Judgement Free” Zone. Everyone realizes no journey is the same. We have all received vastly different levels of professional development through our individual districts, and that’s okay The point is to move forward from wherever you find yourself through the arts assessment initiative.

What are you most proud of in your career?

My students. My growth as a teacher too. I am constantly learning and willing to take risks.

What gets in the way of being a better teacher or doing a better job as a teacher?

Isolation. We are often the only music, art or drama teacher in our building. It’s really important that we find ways (and time!) to observe each other, collaborate with each other and share resources. Technology can make this possible, but we have to be willing to take risks, step out of our comfort zones and open ourselves to opportunities for powerful collaboration and personal reflection.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

Relationships and connections. These include community members, parents, staff, local businesses, our education foundation, local musicians, artists and past and present students.

Look into your crystal ball: what advice would you give to teachers?

Drink water. Eat breakfast. Go for walks. Build a PLC (personal learning community) comprised of exceptional Arts teachers . Read for pleasure. Go on vacations or staycations. Rest. Remember, you need to be at your best for these kids, they deserve it.

If you were given $500,000.00 to do with whatever you please, what would it be?

I would split it three ways-

  1. a donation to our local education foundation
  2. establish after-school Visual and Performing Arts classes, Culinary Arts programs, and Gardening classes for South Berwick residents ages 3-103.
  3. a donation to Copper Cannon Camp, a free fresh air camp for underprivileged children, located in Bethlehem NH.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

I am a visionary. We don’t look back. My grandparents never stopped making a difference in other people’s lives. Even in their 90s. I intend to follow in their footsteps.

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First Meeting – R.S.V.P. ME

February 13, 2015

Successful start

Screen Shot 2015-02-03 at 3.27.17 PMThe Maine Art Education online group –  R.S.V.P. ME had their first meeting last month and it was quite successful. Art educator Lisa Ingraham is the facilitator and the meetings are designed by participants to meet their needs and those of their students.

Several art educators attended the first meeting and shared ideas on topics that provided the opportunity to learn from each other. The two hour online meeting took place via the Zoom video conference system.

Westbrook High School art teacher Debbie Bickford shared a French/Art Collaborative  that a student is doing as an independent study. The student has been working with Debbie and the high school’s french teacher.

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If you are interested in attending in the future please watch for the information on this blog or on the MEArtsEducation facebook page at MEArtsEducation on Facebook at
https://www.facebook.com/MEArtsEducation. You do not have to be a member of the MAEA to join this meeting, but if you are a member contact hours are available.

If you have any questions please contact Lisa Ingraham at lisa.ingraham@msad59.org.

 

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Who Are They?: Bay Chamber, Part 3

February 11, 2015

Community Engagement

This blog post is part of a series called Who Are They? where information is provided for the Maine Arts Ed blog readers to learn about community organizations and institutions that provide educational opportunities in the arts. You will learn that they are partnering with other organizations and schools to extend learning opportunities, not supplant.

Bay Chamber Concerts and Music School is the first organization being highlighted. Located in Rockport, they provide rich music opportunities for students of all ages in the mid-coast area. Monica Kelly is the Executive Director You can learn more at http://www.baychamberconcerts.org/.

Manuel Bagorro is the artistic director for Bay Chamber and wrote the following blog post. He can be reached at manuel@baychamberconcerts.org.

Please tell the Maine Arts Ed blog readers about yourself.

Manuel Bagorro and Monica Kelly

Manuel Bagorro and Monica Kelly

I am is originally from Zimbabwe, but moved to London when I was 18 to study classical piano and take part in international piano competitions (sometimes fun, sometimes nightmarish!). I worked as a pianist for many years and then became more and more interested in organizing events, series and festivals, as well as exploring the power of music to change people’s lives – cheesy I know, but I really believe that music has special powers! I founded a large and exuberant festival in Africa (www.hifa.co.zw ), established music programs at several London hospitals and began to curate and present performances. Eight years ago I decided to move to New York City, partnered with Carnegie Hall to establish a new community engagement program called Musical Connections (http://www.carnegiehall.org/MusicalConnections/), and 3 years ago, I proudly became the Artistic Director of Bay Chamber Concerts and Music School in Rockport. Manuel provided the following post on the Lullaby Project.

What are your major responsibilities in your role as Artistic Director at Bay Chamber Concerts and Music School?

I have a really wonderful job! My responsibilities with Bay Chamber are to design and direct the artistic programming of the concert series and festival, as well as the Music School, and to work with all my incredible colleagues to imagine the possibilities for the future of our organization. It’s about vision, creative programming, building networks of remarkable artists, communicating all the things that we do, and finding ways to ensure our ongoing sustainability. It’s also about bringing joy to our audiences, and having fun celebrating great music.

Tell us about the many ways that you see the community engaged with the organization.

Bay Chamber Concerts and Music School takes community engagement and communication very seriously. The school was envisioned with significant input from community members and prospective students. We constantly ask the question – how can we effectively serve the needs of our community and region through high quality music education and professional development programs? The school is designed to be responsive to the changing needs and interests of the community; what they want to study (ukulele classes are enormously popular at the moment!), how they want to learn (classes, individual tuition, digital opportunities, master classes) and how Bay Chamber Concerts can financially support tuition for individuals and families as needed. We ask many related questions about all of our concert presentations – what are we uniquely positioned to bring to our local community? I design the program with this in mind, informed by many lively conversations with so many community members throughout the year. How can we work with our donors, audience, friends and local people to continue to build support for the highest quality and innovation, both in terms of our artists as well as our concert and school programming? The answer to that question is to continue to engage the broadest possible cross-section of our community in everything we do, not only as a way to publicize our offerings but also to ensure that we reach more deeply and broadly in to our community; to ensure that what we do has maximum impact on the lives of the people we serve. Our concert series at Maine State Prison and the Lullaby Project are both examples of projects designed to share the life-enhancing benefits of music and creative activity with people who may be in acute need.

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Certification

February 3, 2015

Opportunities for contact hours

Last week the paperwork arrived from the Maine Department of Education Certification office informing me that it is time to resubmit paperwork and a check to continue my certification for another five years. I was a bit nervous since I am not in a school district with a certification committee to help guide me if I have any questions. I read through the paperwork three times just to be sure I understood all that I had to do.

I dragged out my portfolio where I file my proof of contact hours and CEUs looking for the magic “90” hours. I stacked them in order and copied them highlighting the hours so it would be easy to get a total. I was surprised to learn that I had over 200 contact hours.

Periodically I receive desperate emails from teachers asking if I know of any professional development opportunities since they’ve received the same envelope that I did and that they don’t have enough hours. Quite frankly, I am not sure how, in this day and age, someone can not have enough!

For example, the Maine Arts Assessment Initiative (MAAI) is offering five professional development opportunities during this school year throughout Maine.

MAAI Logo_Color_TxtRtMAAI MEGA-REGIONAL WORKSHOPS
Details and registration information is available at http://mainearts.maine.gov/Pages/Education/MAAI-Mega-Regionals-2014-2015#. Each site has different offerings and you can attend one or more.

The cost is $25 and 5.5 contact hours are offered.

I made that last part nice and large so you can see the contact hour offering quite clearly.

Locations and Dates

Schedule for each Mega-regional

  • 8:15 a.m. Registration begins
  • 8:45 a.m. Opening Session and Morning Workshops
  • 9:10 – 10:20 a.m. Breakout Workshop Session I
  • 10:20 – 10:30 a.m. Break
  • 10:30 – 11:40 a.m. Breakout Workshop Session II
  • 11:40 a.m. – 12:30 p.m. Lunch, participants on their own
  • 12:30 – 12:45 p.m. Artist Showcase
  • 12:45 – 2:45 p.m. Session III Large group by Arts Discipline on Proficiency-Based Education and Teacher Effectiveness
  • 2:45 – 3:00 p.m. Closing Session

Maai group 2PM Session

The Arts and Proficiency: What, Why and How?

The afternoon session will be focused around group discussions utilizing key questions on how proficiency (and teacher effectiveness) is being implemented across the state of Maine in our own arts classrooms. Participants will leave with concrete ideas and/or plans to facilitate their own actions. These may lead to breakout sessions to deeper discussions and common concerns. This session will be separated between visual and performing arts teachers.

I hope that you will take advantage of these opportunities to learn from and with your colleagues. Maine has a wonderful network of visual and performing arts teachers who are willing to collaborate and share information. We are so fortunate! Please email me at argy.nestor@maine.gov if you have any questions.

 

 

 

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Who Are They?: Bay Chambers, Part 1

January 28, 2015

Offering arts experiences for learners of all ages

This blog post is part of a series called Who Are They? where information is provided for the Maine Arts Ed blog readers to learn about community organizations and institutions that provide educational opportunities in the arts. You will learn that they are partnering with other organizations and schools to extend learning opportunities, not supplant.

Bay Chamber Concerts and Music School is the first organization being highlighted. Located in Rockport, they provide rich music opportunities for students of all ages in the mid-coast area. Monica Kelly is the Executive Director and you can learn more at http://www.baychamberconcerts.org/.

Screen Shot 2015-01-25 at 7.58.13 PMI was invited to join the Board of Trustees. At that time I had three young children who I was very determined to introduce to music, especially classical music. My childhood was spent surrounded by the arts as my mother was born in Rome, Italy and my father, Dublin, Ireland. Both of my parents were devoted art and music lovers and came from a heritage rich in cultural opportunities. I wanted the same for my children and Bay Chamber was an organization where I saw great integrity and great potential.

I immediately got involved in the education arm at Bay Chamber which, at that time, had a focus on a summer music camp called Next Generation for Maine students who had an interest in playing chamber music together. Along with this intensive program, Bay Chamber offered student matinee performances featuring musicians, dancers and artists that were part of their off-season concert series and a prize program called Young Stars of Maine.

Screen Shot 2015-01-25 at 7.58.04 PMLearning about the musical opportunities for children in our community brought me to found a youth orchestra in 2000, independently of Bay Chamber, called Odeon. We started with a very modest group of 8 students of all ages and abilities and grew to over 40 by 2006 when we were invited to merge with Bay Chamber Concerts.

Through that merger, I joined the staff of Bay Chamber as Director of Education. Along with some very passionate board members, we began the long process of forming a music school and in 2011 the Bay Chamber Music School was born. As we were seeing school budgets for the arts cut dramatically in our area, our intention was always to supplement what the schools could do, focusing on private lessons, strings ensembles, and group classes for the very young. We recruited a faculty of professional musicians who have advanced degrees in their instrument and perform regularly in the concert hall. Through the generosity of our donors, we are able to offer a financial aid program that allows us to offer up to 75% of tuition to those who qualify. One of the important ways we try to distinguish ourselves as a music school is by offering many ways for student musicians of all ages to connect with each other and make music together in ensembles.

Screen Shot 2015-01-25 at 7.58.22 PMToday our music school sees an average of over 300 enrollments per year and reaches many, many more through our student matinee and community engagement programming. We have partnered with Carnegie Hall and the Passages program of Wayfinder Schools to offer the Lullaby Project, a song writing workshop for teen parents. This spring we are partnering with the Camden Conference to put on a series of Odeon concerts related to their theme, Russia Resurgent.

As the Music School continues to grow and thrive we are always looking for ways to partner with schools to work together to bring live music into the hearts and minds of as many young people as possible. On March 27th at 9:30am at the Camden Opera House, we are offering a free matinee to middle schoolers featuring the a cappella group Overboard. As I write there are still some spots available, so if you would like more information on hearing this dynamic and vibrant in action please contact me at monica@baychamberconcerts.org.

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Integrated Teaching

January 24, 2015

Sweetland Center, Hope, MaineScreen Shot 2015-01-23 at 11.47.26 AM

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2015-16 MLTI Artwork Challenge

December 14, 2014

Student Opportunity

Over the last six years, the MLTI device has featured screen savers featuring outstanding student works of art (twenty each year). To date, there have been well over two thousand pieces of artwork submitted. WOWZER! Currently images are made available as a screensaver download on the following MLTI Devices: HP ProBooks & Apple MacBooks.

"Eye in Triangle", by Dominick Bernard, Deering High School, Grade 10

“Eye in Triangle”, by Dominick Bernard, Deering High School, Grade 10

The opportunity to submit artwork is available to Maine students in grades K-12. MLTI asks that students submit only ONE piece of artwork to be considered for 2015-2016 MLTI devices. Please take careful note of the sizing and labeling requirements. Submissions not meeting these requirements or students submitting multiple works will not have their artwork reviewed. The deadline to submit artwork for this challenge is January 2, 2015. Works of art submitted will be scored by an independent review committee using a rubric.

The students whose artwork is selected will have their artwork on 2015-2016 MLTI Devices, receive free Student Conference registration (May 21, 2015) and also have their artwork printed and displayed at the Department of Education in the spring.

"Holograms", by Elana Bolles, Yarmouth High School, Grade 11

“Holograms”, by Elana Bolles, Yarmouth High School, Grade 11

Please submit your artwork to Juanita Dickson. Anyone can submit the artwork (guardian, teacher, student, etc), but please be sure to include the following information in the email:

  • Student name
  • School name
  • Grade
  • Teacher (Adult) name & email address (this is who we’ll contact with result)
  • Artwork title

Don’t forget to read the guidelines! If your picture is not properly sized/submitted, it can not be considered for the challenge.

For the artwork submission guidelines (.pdf) please click here.

"Striations", by Matthew Lambert, Mount Desert Island High School, Grade 10

“Striations”, by Matthew Lambert, Mount Desert Island High School, Grade 10

MLTI Artwork Challenge Timeline

  • January 2, 2015 – Submissions due.
    Please email your submission to Juanita Dickson at juanita.dickson@maine.gov. Confirmation of receipt will be emailed to you.
  • January 3 – January 20, 2015 – Selection committee reviews submissions using a rubric.
  • January 25, 2015 – Teachers of the students with selected pieces will be notified by this date. A release form will need to be signed by parents and sent back to MLTI before any names are released to the public.
  • February 15, 2015 – Release forms due to back to the MLTI Project Office
  • Late February 2015 – Selected artwork information released to the public.
  • May 21, 2015 – Student Conference. Selected students will be invited to join us at the Student Conference free of charge (students will need to complete online registration)

Please contact Juanita Dickson at juanita.dickson@maine.gov with any questions.

To view all of the past screen saver images please click here.

 

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Mega Video, MDIHS

December 10, 2014

All about the day!

Are you aware that we have a Maine Arts Education YouTube channel? If not, the name is Maine ARTSEducation and located at https://www.youtube.com/channel/UC-lElK9bBU_o96Wrg-kNbeg.

I mentioned earlier on the blog and in the weekly list-serv email that Charlie Johnson, one of Mount Desert Island High School visual art teachers created a video of the Maine Arts Assessment Initiative’s Mega-regional workshop at MDIHS.

It is now available for your viewing pleasure on the YouTube channel at http://youtu.be/4kdCr5xksog. Even among the snowflakes falling on the video you can see some of the seriousness and funny moments during the Mega MDIHS on November 25. (Who is that guy in the middle of the dance line?) THANK YOU CHARLIE for your PASSION for ARTS EDUCATION and WORK on the VIDEO!