Posts Tagged ‘residency’

h1

MALI Teaching Artist Story – Tim Christensen

April 25, 2017

MALI Teaching Artists series

This is the eighth blog post of the Phase 6 Maine Arts Leadership Initiative (MALI) stories. And, this is the first one provided by a Teaching Artist Leader. This series includes a set of questions so you can learn a little bit about the Teaching Artists work.  CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 81 Teacher Leaders plus 4 Teaching Artist Leaders.  CLICK HERE  for Arts education resources. CLICK HERE  for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories. There have been 78 posted to date. Thank you Tim for sharing your story!

You can view his beautiful artwork at http://www.timchristensenporcelain.com/.

Tim Christensen works primarily in porcelain, with sgraffito. He has been teaching art and pottery since 2002. His favorite age group really depends on the project at hand, but generally, his favorite group is middle school. Tim loves collaborating with art teachers of any type, and enjoy the challenges and rewards of working in our public schools.

What do you like best about being a teaching artist?

I like that every day is a new day, with new kids and new challenges. I find that I can come into a classroom and work with the young artists unencumbered by any expectations on either of our parts. It allows the experience to be both fruitful and fun for everyone, and often can provide a new view on learning for both the teacher and student. I love helping students to discover their visual voice, and love inspiring them to say the things that they most need to say.

What do you believe are three keys to ANY successful visual and performing arts education?

Any endeavor must be challenging, engaging, and have clearly defined, achievable, parameters for success.

Have you found assessment to be helpful in your classes, workshops and residencies, and if so, how?

I very much like teaching in environments where assessments are used. I find that the students rely on rubrics, when available, as a basis I for formative self-assessment. I like that a rubric, used correctly, opens up a project for multiple pathways of showing success, and engages the students in customizing a project to best fit their interests.

What have been the benefits in becoming involved in the Maine Arts Leadership initiative?

MALI has allowed me to learn about and discuss the latest ideas and science in education with the leaders in our field, and has given me a voice within my community. Before MALI, I didn’t know there even WAS a community.

What are you most proud of as an artist and/or a teaching artist?

As a TA, I am most proud of those moments where I see a student or teaching professional leap forward in their understanding of a student’s abilities and thoughts. As an artist, I am most proud of the hard work it has taken to develop my voice, AND develop an audience to hear it.

What gets in the way of doing a better job as a teaching artist?

There are only 24 hours in a day…..

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

My entire life as an artist is due to hard work and determination. I know that sounds glib, but it is true. In 2007, I moved to the woods in Maine with a tent, some skills, and a stack of lumber, and literally built my life from clay, dirt, wood, and sweat. Everything I have accomplished since then has come from that basis, and still is derived from those 4 assets.

What advice would you give to someone who is thinking about becoming a teaching artist or is just starting out?

Get out there and do it. Don’t wait for perfect conditions. Create acceptable conditions, and improve them as you can. Also, always assume that you are on the right path, and that there is a solution to every problem you encounter. Work every single day. Trust your thoughts and instincts, and work on ways of expressing those things that make it easier for others to understand you. Tell everyone who will listen about your ideas, and your passion. Lastly, if you don’t see a way forward, make one: not just for yourself, but to make the way easier for all those people who are not as confident of their feet as you are.

If you were given a $500,000.00 to do with whatever you please, what would it be?

I would be doing exactly what I am doing right now.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

I do, but not around the way I have spent my time, only in paths not taken, or too soon abandoned.

h1

Lake Region High School Dance Residency

June 22, 2015

 John Morris and Carmel Collins collaborate

Da.Res.1Students of Lake Region High School participated in an exciting “Dance Residency” with professional dancer and teaching artist John Morris. When I heard that a professional dancer had moved into our district I knew I had to reach out and connect with him. As it turned out John was a former LRHS graduate who had pursued a career in dance that had taken him to New York City. After his many travels he had returned to Bridgton with his family. Connecting with John was akin to finding a hidden treasure, right in our own backyard. His experiences, expertise, knowledge and skill that he brought to the residency were enlightening and valuable to both students and myself, and truly brought dance education to a new and powerful level.

Da.Res.3John and I immediately connected and I found myself able to talk about dance education on many levels without having to go though lengthy explanations. It was as though we had know each other for ever. We both shared our vision and goals for the residency with ease and the planning seemed to come together very cohesively.

We met a few times prior to John’s initial session with the students and he was able to view the space and what resources were available at these meetings. It was great to have someone else’s input of working with the students on dance and hearing their perspective of the program. The most challenging part was to know when would be a productive time to interject a dance residency and the most opportune time for John to start. The students and I were at the beginning of choreographing our spring show and both John and I thought it would be beneficial to embrace the show in some format with his residency. Once we had decided upon this everything fell into place.

Da.Res.2.I was very excited to share the residency with my students and in turn they were excited at the prospect of a new and different dance teacher coming into the arena. It was great to be able to work with another dance professional and for the students to witness and be part of this partnership. The students so often observe me working in isolation, this was a great experience for them to see me teaming with someone else.

It was fascinating to observe my students working with John. His approach was different and new to the students, because he focused on creative exploration and a contemporary dance approach, but one could see their awkwardness and reservations dispel as he quickly built up trusting and respectful connections with them. Conversations began to flow more freely as the students became more familiar and at ease with the new format. In between John’s sessions conversations continued and the students would build upon each session which enabled the students to share with John what they had accomplished since his last visit.

Da.Res.4There was much evaluating and supportive critiquing during the residency as students spent time reflecting upon what they were creating and the direction they wished to go.

Quite often the students would share with John what they would like to see happen and in return John would ask, “How can we make that happen? What can we do to get from where we are now to where you want to be?” To aid students with this process John collaborated with them to create and explore a list of choreographic tools that the students could easily access in assisting them through their problem solving journey.

Da.Res.5In between each of John’s visits we would communicate and give feedback to one another to ensure we were always on the same page and prepared for the next session, as well as supporting one another on this new journey. Our planning, preparation and communication were integral to the success of the residency and it was great to collaborate with a fellow dance professional. John reported that he was delighted with our collaboration, as well as with the students’ willingness to explore and try new things. The residency was a wonderful learning experience for both myself and my students, the spring show was a success, and we all look forward to the next one.