Posts Tagged ‘theater arts’

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Who Are They?: Celebration Barn – Part 5

April 28, 2016

Producing

This blog post is part of a series called Who Are They? where information is provided for the Maine Arts Ed blog readers to learn about community organizations and institutions that provide educational opportunities in the arts. You will learn that they are partnering with other organizations and schools to extend learning opportunities, not supplant. Please consider ways in which you can collaborate to provide excellent arts education for all learners.

This is the last of 5 blog posts about Celebration Barn which is located at 190 Stock Farm Rd, South Paris, ME. Thanks to Ian Bannon for providing the posts.

Celebration Barn Theater has a long history of producing new work that is crafted, innovative, and wildly alive. In the 70’s and 80’s the Barn’s founder, Tony Montanaro, trained and directed ensembles of touring performers in addition to helping individual artists create compelling works that are uniquely their own.

he Last Hurrah at Camp Maine Photo by Davin Currie

he Last Hurrah at Camp Maine
Photo by Davin Currie

The tradition continues with Amanda Huotari at the helm as Celebration Barn’s Artistic and Executive Director. Last summer, NYC’s Jeff Wirth wrote and directed The Last Hurrah at Camp Maine, a comic summer camp reunion. Celebration Barn’s property played the role of the oldest summer camp in the state as the story unfolded all over the grounds and all around the audience.

Those of you who participated in the performance experienced firsthand the power of Jeff Wirth’s unique brand of interactive theater. It was met with such rave reviews from our audience that we have invited Jeff back to the Barn this summer to teach and present his latest creation: StoryBox.

StoryBox-1024x753The StoryBox itself is a multi-tech stage designed specifically for interactive performances- where live performance seamlessly integrates with improvisational lighting, soundscapes, and video streaming.

Jeff will bring together an ensemble of interactive performers during a week-long intensive training at Celebration Barn. The ensemble members will emerge as, “‘quintuple threat’ performers, combining skills in acting, dramatic improvisation, story structure, social psychology, and technology.”

Inter-actors employ these skills to empower the audience members, referred to as spect-actors, to play and direct the action of each scene. Audience members are invited to engage in whatever way they are most comfortable. They may choose to participate or sit back and enjoy the show as usual.

We can’t wait to see what Jeff–and all of you spect-actors–have in store for us this summer!

For more information about Celebration Barn Theater workshops, visit their by CLICKING HERE.

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Who Are They?: Celebration Barn – Part 4

April 21, 2016

Summer performance series

This blog post is part of a series called Who Are They? where information is provided for the Maine Arts Ed blog readers to learn about community organizations and institutions that provide educational opportunities in the arts. You will learn that they are partnering with other organizations and schools to extend learning opportunities, not supplant. Please consider ways in which you can collaborate to provide excellent arts education for all learners.

This is the fourth of 5 blog posts about Celebration Barn which is located at 190 Stock Farm Rd, South Paris, ME. Thanks to Ian Bannon for providing the posts.

Celebration Barn’s Summer Show Series offers Western Maine audiences the opportunity to experience original performances by a diverse range of world-class touring artists. From masterful physical comedy to powerful storytelling, and off-the-wall improvisation to unforgettable spectacle, each Saturday night performance offers a truly unique experience. offer local, statewide and national audiences the opportunity to experience original performances by a diverse range of world-class touring artists.

Happenstance Theater's Brouhaha, coming to Celebration Barn on August 20, 2016

Happenstance Theater’s Brouhaha, coming to Celebration Barn on August 20, 2016

Our 2016 Summer Show Series will feature Mike Miclon’s The Early Evening Show on the First Saturday of every month: June 4, July 2, August 6, September 3 & October 1! See what made this Western Maine gem the longest running variety show in the state.

Tickets are typically $14 adults, $12 seniors (60+) and $8 kids (17 and under), unless special event pricing is indicated. Seating is general admission. Purchasing tickets in advance is highly recommended. Shows begin at 8:00 PM (unless otherwise noted). Doors open 30 minutes before showtime.

Tickets can be purchased anytime online at http://www.celebrationbarn.com/shows-at-the-barn/ or Monday-Saturday from 9:30-12:30 via telephone at Celebration Barn’s Box Office: (207) 743-8452.

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Who Are They?: Celebration Barn – Part 3

April 7, 2016

Incubation Residencies

This blog post is part of a series called Who Are They? where information is provided for the Maine Arts Ed blog readers to learn about community organizations and institutions that provide educational opportunities in the arts. You will learn that they are partnering with other organizations and schools to extend learning opportunities, not supplant. Please consider ways in which you can collaborate to provide excellent arts education for all learners.

This is the third of 5 blog posts about Celebration Barn which is located at 190 Stock Farm Rd, South Paris, ME. Thanks to Ian Bannon for providing the posts.

Celebration Barn Theater is an incubator for physical theater with an emphasis on collaborative process. Our Show Incubation Residencies provide artists a retreat from daily demands, allowing them to fully immerse themselves in creating and refining work. This year, we will host up to three artists/ensembles for two week-long residencies in June August.

Performers of all types are encouraged to apply to the residency. Last year’s forms included physical theater, interactive performance, juggling, and puppetry. 2015 participant Lisa Jackson-Schebetta from the University of Pittsburgh valued, “the trust and faith placed in artists. The ownership given to artists to steer the course of the week, not only in their work, but in the day to day ness of the experience: this is incredibly valuable.”

"This is the kind of experience that lets you realize how important your surroundings can be when working on a project." -- Thom Wall, Juggler Photo by Davin Currie

“This is the kind of experience that lets you realize how important your surroundings can be when working on a project.” — Thom Wall, Juggler
Photo by Davin Currie

Located in the beautiful countryside of western Maine, Celebration Barn’s 44 year history fuels a super-charged atmosphere that encourages artists to play on their creative edge, to be nurtured and challenged by collaborators, and to launch performance in new directions. Thanks to generous support from the Nolan Family Foundation, the program, including our meal plan, is free for all participants.

In addition to housing and meals, the Barn provides artists with designated rehearsal studios; opportunities to share work, network, and process with other artists; a public workshop performance; and access to the Barn’s 11 acres of fields and forests including a fire pit, volleyball court, horseshoe pit, and laying hens. In exchange, artists are asked to provide feedback on how the residency served to advance their work and provide visibility for Celebration Barn in promotional materials for the work.

For more information about Celebration Barn Theater workshops, visit their by CLICKING HERE.

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Who Are They?: Celebration Barn – Part 2

March 31, 2016

Workshops

This blog post is part of a series called Who Are They? where information is provided for the Maine Arts Ed blog readers to learn about community organizations and institutions that provide educational opportunities in the arts. You will learn that they are partnering with other organizations and schools to extend learning opportunities, not supplant. Please consider ways in which you can collaborate to provide excellent arts education for all learners.

This is the second of 5 blog posts about Celebration Barn which is located at 190 Stock Farm Rd, South Paris, ME. Thanks to Ian Bannon for providing the posts.

Celebration Barn is an immersive physical theater school where students develop their own works. Summer workshops are offered in a restored horse barn in rural Maine – a picturesque place that’s only a one-hour flight from New York City. This beautiful setting – away from distractions and obligations – allows performers to fully focus on their craft and develop their work in a supportive atmosphere where creativity and experimentation are encouraged.  The Barn attracts today’s most sought-after physical theater instructors and performers who grow and refine artists’ ideas through a uniquely rigorous and collaborative process.

Students perform as part of Dodi Disanto's 2015 Body-Motion-Gesture Workshop Photo by Davin Currie

Students perform as part of Dodi Disanto’s 2015 Body-Motion-Gesture Workshop
Photo by Davin Currie

Depending on the instructor, the one- and two-week-long intensive workshops can consume between 6-12 hours a day. Further, intimate class sizes ensure each student gets adequate attention during their stay. This professional training is open to students (ages 18+) of all experience levels.

Each year brings a different set of workshops. In 2015 the Barn is offering 7 workshops taught by artists from around the world. Natsuko Ohama encourages students to, “Free your voice! Free yourself!” through The Voice and The Performer. Aitor Bassauri from London’s Spymonkey Theater will teach a workshop on Creating Clown Material. Giovanni Fusetti will lead an exploration into a grotesque of humanity with Bouffon and The Ecstasy of Mocking. Lastly, Jeff Wirth will train an ensemble of cutting-edge, interactive performers during his StoryBox: Interactive Performance Intensive.

Then there are the perennial favorites:

Avner the Eccentric and Julie Goell have been mainstays of the program for many years with two week-long courses on their Eccentric Principles of clowning. The Barn’s most popular workshops, Intro to Eccentric Performing and Advanced Eccentric Performing draw many participants back time and time again.

Davis Robinson and Karen Montanaro, along with guest instructors, lead the Celebration Barn Devising Intensive each summer. This workshop is designed for directors, teachers, and performers interested in devising their own theater pieces. Students learn several methods for imaginative theater problem-solving by spending two intensive weeks devising solo, duet, and ensemble pieces. Students participate in daily classes in movement dynamics, improvisation, partnering, premise work, graphics, and scripting. In the afternoon, world-class artists provide them with a range of approaches. Evenings are spent working on assignments and sharing devised material.

For more information about Celebration Barn Theater workshops, visit their by CLICKING HERE.

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Who Are They?: Celebration Barn – Part 1

March 24, 2016

Celebration Barn

This blog post is part of a series called Who Are They? where information is provided for the Maine Arts Ed blog readers to learn about community organizations and institutions that provide educational opportunities in the arts. You will learn that they are partnering with other organizations and schools to extend learning opportunities, not supplant. Please consider ways in which you can collaborate to provide excellent arts education for all learners.

This is the first of 5 blog posts about Celebration Barn which is located at 190 Stock Farm Rd, South Paris, ME. Thanks to Ian Bannon for providing the posts.

Photo by Davin Currie

Photo by Davin Currie

Celebration Barn Theater is a center for creating and performing original theater. Dedicated to unleashing individuals creativity and building a creative community. Celebration Barn fuels the development of new work that is crafted, innovative and wildly alive.

Founded in 1972 on a farm in South Paris, Maine, the Barn was born out of internationally acclaimed mime artist Tony Montanaro’s drive to encourage people to create their own original theater. Now in its 44th year, Celebration Barn is world renowned for generating diverse and uniquely personal physical theater. Alumni are performing on Broadway, in film and television, and at thousands of festivals and theaters around the globe. From this creative oasis in the woods of Maine, we are launching the next generation of theater pioneers.

Each Saturday night, the Barn’s Summer Show Series brings world-class artists to Western Maine: from masterful physical comedy and powerful storytelling to off-the-wall improvisation and unforgettable spectacle.

Summer Workshops and Residencies provide theater artists with opportunities to train and develop new productions in a creatively-charged and bucolic setting. Many of these new works then tour world-wide and are seen by millions of audience members each year.

For more information about Celebration Barn Theater, visit their website by CLICKING HERE.

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Another Arts Teacher’s Story: Lisa Neal

June 10, 2014

Theater Arts, grades 9-12, Nokomis High School, Newport, Maine

This is the eleventh blog post for 2014 and the third phase of the Maine Arts Assessment Initiative (MAAI) of this series sharing arts teachers’ stories. This series contains a set of questions to provide the opportunity for you to learn from and about others. Lisa has been a teacher leader during phase 3 of the MAAI.

Screen Shot 2014-05-16 at 11.04.45 AMLisa Neal teaches Theater Arts to grades 9-12 students at Nokomis High School in Newport. She has been part of the district for 27 years where she began her educational career as an Education Technician. Lisa directed the middle school show chorus for 21 years and will begin her 19th year with the High school show chorus this fall. She also worked as a 7th grade social studies teacher for 10 years at Somerset Valley Middle School. Lisa has been at the high school teaching Theater Arts for the past two years. She  teaches two Acting classes, a Script Writing class, an Advanced Theater Class and a Comedy class. She also assists with the concert chorus and run the after school Drama Club. Her program is growing quickly; she has about 100 students in her classes and between the two after school productions, one of which was a musical, Lisa has about 50 students involved.

What do you like best about being an Arts educator?

There are so many reasons that I love teaching theater arts. It is very exciting to teach in an area where most of the students are excited to be there because they were able to choose the class. These students enjoy the content and are willing to give the effort needed to do the difficult work. I love watching students blossom into confident young men and women. So many come into the class as very shy individuals, not truly believing that they can conquer their fears around public speaking, yet they leave realizing that they have it within themselves to take those crucial risks. I love hearing them use terminology we have learned in class and be able to evaluate the craft based on true understanding of what they are viewing. I love hearing them make connections to other content areas and hearing them tell me they “felt smart” in their other classes because they applied concepts and knowledge they learned in Comedy class. In short, I love my job!

What do you believe are three keys to ANY successful visual and performing arts education?

  1. Effective Educators:  Nothing in education will be successful if there are not people who are passionate about their content, but even more importantly, people who love being with students. Educators must inspire students and help them achieve their potential by encouraging and critiquing. When students know they have someone in their lives that truly care about them, they will thrive.
  2. Opportunities to DO:  The nature of the arts is to share. We need to give students the chance to share their work whether that is in front of an audience of ten peers or a public audience of 800. Remembering to consider each student as an individual while planning these opportunities is imperative, but it is giving them a chance to prove to themselves that they can do it is vital to their growth.
  3. Connections: We need to show students how the arts connect to other content areas, as well as other facets of their lives.  When they make this realization, they will continue to allow the arts to enrich their lives and become life long lovers of the arts.

How have you found assessment to be helpful to you in your classroom?

Invaluable! This year our school has put great emphasis on formative and summative assessments. I use formative assessments in many forms, every day in my classroom. Having a clear picture of your student’s understanding of the content, where their interests lie and what their ability level is, is the most important information that any educator can have. It helps to differentiate instruction for content, process and product, and it gives direction for future lessons. It allows a teacher to decide if they need to reteach certain concepts or if they can move on to the next one. It also assures that students will proficient on summative assessments that are given, which will be even more important as we move towards standards based diplomas.

What have been the benefits in becoming involved in the arts assessment initiative?

I have had the chance to meet other talented, passionate educators from around the state; I have been able to share experiences.  Being a Theater Arts teacher can sometimes be lonely. I am the only one in my entire district to teach in this content area. Meeting other teachers who teach in the same content has been extremely helpful. We have developed a wonderful relationship, sharing ideas, rubrics, costumes and even did an exchange production, bringing each of our respective groups to the fall musical in each school.

What are you most proud of in your career?

I don’t know if I would say I am “proud”, but I will say what I hope that I have done is make a difference in the lives of my students. It is what I strive to do every day. I would like to think that some of them have learned something from me and they might look back and be able to say that they had a teacher who genuinely cared about their well-being and not just their education.

What gets in the way of being a better teacher or doing a better job as a teacher?

It never feels like there is enough time to do everything that needs to get done. I would love more time to reflect on my lessons and discuss with other educators ways to improve my practices. I think the most important thing that any educator has to do is continue to work towards “better.” I have always said that when I think I have it all figured out and that there is nothing more I can do to improve, then I better retire. I think it will take all the time I have to get to be the best teacher I can be.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

I came into teaching later in life. When my daughter was in 7th grade, I quit my job and went back to school full time. I graduated when I was 35 years old and “fell” into a job during my student teaching. Although this may have looked like “luck”, I had spent 15 years in the community volunteering in my children’s school, working with a theater company that offered Shakespearean residencies to middle school students in the state of Maine, and working as the director of the middle school show chorus. After teaching for 10 years I decided I wanted to get my Masters Degree which I received last December from University of New England in Literacy Instruction. Getting the job as the Theater Arts teacher at Nokomis was lucky in that it opened at a perfect time, but the reason I was asked to be there was because of the work I had done in the district over the last 20 years.

Look into your crystal ball: what advice would you give to teachers?

Remember that teaching is not a job, it is a calling. Not everyone should be a teacher. You must be passionate about your content and know it well, but you must love being with students and imparting that knowledge even more. You must have patience, be flexible and above all, have a sense of humor. Before you become a teacher, make certain it is your calling because when you are called to be a teacher, there is no job more rewarding.

If you were given a $500,000.00 to do with whatever you please, what would it be?

Build a beautiful Performing Arts Center so my students could experience what it is like to perform on a real stage! Okay, I know this amount wouldn’t come close to doing that but I would just multiply my hypothetical money and make it a few million.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

At this point, I would say I do not have any regrets. I have a full rich life that includes a wonderful family, opportunity to perform with other talented people who love the arts on historic stages like Lakewood Theater and Waterville Opera House, and I work in a field that makes a difference in the lives of others. What could be better?